<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"><channel><title><![CDATA[Gore And Grime Podcast Reviews]]></title><description><![CDATA[Gore And Grime Podcast Reviews <br/><br/><a href="https://goreandgrimepodcast.substack.com/s/gruesome-hertzogg-podcast?utm_medium=podcast">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/s/gruesome-hertzogg-podcast</link><generator>Substack</generator><lastBuildDate>Sat, 18 Jul 2026 09:00:21 GMT</lastBuildDate><atom:link href="https://api.substack.com/feed/podcast/8987534/s/385745.rss" rel="self" type="application/rss+xml"/><author><![CDATA[Gore And Grime Podcast]]></author><copyright><![CDATA[Scott Geiter]]></copyright><language><![CDATA[en]]></language><webMaster><![CDATA[goreandgrimepodcast@substack.com]]></webMaster><itunes:new-feed-url>https://api.substack.com/feed/podcast/8987534/s/385745.rss</itunes:new-feed-url><itunes:author>Gore And Grime Podcast</itunes:author><itunes:subtitle>Gruesome Hertzogg Podcast</itunes:subtitle><itunes:type>episodic</itunes:type><itunes:owner><itunes:name>Gore And Grime Podcast</itunes:name><itunes:email>goreandgrimepodcast@substack.com</itunes:email></itunes:owner><itunes:explicit>No</itunes:explicit><itunes:category text="TV &amp; Film"/><itunes:category text="TV &amp; Film"/><itunes:image href="https://substackcdn.com/feed/podcast/8987534/s/385745/7ed2332993695d7c61c9e17b34044d80.jpg"/><item><title><![CDATA[Horror Alumni Face Their Worst Nightmare | 13 Fanboy review ]]></title><description><![CDATA[<p>https://www.youtube.com/channel/UC-uohHROj9Aylg_edobhcSA/join13 Fanboy (2021)13 Fanboy is an indie slasher film directed by Deborah Voorhees (best known for playing Tina in Friday the 13th Part V: A New Beginning). The movie takes a meta-fictional approach to the horror genre, focusing on an obsessed, lethal fan who stalks and murders iconic actresses from legendary horror franchises—specifically playing fictionalized versions of themselves.Key Cast & Meta ElementsThe film is notable for gathering a massive ensemble of horror alumni, particularly from the Friday the 13th and Halloween universes:Dee Wallace (The Howling, Cujo, Halloween 2007)Deborah Voorhees (Friday the 13th Part V)Kane Hodder (The definitive Jason Voorhees of parts VII–X)Lar Park Lincoln (Friday the 13th Part VII: The New Blood)Jennifer Banko (Friday the 13th Part VII, Leatherface: Texas Chainsaw Massacre III)Judie Aronson (Friday the 13th: The Final Chapter)C.J. Graham (Friday the 13th Part VI: Jason Lives)Corey Feldman (Friday the 13th: The Final Chapter) making a cameo appearance.Plot & StyleThe narrative leans heavily into the dark side of fan culture and convention circuits. Instead of relying on a supernatural killer, the threat is entirely human: a fan whose devotion has warped into a violent fixation.Production-wise, the film relies on a gritty, low-budget indie aesthetic and places a heavy emphasis on practical makeup and gore effects, a deliberate nod to the golden era of 1980s slasher cinema.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/horror-alumni-face-their-worst-nightmare</link><guid isPermaLink="false">substack:post:199452469</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 27 May 2026 12:04:53 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/199452469/615c521283baf99b2b37fa1e63799c03.mp3" length="6343503" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>396</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/199452469/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Zombies vs Strippers - The Wildest Horror Comedy You've Never Heard Of review ]]></title><description><![CDATA[<p>Join this channel to get access to perks:<a target="_blank" href="https://www.youtube.com/channel/UC-uohHROj9Aylg_edobhcSA/join">  </a></p><p><a target="_blank" href="https://www.youtube.com/channel/UC-uohHROj9Aylg_edobhcSA/join"> / @gruesomehertzogg  </a>Zombies Vs. Strippers (2012) is a micro-budget horror-comedy released by Charles Band’s infamous Full Moon Features.  Directed by Alex Nicolaou (son of longtime Full Moon director Ted Nicolaou, known for the Subspecies franchise), the film relies heavily on a gritty, sleazy B-movie atmosphere rather than high-end production values. Unlike the similarly titled, bigger-budget Zombie Strippers (2008) starring Jenna Jameson, this entry keeps the core dancers alive and fighting against the undead horde rather than transforming into them.  +1The BlueprintDirector: Alex Nicolaou  Writers: Kent Roudebush, Alex Nicolaou, Nick Francomano  Runtime: ~75 minutes  Release Date: July 2012  Special Effects: Primarily low-budget practical gore, lean makeup, and foundational blood-squirt gags typical of late-era Full Moon productions.Plot OutlineThe entire movie unfolds inside “The Tough Titty,” a rundown, cash-strapped strip club in a bleak corner of Los Angeles. The establishment is managed by Spider, a flower-shirt-wearing, tiki-aesthetic enthusiast who is buried in debt and desperately trying to sell the business.  +1While Spider deals with a looming financial crisis, a sudden zombie apocalypse begins consuming the city outside. The bar’s staff and few remaining patrons are initially completely oblivious to the outbreak—even misinterpreting the sluggish, undead groans of early infected customers as sheer apathy toward the stage performances.  +1Once the horde breaches the club, the survivors—including an eccentric bouncer named Marvin, a trio of bikers, a sleazy businessman, and a collection of dancers with varying motivations (Vanilla, Sugar Hills, Jasmine, and Bambi)—are forced to barricade the doors. The film transitions into a standard, single-location siege narrative where the dancers must utilize unconventional, everyday club props (including high heels used as makeshift skull-piercing weapons) to survive the night.Core Cast & CharactersCircus-Szalewski as Spider: The eccentric, fast-talking owner of the failing establishment.  Brittany Gael Vaughn as Vanilla: A standout character who embraces an aggressive, street-tough action heroine archetype to combat the horde.  Eve Mauro as Sugar Hills: One of the club’s veteran, hard-drinking dancers.  Victoria Levine as Bambi: A dancer working the poles specifically to fund her education to become a veterinarian.  Adriana Sephora as Jasmine: The club’s resident airhead archetype.  Brad Potts as Red Wings: A Bible-quoting biker who seeks refuge inside the club during the initial chaos.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/zombies-vs-strippers-the-wildest</link><guid isPermaLink="false">substack:post:199089444</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sun, 24 May 2026 17:05:53 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/199089444/b99933a95e7ab262418fd5a5928de245.mp3" length="2945913" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>184</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/199089444/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[When Roger Corman Made Giant Spiders Genuinely Entertaining review ]]></title><description><![CDATA[<p>Join this channel to get access to perks:<a target="_blank" href="https://www.youtube.com/channel/UC-uohHROj9Aylg_edobhcSA/join">  </a></p><p><a target="_blank" href="https://www.youtube.com/channel/UC-uohHROj9Aylg_edobhcSA/join"> / @gruesomehertzogg  </a>Camel Spiders (2011)The OverviewCamel Spiders is a 2011 creature feature directed by Jim Wynorski and produced by the legendary B-movie king Roger Corman. It originally debuted on the Syfy channel and checks every single box you’d expect from a low-budget, creature-on-the-loose flick from that era.The PlotThe story is kicked off by a military skirmish in the deserts of Afghanistan. During the shootout, a swarm of oversized, incredibly aggressive camel spiders hitches a ride inside the body bag of a fallen soldier.The transport returning the body crashes in the American Southwest, unleashing the arachnids into a small desert town. The creatures grow at an alarming rate and begin multiplying, forcing an assorted group of locals—including small-town sheriffs, military personnel, and stranded travelers—to hole up in a remote desert oasis café to fight for survival.Key Highlights & TriviaThe Production Pedigree: Seeing Roger Corman and Jim Wynorski team up means exactly one thing: fast-paced, high-concept, low-budget filmmaking with maximum camp value.The Creatures: While real-world camel spiders (solifugae) are intimidating enough, the film gives them a massive upgrade. These spiders jump huge distances, move like speeding cars, scream when they attack, and possess a venom that can paralyze or kill a human in minutes.Practical vs. Digital FX: The movie heavily relies on early-2010s, incredibly blatant CGI for the spider swarms and the gore, mixed with occasional rubber prop spiders for close-up thrashing scenes.The Cast: Features B-movie veterans like Brian Krause (Charmed, Sleepwalkers) and C. Thomas Howell (The Outsiders, The Hitcher), who bring exactly the right amount of earnestness to a ridiculous premise.Where It Fits in the GenreIf you’re looking for prestige horror, this isn’t it. But if you have a soft spot for the golden era of Syfy channel original movies—right alongside Sharknado, Mega Python vs. Gatoroid, and Piranhaconda—Camel Spiders delivers plenty of unintentional comedy, fast pacing, and pure creature-feature cheese.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/when-roger-corman-made-giant-spiders</link><guid isPermaLink="false">substack:post:199089007</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sun, 24 May 2026 17:03:29 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/199089007/f3885791273c97f25dc7c53a94588926.mp3" length="4540427" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>284</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/199089007/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[This Valentine's Day Gift Will DESTROY You | Cupid Horror Review ]]></title><description><![CDATA[<p>Join this channel to get access to perks:<a target="_blank" href="https://www.youtube.com/channel/UC-uohHROj9Aylg_edobhcSA/join">  </a></p><p><a target="_blank" href="https://www.youtube.com/channel/UC-uohHROj9Aylg_edobhcSA/join"> / @gruesomehertzogg  </a>Cupid (2020/2021)Directed by Scott Jeffrey—a prolific name in the modern, low-budget UK horror scene—Cupid is a supernatural slasher that reimagines the god of love as a demonic, gargoyle-like entity out for blood.While it saw a limited US digital release in 2020 through Uncork’d Entertainment, it gained wider traction internationally in February 2021 when High Fliers Films distributed it for the Valentine’s Day market.Production & OverviewDirector/Writer: Scott JeffreyProduction Company: Proportion ProductionsDistribution (UK): High Fliers Films (Released February 2021)Runtime: Approx. 83 minutesTone: Low-budget, straight-to-video supernatural slasher with a focus on creature design and practical-leaning gore effects.The PlotThe story follows Faye (Bao Tieu), a practicing witch and high school student who is frequently targeted by a cruel clique of popular girls. After the group orchestrates a massive, public humiliation involving Faye’s feelings for her teacher, she reaches her breaking point.Using black magic, Faye summons Cupid—not the cherubic matchmaker of mythology, but an ancient, scarred, winged demon with a deadly crossbow. Once unleashed, the entity stalks the high school and the surrounding town, brutally executing anyone who mocks love, relationships, or the broken-hearted.Highlights for Genre FansThe Creature Design: The film avoids a cheap Halloween-costume look for its villain by giving Cupid a distinctly monstrous, grey, gargoyle-skinned appearance with massive wings and dead eyes.Thematic Kills: True to the micro-budget slasher tradition, the movie shines during its creative kills. Rather than just relying on standard stabbings, Jeffrey leans into dark, love-themed imagery:A fatal throat-slitting executed via a razor-sharp Valentine’s Day card.A graphic, forced-suffocation sequence involving a bouquet of roses.Classic crossbow bolts to the chest, pinning victims to walls.It’s an unapologetic, B-movie creature feature designed precisely for fans of indie horror who enjoy a dark, campy spin on classic mythology.Are you looking for a full breakdown of the cast and crew, specific streaming platforms where it’s currently playing, or details on a particular scene?</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/this-valentines-day-gift-will-destroy</link><guid isPermaLink="false">substack:post:199088788</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sun, 24 May 2026 16:58:56 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/199088788/8b8003ef0004ac02ec8e3f5b6b1997e4.mp3" length="5043232" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>315</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/199088788/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[This Giant Spider Will Haunt Your Nightmares | Movie Review ]]></title><description><![CDATA[<p>Spider in the Attic (2021) is a low-budget British horror film directed by Scott Jeffrey himself. If you enjoyed the micro-budget madness of Monsters of War, this one leans hard into classic "giant bug" claustrophobia.The BreakdownThe Plot: A radio host named Linda (played by Nicola Wright) and her daughters head to a massive, creepy old house to investigate a potential story. Little do they know, a scientist was using the attic to breed a deadly, rapidly growing strain of mutated, aggressive spiders.The Chaos: Once the spiders get loose, the house goes into lockdown. It becomes a standard survival/containment thriller as the family tries to avoid becoming cocooned lunch.The Vibe: It relies heavily on digital effects for the multi-legged threats, heavy shadows to hide the budget, and a lot of tense, slow-paced creeping around hallways. It features a lot of the usual suspects from the UK indie horror scene, including Chelsea Greenwood (who was also in Monsters of War) and Chrissie Wunna.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/this-giant-spider-will-haunt-your</link><guid isPermaLink="false">substack:post:198355164</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 19 May 2026 02:52:27 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198355164/d33ddf1344d2a7a793d0863abd340dee.mp3" length="4718060" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>295</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198355164/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[The Military's Last Stand Against the Monsters Review ]]></title><description><![CDATA[<p>2021 low-budget creature feature Monsters of War?If that’s the one, it’s a classic UK-produced indie B-movie directed by Jack Peter Mundy and written/produced by the prolific micro-budget horror duo Scott Jeffrey and Rhys Frake-Waterfield (the team behind Jagged Edge Productions and ITN Distribution, who also brought us the Winnie the Pooh: Blood and Honey universe).  The BreakdownThe Plot: After a massive earthquake, a group of survivors hides out in a house/cave system, only to realize the tremor opened a rift to an alternate dimension (or awakened underground threats, depending on which marketing synopsis you read).  The Chaos: It turns into a total kitchen-sink creature feature. Instead of sticking to one monster, they throw a giant Gorilla, a T-Rex, massive spiders, and various other prehistoric abominations at the screen.  The Vibe: It's a heavy-talking indie piece with brief interstitials of CGI monster madness. It stars a lot of familiar faces from the UK indie horror circuit, including Chelsea Greenwood, Chrissie Wunna, and Sofia Lacey.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-militarys-last-stand-against</link><guid isPermaLink="false">substack:post:198354958</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 19 May 2026 02:50:01 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198354958/b293a4fa714e96110f42b4b7e16ee21c.mp3" length="5581981" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>349</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198354958/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[This Cursed Scarecrow Brings Terror Back to Camp - Movie Review ]]></title><description><![CDATA[<p>Amityville Scarecrow 2 (released in late 2022) is the direct sequel to the 2021 British low-budget slasher. Released by Jagged Edge Productions and ITN Distribution, this follow-up transitions the creative reins to director Adam Cowie and writer Craig McLearie. It continues the trend of UK-produced indie horror exploiting the public domain "Amityville" brand name for micro-budget genre pieces.  Plot & PremisePicking up exactly one year after the original massacre, estranged sisters Mary (Kate Sandison) and Tina (Amanda-Jade Tyler) return to the cursed caravan park and camping grounds. Believing the nightmare is finally behind them, they bring in a fresh group of young camp counselors to prepare the grounds for an official grand reopening to the public.  +1Naturally, the peace doesn't last. The vengeful spirit of Lester—the executed handyman from the first film—re-animates once again inside the sinister scarecrow. As the camp counselors and staff begin vanishing one by one around the property, the sisters realize the curse has returned and are forced to band together with the survivors to fight back. The climax attempts to ramp up the action with the remaining group launching waves of desperate, tactical counter-attacks against the killer monster, leading to a twist revelation. </p><p> Key Credits & CastDirector: Adam Cowie  Writer: Craig McLearieProduction Companies: Jagged Edge Productions & Proportion ProductionsMain Cast:Kate Sandison as MaryAmanda-Jade Tyler as TinaSofia Lacey as HarrietChrissie WunnaProduction & ReceptionLike its predecessor, Amityville Scarecrow 2 leans heavily on a micro-budget indie aesthetic, pulling most of its horror from classic "stalk-and-slash" tropes in an isolated outdoor setting.  Pacing & Dialogue: The sequel echoes the first film’s slow-burn pacing, dedicating a massive portion of its brief 76-minute runtime to long stretches of expository banter, campground management politics, and interpersonal counselor drama between the kills.  The Kills: While the opening sequence features some atmospheric nighttime cinematography, the kills themselves are typical for ITN's distribution tier—often heavily reliant on cutaways, off-screen action, or modest practical effects hampered by budget constraints.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/this-cursed-scarecrow-brings-terror</link><guid isPermaLink="false">substack:post:198350278</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 19 May 2026 01:59:17 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198350278/40fd809b1eddbda9a7e4b344677c49d4.mp3" length="5386377" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>337</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198350278/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[They Burned Him Alive—Now He's Back as a Killer Scarecrow | Horror Movie Review ]]></title><description><![CDATA[<p> Amityville Scarecrow (2021).Produced by the infamous Scott Jeffrey / Jagged Edge UK low-budget horror pipeline (the same folks behind Winnie-the-Pooh: Blood and Honey) and directed by Jack Peter Mundy, this film is part of the endless wave of microscopic-budget movies that slap "Amityville" in the title because nobody owns the legal rights to the town name.  Here is the breakdown of what this micro-budget slasher brings to the table:The Plot (A Very Familiar Formula)After their mother passes away, two estranged sisters—Mary (Kate Sandison) and Tina (Amanda-Jade Tyler)—reunite to settle her estate. The prize inheritance? An abandoned caravan park/summer camp.  Naturally, the land carries a dark history. The script tries to tie itself to the original DeFeo Amityville house murders by claiming the land itself absorbed a curse. Years later, a local child-molesting handyman named Lester committed heinous crimes on the campground before the furious town parents pulled a full A Nightmare on Elm Street and burned him alive. Now, Lester is back from the grave, possessing a creepy-looking scarecrow, and wielding a giant kitchen wall fork to systematically butcher the sisters, their daughters, and anyone else wandering into the high grass.  Key Highlights & LowlightsThe "Amityville, England" Problem: Despite trying to drop backstory lines about the famous Long Island location, the movie was filmed entirely in the UK. The production team didn't even bother to hide it: every car features prominent European license plates, and the steering wheels are strictly on the right side.  Glacial Pacing: While a killer scarecrow slasher sounds like a fun, brainless midnight watch, a massive chunk of the 84-minute runtime is consumed by heavy soap-opera dramatics regarding the sisters' past trauma (specifically, Tina sleeping with and marrying Mary’s husband). The scarecrow doesn't even fully resurrect until nearly halfway through the movie.  The Monster Design: To give credit where it's due, the scarecrow mask and costume design are actually quite creepy and effective for a micro-budget flick.  The Kills: Unfortunately, despite a solid monster look, the budget constraints show heavily in the actual gore. The kills are largely bloodless, poorly lit, or cut away at the exact moment of impact.  The Verdict: It's exactly what you expect from an ITN Distribution / Scott Jeffrey joint. It sits firmly in the "so bad it's watchable" tier of modern Z-grade horror. If you can tolerate thirty minutes of family arguments before a guy in a burlap mask starts chasing people around a British auto-graveyard, it has its moments.Believe it or not, it actually spawned a sequel, Amityville Scarecrow 2, just a year later in 2022</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/they-burned-him-alivenow-hes-back</link><guid isPermaLink="false">substack:post:198350008</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 19 May 2026 01:50:15 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198350008/3307f64a21b1d42b459642efd0193dcd.mp3" length="5669335" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>354</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198350008/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Campus Lockdown, Possessed Minions, and a Shambling Mummy review ]]></title><description><![CDATA[<p>Rise of the Mummy (2021) is its ultra-indie, regional British counterpart. Produced by Scott Jeffrey’s notorious Jagged Edge Productions (the prolific studio behind Winnie-the-Pooh: Blood and Honey) and distributed by ITN Studios, this movie attempts a highly bizarre genre mashup: a traditional shambling mummy curse meets an Edge of Tomorrow-style supernatural time loop.  +1The SetupThe plot kicks off when a mysterious ancient mummy is recovered by the military and, for reasons that only make sense in low-budget horror, is handed over to a university social studies/archaeology class for study. Naturally, the students and their professor mess around with things they shouldn’t, inadvertently awakening the ancient creature.  Once revived, the Mummy seals off the campus. To prevent anyone from escaping, it traps the remaining students in a localized supernatural time loop. Every time the entity kills a student, it harvests their soul to rebuild its strength so it can walk the Earth permanently—forcing the survivors to figure out how to break the loop and defeat the monster before the final ritual is complete.  +1The Low-Budget QuirksThe Possession Gimmick: To stretch the budget and cover up the fact that there’s only one slow-moving monster, the Mummy hypnotizes and possesses several faculty members and students. They turn into dead-eyed, zombie-like thralls who do the heavy lifting, stalking and holding down their classmates for the Mummy to sacrifice.  The Mask: Unlike big-budget mummies with CGI sand powers, this creature relies entirely on an old-school, herky-jerky practical look consisting of textured wraps and a slightly stiff prosthetic mask.  The Setting: The entire film embraces a highly contained, one-location aesthetic, keeping the claustrophobic slaughter restricted entirely to an empty school campus and its stark hallways.  Cast & CrewDirector: Antonia Johnstone (who also plays a character named Mora in the film).  Writer: Shannon Holiday.  Cast: Features indie horror staples like Megan Purvis (Bats), Abi Casson Thompson (The Curse of Humpty Dumpty), Amanda-Jade Tyler, and an appearance by B-movie legend Shawn C. Phillips.  The VerdictIt’s a sluggish but strangely ambitious micro-budget effort. While it suffers from the usual indie constraints—such as long stretches of classroom exposition in the first half and noticeable digital blood—the addition of the time loop and possessed minions gives it a unique flavor compared to standard tomb-raider fare.  Are we putting together another retro VHS-style thumbnail blueprint for this one, or are you mapping out a “2021 Indie Horror” review marathon?</p><p><strong>How this was made</strong></p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/campus-lockdown-possessed-minions</link><guid isPermaLink="false">substack:post:198192822</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Mon, 18 May 2026 00:14:23 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198192822/9b81304de2074eec4160852b189cce40.mp3" length="5896705" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>369</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198192822/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[The Deadliest Creature in the Deep | Horror Movie Review ]]></title><description><![CDATA[<p>Aquarium of the Dead (2021) is exactly what you expect when The Asylum decides to tackle underwater reanimation. Serving as the spiritual third entry in their Zoombies trilogy (following Zoombies and Zoombies 2), this micro-budget creature feature trades the wildlife park for the "Shining Sea Aquarium" and delivers pure, unadulterated Z-grade camp.  The SetupThe chaos kicks off due to a bad batch of epinephrine (the same tainted stuff from the Eden Wildlife Zoo in the previous films). When a resident octopus goes into cardiac arrest during a routine tagging procedure, the drug reanimates it into a tentacled patient zero.  The zombie octopus escapes into the ventilation shafts, spreading its contaminated slime throughout the facility. Before you know it, the entire aquarium goes into automated lockdown, trapping a group of staff, scientists, and a corrupt politician inside with an entire roster of undead marine life.  The Rogues' Gallery of Undead Aquatic LifeBecause it’s an Asylum production, the creature roster relies heavily on frantic digital effects and hilariously questionable physics:The Zombie Octopus: The mastermind lurking in the air ducts and elevator shafts.  The Killer Walrus: Easily one of the most absurd highlights, utilizing its tusks to gore an unsuspecting tourist.  Zombie Spider Crabs & Crocodiles: Reusing some digital assets to swarm the hallways.  The Starfish: Look closely and you might spot a few dollar-store plastic starfish that appear to be attached to the actors with sheer willpower (and tape).  Zombie Sharks & Dolphins: Flopping around on dry land or shattering glass panels to claim victims.  Cast & CrewVivica A. Fox stars as Eddie "Clu" Cluwirth, the no-nonsense head of security who spends a good chunk of the movie barking orders over a walkie-talkie before trying to take down an octopus with an axe.  Eva Ceja as Miranda Riley, the aquarium scientist trying to navigate the lockdown.  D.C. Douglas as Daniel Hanley, the sketchy coworker harboring a few secrets about how the outbreak started.  Director: Glenn Miller (who also helmed both Zoombies movies).  Writers: Marc Gottlieb and Michael Varrati.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-deadliest-creature-in-the-deep</link><guid isPermaLink="false">substack:post:198192578</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Mon, 18 May 2026 00:10:53 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198192578/92bb62c691309f1b194bd6ec53d486a9.mp3" length="6537436" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>409</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198192578/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Massive Croc Strikes Without Warning | Deadliest Attack Ever Review ]]></title><description><![CDATA[<p>Croc! (2022) (originally titled Crocodile Vengeance), it’s a textbook example of modern indie creature-feature cheese. Produced by the notorious low-budget horror duo Scott Jeffrey and Rhys Frake-Waterfield (the minds behind Winnie-the-Pooh: Blood and Honey), this one trades the Florida swamps for the grand, sweeping lawns of the English countryside.  The setup is brilliantly absurd: Lisa and Charlie’s idyllic wedding at a rural Tudor mansion goes completely off the rails when a nest of hungry, bloodthirsty crocodiles crashes the ceremony. Instead of standard wedding drama, the guests have to band together to survive a full-on reptilian assault.  The cast features some familiar faces from the UK indie horror circuit:  Sian Altman (Wolf Garden) as the bride, Lisa  Mark Haldor as the bride's rugged father, DylanGeorge Nettleton as the groom, CharlieChrissie Wunna and Antonia Whillans in supporting rolesUnlike your preference for gritty, old-school practical gore effects, Croc! leans heavily into highly exaggerated, laughably bad CGI monster effects, zero-gravity blood splashes, and hilariously questionable character decisions. It’s pure, unadulterated Z-grade fun that takes itself just serious enough to be a blast to riff on with friends.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/massive-croc-strikes-without-warning</link><guid isPermaLink="false">substack:post:198146824</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sun, 17 May 2026 16:56:19 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198146824/75d225821cb7838707ef2087f189debe.mp3" length="6019585" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>376</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198146824/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[The Most Disturbing Family Connection to a Serial Killer review ]]></title><description><![CDATA[<p>Go Away, it has plenty for genre fans to chew on.Distributed by Slasher 15 Productions, the film plays around with the classic home-invasion setup—giving off heavy You’re Next and The Strangers vibes—before throwing a chaotic wrench into the standard formula when a group of masked intruders crash a highly dysfunctional family dinner.  For fans of classic genre cinema, the real draw is the old-school indie horror royalty packed into the cast list:Thom Mathews (Friday the 13th Part VI: Jason Lives, The Return of the Living Dead)  Felissa Rose (Sleepaway Camp)  Tuesday Knight (A Nightmare on Elm Street 4: The Dream Master)  L.C. Holt (You’re Next)  Robert Mukes (House of 1000 Corpses)  True to its indie roots, it relies heavily on practical special effects over digital ones to deliver its bloody set-pieces, capturing that gritty, practical “splatter” energy that modern big-budget thrillers often miss. While the dialogue and indie pacing have drawn mixed reviews from mainstream audiences, it is a fun, trope-bending watch for anyone who appreciates independent, practical-effects-driven horror.  The film is currently available to stream on platforms like Tubi (free with ads) and Amazon Prime Video (rent/buy).Are you looking to break down the practical gore effects in this one, or did you need a specific asset detail for it?</p><p><strong>Ask</strong></p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-most-disturbing-family-connection</link><guid isPermaLink="false">substack:post:198146595</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sun, 17 May 2026 16:54:26 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198146595/11dc2b3bb03fdcfeebed718011073312.mp3" length="6100251" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>381</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198146595/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Steamboat Willie Gets BRUTAL | Screamboat Horror Movie Review ]]></title><description><![CDATA[<p>Screamboat (2025) is a high-profile, gory horror-comedy that turns the iconic 1928 black-and-white mouse into a miniature, bloodthirsty monster.  Directed by Steven LaMorte (The Mean One), the film had a limited theatrical run in early April 2025 before hitting VOD and digital platforms via Deskpop Entertainment.  The Plot & SetupThe film swaps the open river for modern-day New York City. The narrative follows Selena (Allison Pittel), a bartender dreaming of becoming an artist, who boards a late-night commuter ferry alongside a motley crew of passengers—including a group of rowdy socialites celebrating a birthday, a young crew worker named Pete (Jesse Posey), and an EMT named Amber (Amy Schumacher).  When a heavy fog rolls over the harbor, the ferry is forced to slow down. Deep within the lower decks, a pair of workers accidentally open a mysterious hatch, unleashing a tiny, malicious, and incredibly violent mutant mouse. The creature brutally murders the captain, hijacks the vessel, and begins picking off the passengers one by one, turning a routine commute across the river into a floating slaughterhouse.  The Monster: David Howard ThorntonThe biggest draw for hardcore horror fans is the casting of genre favorite David Howard Thornton (famed for playing Art the Clown in the Terrifier franchise) as the killer mouse.  True to his signature style, Thornton plays the character completely silently, relying on theatrical pantomime, expressive, dark facial contortions, and deeply unsettling vocal squeaks to bring the creature to life. The production leans heavily on impressive practical effects, using a specialized, macabre physical suit, makeup, and old-school animatronics for the miniature menace rather than falling back on cheap post-production CGI.  Tone & ReceptionScreamboat positions itself as an unhinged, subversive midnight movie. It balances its pitch-black slapstick comedy with over-the-top, R-rated splatter mechanics. Passengers are creative casualties to everything from blunt force to boat equipment, resulting in a massive body count and gallons of practical blood.  While critics have noted the human acting and dialogue carry a very campy, low-budget B-movie execution, Thornton’s chaotic performance and the sheer absurdity of the premise make it a fun, ridiculous entry in the growing “twisted childhood” subgenre of horror.  Movie Specs at a GlanceFeatureSpecificationDirectorSteven LaMorteWritersMatthew Garcia-Dunn, Steven LaMorteMain CastDavid Howard Thornton, Allison Pittel, Jesse Posey, Amy SchumacherRun Time1 Hour 42 MinutesDistributorIconic Events Releasing (Theatrical) / Deskpop Entertainment (Digital)Release DateApril 2, 2025 (Theaters) / May 2, 2025 (VOD)Where to StreamFandango at Home (Vudu), Amazon Prime, Google Play, Apple TV</p><p><strong>Ask</strong></p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/steamboat-willie-gets-brutal-screamboat</link><guid isPermaLink="false">substack:post:198146392</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sun, 17 May 2026 16:52:27 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198146392/e697f908c8fd2213660de95b46394121.mp3" length="6297110" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>394</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198146392/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[When Paranoia Turns to Pure Terror | Craving (2023) Review ]]></title><description><![CDATA[<p>Craving (2023) is an independent horror-thriller that blends the claustrophobic tension of a siege film with old-school creature-feature horror. Directed and co-written by indie horror staple J. Horton (Monsters in the Woods), the film relies heavily on atmospheric tension, vibrant neon lighting, and—crucially for hardcore genre fans—gory practical special effects over digital CGI.  Distributed by Indie Rights, the film is widely available to stream for free on ad-supported platforms like Tubi, YouTube, and the Roku Channel.  The Plot & SetupThe entire movie unfolds like a gritty, high-stakes neo-noir mixed with a monster flick. The story centers on a group of frantic drug addicts who are on the run and desperate for shelter. They burst into a remote, rural dive bar run by a sympathetic duo named Shiloh and Les.  Almost immediately after they arrive, the bar is completely surrounded and besieged by a group of heavily armed, masked figures led by a cold, calculating man named Red. Using a bullhorn from the dark parking lot, Red makes a terrifying declaration: they aren't there to rob the place, and they aren't the real threat. They claim that one of the addicts hiding inside is actually a vicious, bloodthirsty monster in human disguise.  As the addicts begin to undergo intense withdrawal, paranoia and severe claustrophobia sweep through the bar. The patrons and owners are left facing an impossible, deadly dilemma: do they trust the masked zealots outside and hand over their guests to be executed, or do they fight to protect them and risk unleashing a hidden nightmare inside the room?  Behind the Scenes & Practical EffectsFor a micro-budget feature, Craving punches well above its weight by keeping the story anchored to one primary, highly stylized location.  The Cast: The film boasts a recognizable ensemble cast for indie horror enthusiasts, featuring genre icon Felissa Rose (Sleepaway Camp) as the bar co-owner, alongside Kevin Caliber, Ashley Undercuffler, and Greg Tally.  The Monster: Rather than using cheap post-production digital effects, Horton saves the biggest surprise for the final act, unleashing a practical creature suit design that delivers a massive, bloody payoff for splatter fans.  Movie Specs at a GlanceFeatureSpecificationDirectorJ. HortonWritersJ. Horton, Gregory BlairMain CastFelissa Rose, Kevin Caliber, Ashley Undercuffler, Rachel Amanda Bryant, Greg TallyRun Time1 Hour 23 MinutesDistributorIndie RightsRelease Year2023Where to StreamTubi, YouTube (Free with Ads), Amazon Prime, Apple TV</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/when-paranoia-turns-to-pure-terror</link><guid isPermaLink="false">substack:post:198146121</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sun, 17 May 2026 16:50:30 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198146121/f600fc27a15f4754a09c7111390bce81.mp3" length="6777345" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>424</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198146121/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[FACES OF DEATH (2026) Movie Review | A Brutal Meta-Slasher For The Digital Age ]]></title><description><![CDATA[<p>* </p><p>The 2026 <strong><em>Faces of Death</em></strong> is a meta-horror reimagining of the infamous 1978 shockumentary cult classic. Rather than copying the original “mockumentary” format, this version delivers a narrative slasher/thriller that tackles modern internet culture, algorithmic desensitization, and the attention economy.</p><p>Here is a breakdown of the production, plot, and reception:</p><p><strong>Production & Release</strong></p><p>* <strong>Director/Writer:</strong> Daniel Goldhaber (known for <em>Cam</em> and <em>How to Blow Up a Pipeline</em>), co-written with his frequent collaborator Isa Mazzei.</p><p>* <strong>Production Companies:</strong> Legendary Pictures and Angry Films.</p><p>* <strong>Distribution:</strong> Independent Film Company (IFC) and Shudder. It marked IFC’s widest theatrical release to date.</p><p>* <strong>Release Date:</strong> <strong>April 10, 2026</strong> (following a 35mm premiere at Beyond Fest on April 5).</p><p>* <strong>Running Time:</strong> 97 minutes.</p><p>* <strong>Rating:</strong> R (for intense graphic violence and themes).</p><p><strong>The Cast</strong></p><p>* <strong>Barbie Ferreira</strong> (<em>Euphoria</em>) as Margot Romero, a traumatized content moderator.</p><p>* <strong>Dacre Montgomery</strong> (<em>Stranger Things</em>) as Arthur Spevak, a chilling, shapeshifting serial killer.</p><p>* <strong>Josie Totah</strong> (<em>Saved by the Bell</em>) as Samantha Gravinsky, a high-profile influencer.</p><p>* <strong>Jermaine Fowler</strong> (<em>Coming 2 America</em>) as Josh, Margot’s dismissive supervisor.</p><p>* <strong>Charli XCX</strong> as Gabby, one of Margot’s co-workers.</p><p><strong>Plot Outline</strong></p><p>The story follows <strong>Margot</strong>, a young woman working as a content moderator for a TikTok-like video platform called <strong>Kino</strong>. Her grueling daily routine consists of viewing, flagging, and deleting explicit or violent footage.</p><p>Her life takes a dark turn when she encounters a shockingly realistic video of a decapitation execution. While her boss and coworkers dismiss it as a fake video using hyper-realistic practical special effects, Margot becomes obsessed. After uncovering a second video depicting an electric chair execution, she realizes a deranged serial killer named <strong>Arthur</strong> is deliberately recreating the most notorious, gruesome scenes from the original 1978 <em>Faces of Death</em> VHS tape.</p><p><strong>+1</strong></p><p>When corporate management shuts her down, a desperate Margot turns to Reddit to share the footage and crowdsource an investigation. The videos explode in popularity, turning the real-life murders into a viral online sensation. This leads to an inevitable, blood-drenched showdown between Margot and Arthur that critiques how numb society has become to real-world violence on screen.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/faces-of-death-2026-movie-review</link><guid isPermaLink="false">substack:post:198083658</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sun, 17 May 2026 04:52:30 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198083658/f42987b024e10dad57f8a1d7c555cbff.mp3" length="7247698" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>453</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198083658/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[The Lagoon's Deadliest Predator | Killer Whale Terror 2026 Review]]></title><description><![CDATA[<p><strong><em>Killer Whale</em></strong><strong> (2026)</strong>, which dropped earlier this year:</p><p>The Basics</p><p>* <strong>Release Date:</strong> January 16, 2026 (US theatrical release via Lionsgate; currently available on digital/VOD).</p><p>* <strong>Director:</strong> Jo-Anne Brechin</p><p>* <strong>Writers:</strong> Jo-Anne Brechin and Katharine McPhee</p><p>* <strong>Starring:</strong> Virginia Gardner (<em>Fall</em>, <em>Halloween 2018</em>), Mel Jarnson, and Mitchell Hope.</p><p>* <strong>Runtime:</strong> 89 minutes</p><p>* <strong>Rating:</strong> R (for bloody images, language, and some violence)</p><p>The Plot</p><p>Attempting to swap out the standard “sharksploitation” formula for a cetacean antagonist, the movie follows Maddie (Virginia Gardner), a cellist dealing with trauma and hearing loss from a past tragedy. To help her heal, her social-media-influencer best friend Trish (Mel Jarnson) takes her on a luxury vacation to a private lagoon in Thailand.</p><p>Things go south after they encounter “Ceto,” a massive captive killer whale who escapes from a local, low-rent marine park after turning on her handlers. The two friends wind up stranded on a small rock in the middle of the lagoon, forced into a tense, minimal-cast survival standoff against a vengeful, apex predator.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-lagoons-deadliest-predator-killer</link><guid isPermaLink="false">substack:post:198069391</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sun, 17 May 2026 01:19:08 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198069391/51c6bdfc6eb6425a1de59d747860156d.mp3" length="9783456" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>611</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198069391/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Bull Shark 3 The Final Stand Against Nature's Deadliest Predators Review ]]></title><description><![CDATA[<p>Bull Shark 3 (2024) is the final installment in the indie creature-feature trilogy produced by B22 Films and distributed by ITN Distribution. Directed by Brett Bentman, the micro-budget horror/action film serves as the definitive conclusion to the Texas-lake-dwelling shark saga.  Production & Release DetailsRelease Year: 2024  Runtime: 1 hour 16 minutes  Director/Writer: Brett Bentman  Studio: B22 Films / ITN Distribution  Streaming Availability: Currently streaming on Amazon Prime Video (and Prime Video with Ads), and available for digital rental/purchase on platforms like Apple TV, Fandango at Home, and Amazon Video. Full versions have also circulated via licensed indie movie channels on YouTube (such as CineRings).  Plot & CastSynopsisThe peaceful waters of a small Texas lake community are threatened one last time when a relentless, aggressive family of bull sharks invades. As the apex predators begin coordinating attacks, the local residents, a reluctant hero, and the town's leadership must band together, plant a sound-based baiting device, and rig the lake to blow before the community is entirely wiped out.  Core CastThom Hallum as Spencer Timms  Billy Blair as Nolan Holt  Tiffany McDonald as Coroner Hamlin  Chad Ridgely as Mayor Williams  Tom Zembrod as Sheriff Wilcox</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/bull-shark-3-the-final-stand-against</link><guid isPermaLink="false">substack:post:198049912</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sat, 16 May 2026 21:04:41 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198049912/8a0f4a8f3b56a2f24c40aeef794e72a7.mp3" length="7658821" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>479</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198049912/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Bull Shark 2 | Full Survival Movie That Will Leave You Terrified Review ]]></title><description><![CDATA[<p>Bull Shark 2 (2024)—originally titled Bull Shark: Part II—definitely fits the bill.  Written and directed by prolific indie filmmaker Brett Bentman and put out by ITN Distribution, it serves as the quick-turnaround sequel to the 2022 original.  The Plot SetupThe story heads right back to the same lakeside Texas community from the first film. Just when the locals think the water is safe, a second bull shark begins snacking on unsuspecting swimmers and divers. When a trio of local kids vanishes into thin air, former game warden Spencer Timmes is called out of retirement and back into action. Naturally, he has to square off against skeptical local authorities (including a stubborn mayor and a dismissive sheriff) to prove that they are dealing with another freshwater nightmare.  Cast & CrewDirector/Writer: Brett Bentman  Spencer Timmes: Thom Hallum  Nolan Holt: Billy Blair  Sheriff Wilcox: Tom Zembrod  Leslie Armstrong: Andrea Cohen  Mayor Williams: Chad Ridgely  The VibeClocking in at a lean 1 hour and 15 minutes, it’s a straightforward, slow-burn indie creature feature. It focuses heavily on the small-town investigation and human friction before escalating into the inevitable firepower-and-gore showdown. It delivers some decent practical splatter moments and B-movie charm for anyone who appreciates the “killer shark in a freshwater lake” subgenre.Where to WatchBecause it’s an ITN release, it’s highly accessible on streaming and digital shelves:Free with Ads (AVOD): The Roku Channel, Xumo Play, Fawesome, and often officially licensed on YouTube movie channels.  VOD Rentals/Purchases: Amazon Prime Video, Apple TV, and Fandango at Home.  (Fun fact for shark movie completionists: Bentman actually shot a Bull Shark 3 back-to-back with this one, featuring a whole family of sharks terrorizing the town.)  Are you planning out a creature feature review lineup, or just digging around for some good old-fashioned indie lake horror to watch?</p><p><strong>Ask</strong></p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/bull-shark-2-full-survival-movie</link><guid isPermaLink="false">substack:post:198049730</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sat, 16 May 2026 21:02:47 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198049730/5635bab210e254df62c90229daaa1996.mp3" length="5188682" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>324</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198049730/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[The Moment the Shark Attacks | Bull Shark Movie Review ]]></title><description><![CDATA[<p> low-budget creature feature Bull Shark, it actually hit the festival and digital circuit right at the start of 2022 (though some early promotion and production roots tie it back to late 2021).  Directed by Brett Bentman, it’s a classic, indie “shark-in-the-lake” flick that leans heavily on regional Texas charm and familiar tropes.  The BreakdownThe Plot: The story follows Spencer Timms (played by Thom Hallum), an alcoholic game warden in a small Texas town whose life is falling apart. When a hungry bull shark is brought up from the coast by a local fisherman and starts snacking on swimmers in the local lake, the corrupt, greedy mayor wants it kept quiet to protect tourist dollars. Spencer has to team up with his ex-wife and a local redneck buddy to track down the beast before the body count climbs.  The Vibe: It’s very much a “shark-adjacent” B-movie. Instead of constant, high-octane underwater carnage, a lot of the film plays out like a small-town drama with some quirky characters—including a scene-stealing, perpetually hungry coroner played by Tiffany McDonald.  The FX: If you are looking for practical effects mastery, you won’t find it here. The film relies heavily on a lone dorsal fin slicing through murky lake water and features some notoriously fast, rough digital CGI during its explosive climax.  It’s pure, independent DTV/streaming schlock—perfect if you’re in the mood to switch off your brain, grab a drink, and enjoy a movie that borrows its DNA directly from Jaws but executes it on a fraction of the budget.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-moment-the-shark-attacks-bull</link><guid isPermaLink="false">substack:post:198049525</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sat, 16 May 2026 21:00:47 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198049525/267069c6c9f62f8c6a90679a122e6268.mp3" length="4090703" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>256</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198049525/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[When The Trash Man Knocks (2023) Review: Pure 80s Slasher Nostalgia!]]></title><description><![CDATA[<p><strong>When the Trash Man Knocks</strong> (2023) is an independent, micro-budget psychological slasher film written, directed by, and starring Christopher Wesley Moore. Known for his low-budget genre work like <em>Children of Sin</em>, Moore delivers an affectionate, tension-heavy tribute to the Golden Age of 1970s and 1980s slasher films—drawing heavy inspiration from John Carpenter’s <em>Halloween</em>.</p><p>+1</p><p>Plot Synopsis</p><p>The film centers on the dark legend of Crispin, dubbed “The Trash Man,” a hulking, silent psychopath who committed a gruesome family massacre around Thanksgiving decades prior. According to local lore, he dismembers his victims to “make a new family, piece by piece,” leaving the remains behind in heavy garbage bags.</p><p>Years after surviving an encounter with the maniac, Caroline (played by 80s genre veteran Jo-Ann Robinson) has become a housebound agoraphobic consumed by PTSD. Her adult son, Justin (Christopher Wesley Moore), is stuck in a cycle of co-dependency, coping with severe guilt and alcoholism. When Thanksgiving rolls around and a group of local college students move into the old “Trash Man” house, the killer resurfaces to finish what he started, forcing the fractured mother and son to confront their living nightmare.</p><p>+1</p><p>Key Features & Production Notes</p><p>* <strong>Retro Slasher Aesthetic:</strong> The film embraces a deep throwback style that feels right out of a vintage video rental store, featuring framing, lighting, and suspense sequences designed to evoke 80s grindhouse cinema.</p><p>* <strong>Psychological Elements:</strong> Unlike standard, mindless slashers, a large portion of the terror hinges on generational trauma, intense grief, and the characters’ internal struggles with hallucinations and anxiety.</p><p>* <strong>Practical Effects & Killer Design:</strong> The Trash Man cuts an imposing figure in work dungarees and a sinister, slit-mouthed clown mask. True to classic indie horror form, the movie highlights creative, brutal kills reliant on practical special effects rather than digital adjustments.</p><p>+1</p><p>* <strong>The </strong><strong><em>Halloween</em></strong><strong> Influence:</strong> From the way the killer is subtly framed lurking on the edge of the screen to the recreation of kitchen-knife POVs, the cinematography acts as a direct love letter to the 1978 Carpenter classic.</p><p>Cast & Crew</p><p>* <strong>Director/Writer:</strong> Christopher Wesley Moore</p><p>* <strong>Key Cast:</strong></p><p>* Jo-Ann Robinson (<em>Scalps</em>) as Caroline</p><p>* Christopher Wesley Moore as Justin</p><p>* Meredith Mohler</p><p>* Deenie Castleberry</p><p>* Cami Roebuck</p><p>* David Moncrief</p><p><strong>Viewing Note:</strong> <em>When the Trash Man Knocks</em> balances raw, independent psychological drama with micro-budget slasher tropes. It serves as a great double feature with other modern indie throwbacks like <em>The Pumpkin Man</em> for holiday-themed horror fans who value practical “splatter” mastery and character-driven tension.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/when-the-trash-man-knocks-2023-review</link><guid isPermaLink="false">substack:post:198022249</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sat, 16 May 2026 16:56:53 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198022249/f3b4455732046a400323247353f4ed4e.mp3" length="6646524" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>415</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198022249/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[The Pumpkin Man (2023) REVIEW – A Practical Effects Slasher Throwback! Review]]></title><description><![CDATA[<p><strong>The Pumpkin Man</strong> (2023) is an independent horror film directed by Ryan Sheets. The movie brings to life a modern urban legend, blending classic slasher tropes with supernatural elements centered around a sinister Halloween myth.</p><p>Plot Synopsis</p><p>The film follows Cromwell, a town steeped in a dark local legend about “The Pumpkin Man”—a mythical, demonic entity rumored to leap from the patches to claim the souls of those who cross his path. When a group of unsuspecting college students accidentally unearth the town’s buried secrets, they inadvertently unleash this ancient, bloodthirsty force. As the body count rises on Halloween night, the survivors must piece together the origins of the curse if they hope to survive the night.</p><p>Key Features & Production Notes</p><p>* <strong>Practical Effects Focus:</strong> Reflecting the spirit of classic late-80s and early-90s horror, the production leans heavily into practical special effects, utilizing physical gore and prosthetic creature design over heavy CGI to bring the titular monster and its violent kills to life.</p><p>* <strong>Atmosphere:</strong> The film relies on a heavy autumn aesthetic, filled with stark nighttime cinematography, neon lighting accents, and classic small-town Halloween imagery that pays homage to vintage grindhouse and VHS-era horror staples.</p><p>* <strong>Slasher Dynamics:</strong> It operates as a fast-paced creature-feature/slasher hybrid, prioritizing creative practical set-pieces, intense chase sequences, and a looming, imposing killer.</p><p>Cast & Crew</p><p>* <strong>Director:</strong> Ryan Sheets</p><p>* <strong>Writers:</strong> Ryan Sheets, Nick Haussler, and Craig Shonkwiler</p><p>* <strong>Key Cast:</strong></p><p>* Barbara Crampton (Special appearance/voice work)</p><p>* Ethan herrera</p><p>* Katelin Stack</p><p>* Michael itskin</p><p><strong>Viewing Note:</strong> <em>The Pumpkin Man</em> is tailored directly for fans of indie horror who appreciate a throwback style, focusing on localized folklore and practical “splatter” effects rather than large-studio, psychological horror trends.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-pumpkin-man-2023-review-a-practical</link><guid isPermaLink="false">substack:post:198019476</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sat, 16 May 2026 16:42:02 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198019476/9bae88feccba4a1eaaccab26a2e7b3f8.mp3" length="6945513" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>434</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198019476/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[The 90s Camp Slasher Is BACK! (With Friday the 13th Legends) | Final Summer (2023) Review]]></title><description><![CDATA[<p>* </p><p><strong>Final Summer</strong> (2023) is an independent American slasher film written, directed, shot, and edited by John Isberg. Designed as a heavy love letter to classic 1980s and early 90s camp slashers, the film leans straight into pure retro nostalgia.</p><p><strong>## The Plot</strong></p><p>Set in late summer 1991, the film takes place on the final day of Camp Silverlake. The camp is reeling from a recent tragedy—a young boy named Mason tragically died on a hike under the watch of counselor Lexi (Jenna Kohn), who is consumed by guilt.</p><p><strong>+1</strong></p><p>To make matters worse, the camp has been sold to developers and is shutting down for good. As the remaining group of camp counselors stays behind after hours to pack up the gear and close down the grounds for the season, a masked killer emerges from the shadows to seek a brutal, vengeful retribution. The counselors find themselves trapped in a fight for survival against a killer that might be tied to a local urban legend—the charred, axe-wielding specter of a dead park ranger named Warren Copper.</p><p><strong>+2</strong></p><p><strong>## Cast & Horror Legends</strong></p><p>The film stands out to indie horror fans for its cameo appearances by iconic genre alumni:</p><p>* <strong>Thom Mathews</strong> (famous as Tommy Jarvis in <em>Friday the 13th Part VI: Jason Lives</em> and Freddy in <em>The Return of the Living Dead</em>) features as Sheriff Parmer.</p><p>* <strong>Tom Atkins</strong> (genre royalty from <em>The Fog</em>, <em>Halloween III: Season of the Witch</em>, and <em>Night of the Creeps</em>) makes a quick Easter-egg appearance via a painting on the wall.</p><p><strong>Main Cast:</strong></p><p>* <strong>Jenna Kohn</strong> as Lexi (the resilient “final girl” fighting through her trauma)</p><p>* <strong>Joi Hoffsommer</strong> as Linnea Krug (the stern camp owner)</p><p>* <strong>Seth Boyer</strong> as one of the main counselors</p><p><strong>## Tone and Style</strong></p><p>* <strong>The Aesthetic:</strong> Visually, the film is a cinematographic treat for low-budget indie horror, featuring expansive wide shots and deliberate camera movements that give it a highly polished, nostalgic 90s look.</p><p>* <strong>The Gore:</strong> Unlike the massive, in-your-face practical splatter of other modern indie slashers, <em>Final Summer</em> takes a slightly more restrained, old-school atmospheric approach. The kills often cut away or focus on building old-fashioned tension rather than showing pure physical disintegration.</p><p>* <strong>Meta Humor:</strong> The script is fully self-aware of its roots, featuring camp counselors openly joking about splitting up in the woods and making direct, meta-references to Jason Voorhees and classic slasher tropes.</p><p>* <strong>Post-Credit Note:</strong> If you watch it, stick around to the very end of the credits for a quick stinger scene that sets up a potential sequel.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-90s-camp-slasher-is-back-with</link><guid isPermaLink="false">substack:post:198015807</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sat, 16 May 2026 16:11:17 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198015807/a2b6a86bfd81422e1a93dbc99b64ce66.mp3" length="6026421" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>377</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198015807/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[THREE BLIND MICE (2023) – Insane Mutant Splatter Slashing! (Official Trailer & Review)]]></title><description><![CDATA[<p>Three Blind Mice 2023</p><p><strong>Three Blind Mice</strong> (2023) is a British low-budget slasher film directed by Pierre B. and written by David Malcolm (with Lucas Kelly also credited on some production notes). Produced by Scott Jeffrey and Rhys Frake-Waterfield (<em>Winnie-the-Pooh: Blood and Honey</em>), the film jumps right into the modern wave of turning public domain children’s nursery rhymes into bloody horror spectacles.</p><p><strong>+1</strong></p><p><strong>## The Plot</strong></p><p>The film follows a young woman named Abi (May Kelly), who is battling a severe drug addiction. In an effort to force an intervention and get her clean away from city temptations, her family and a specialist take her to a remote cabin deep in the woods to go cold turkey.</p><p><strong>+1</strong></p><p>Unfortunately for them, the surrounding woods serve as the hunting grounds for a trio of mutated, monstrous human-mouse hybrids. The family’s tense intervention quickly devolves into a brutal fight for survival as the blind, deformed creatures begin picking them off one by one.</p><p><strong>## Cast & Crew</strong></p><p>* <strong>Director:</strong> Pierre B.</p><p>* <strong>Writer:</strong> David Malcolm / Lucas Kelly</p><p>* <strong>Main Cast:</strong></p><p>* <strong>May Kelly</strong> as Abi</p><p>* <strong>Lila Lasso</strong> as Lara</p><p>* <strong>Natasha Tosini</strong> as Cassie</p><p>* <strong>Karl Hughes</strong> as Mark</p><p>* <strong>Keith Eyles</strong> as Keith</p><p>* <strong>Lynne O’Sullivan</strong> as Jude</p><p><strong>## Tone and Special Effects</strong></p><p>True to the style of Dark Abyss Productions, the movie relies heavily on <strong>practical special effects</strong> for its primary gore and creature designs, shunning digital work for the main action.</p><p>* <strong>The Monsters:</strong> Rather than just throwing stuntmen into cheap rubber store masks, the production used full, freakish practical suits to create mutated animal-human hybrids.</p><p>* <strong>The Gore:</strong> The film doesn’t skimp on the splatter, featuring highly graphic, practical set-pieces including gouged eyes, acid burns, and blunt-force trauma.</p><p>* <strong>The Quirks:</strong> Despite being blind, the creatures display some bizarrely specific abilities—including wielding a crossbow and setting intricate barbed-wire traps—which adds a layer of surreal, low-budget charm to the narrative.</p><p>While the pacing slows down significantly during the family drama segments in the middle act, it stands out in the “twisted childhood” subgenre for its surprisingly solid monster suits and dedication to old-school, explicit physical effects.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/three-blind-mice-2023-insane-mutant</link><guid isPermaLink="false">substack:post:198012481</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sat, 16 May 2026 15:46:55 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/198012481/223c44a451884a458a43f7709dddb89b.mp3" length="6038960" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>377</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/198012481/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Demonic Clown Pact: The Jack In The Box: Awakening (2022) Review]]></title><description><![CDATA[<p><strong>The Jack in the Box: Awakening (2022)</strong></p><p>Directed by Lawrence Fowler, this second installment moves away from the first film’s museum setting and steps into a classic, isolated gothic mansion. It trades the straightforward slasher vibe for a <em>Faustian bargain</em> plot, giving the demonic clown, Jackestemara, a bit more lore to play with.</p><p><strong>The Plot</strong></p><p>Terminally ill heiress Olga Marsdale (Nicola Wright) comes into possession of the notorious vintage jack-in-the-box. Upon winding it, she unleashes the demon inside, but instead of immediate slaughter, a pact is made. The demon promises to cure her aggressive illness in exchange for six innocent souls.</p><p>With the help of her fiercely loyal and increasingly conflicted son, Edgar (Matt Mella), Olga traps her staff and unsuspecting visitors inside the mansion. As the bodies pile up, the demon grows stronger, and the clock ticks down for the survivors trying to escape the locked-down estate.</p><p><strong>The Highlights</strong></p><p>* <strong>The Practical Design:</strong> Jackestemara remains the star of the show. The film relies heavily on a physical actor in a suit and excellent makeup fx rather than cheap CGI, keeping the creature menacing, tactile, and deeply unsettling when it steps out of the shadows.</p><p>* <strong>A Different Motive:</strong> Unlike a mindless stalk-and-slash killer, the dynamic of a desperate human delivering victims to a monster adds a solid layer of tension, turning the mansion into a claustrophobic trap.</p><p>* <strong>Classic Grindhouse/Indie Vibe:</strong> It embraces its budget with moody lighting, heavy shadows, and a focus on dread over massive set pieces.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/demonic-clown-pact-the-jack-in-the</link><guid isPermaLink="false">substack:post:197940348</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sat, 16 May 2026 00:54:43 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197940348/00266c4fb4d864d65ae2d47de3b46f4a.mp3" length="5862163" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>366</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197940348/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[How This British Indie Sparked A New Killer Clown Trilogy | The Jack in the Box (2019) Review]]></title><description><![CDATA[<p><strong>The Jack in the Box (2019)</strong></p><p>Directed by Lawrence Fowler, this is the indie British supernatural slasher that started the entire franchise, introducing horror fans to the terrifying entity known as Jackestemara.</p><p><strong>The Plot</strong></p><p>American vintage enthusiast Casey Reynolds (Ethan Taylor) moves to the quiet English countryside to take a job as a curator at a local museum. Not long after his arrival, a weathered, historic jack-in-the-box is unearthed from the grounds and brought into the museum’s collection.</p><p>When Casey winds the box, he unwittingly awakens a ancient demonic clown trapped inside. As the museum doors lock at night, staff members begin disappearing one by one. Casey and a colleague soon realize that this isn’t just a creepy old toy—it’s a living nightmare that requires a specific quota of victims before it can return to its slumber.</p><p><strong>The Highlights</strong></p><p>* <strong>The Introduction of Jackestemara:</strong> Played by tall creature-actor Robert Nairne, the physical presence of the monster is instantly iconic, featuring a distorted face, sharp teeth, and a slow, deliberate stride.</p><p>* <strong>Classic Museum Setting:</strong> The dimly lit exhibits, long corridors, and historical artifacts create an excellent, claustrophobic atmosphere for a game of cat-and-mouse.</p><p>* <strong>Old-School Monster Movie Vibes:</strong> It relies on a classic urban legend structure, making it feel right at home with the transitional, eerie indie horror films of the late 2010s.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/how-this-british-indie-sparked-a</link><guid isPermaLink="false">substack:post:197938205</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sat, 16 May 2026 00:39:24 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197938205/bf9c5f011ac7dc7471f8343b71f292d7.mp3" length="12093935" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>756</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197938205/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[STING (2024) Is The Ultimate Giant Spider Creature Feature! Review]]></title><description><![CDATA[<p>Overview</p><p><strong>Sting</strong> is a 2024 science fiction monster/creature-feature horror film written and directed by Australian filmmaker <strong>Kiah Roache-Turner</strong> (<em>Wyrmwood</em>).</p><p>The film centers on a rebellious 12-year-old girl named Charlotte living in a rundown New York City apartment building. After discovering a mysterious, tiny spider that hatches from an alien egg, she keeps it as a secret pet and names it Sting. The creature rapidly grows at an alarming, monstrous rate, developing an insatiable appetite for the building’s pets—and eventually, its human residents.</p><p>Key Details</p><p>* <strong>Release Date:</strong> April 12, 2024 (United States)</p><p>* <strong>Runtime:</strong> 91 minutes</p><p>* <strong>MPAA Rating:</strong> R (for violent content, bloody images, and language)</p><p>* <strong>Subgenre:</strong> Nature Horror / Creature Feature / Monster Movie</p><p>* <strong>Distribution:</strong> Well Go USA Entertainment</p><p>Notable Cast</p><p>* <strong>Alyla Browne</strong> as Charlotte</p><p>* <strong>Ryan Corr</strong> as Ethan (Charlotte’s stepfather)</p><p>* <strong>Penelope Mitchell</strong> as Heather</p><p>* <strong>Jermaine Fowler</strong> as Frank</p><p>Production & FX Notes</p><p>While the film utilizes modern digital enhancement for its larger-than-life scale, it gained notable traction among genre fans for its heavy reliance on <strong>practical special effects</strong> and physical animatronics to bring the terrifying, flesh-eating alien arachnid to life, leaning into a classic 1980s-inspired monster-movie aesthetic.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/sting-2024-is-the-ultimate-giant</link><guid isPermaLink="false">substack:post:197925129</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Fri, 15 May 2026 21:59:36 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197925129/93bc1d5ca90c82744f8dbf8cbafc81c4.mp3" length="5712803" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>357</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197925129/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[A24’s Killer Robot Bloodbath! | Y2K (2024) Movie Review]]></title><description><![CDATA[<p>Released theatrically by <strong>A24</strong>, <em>Y2K</em> is an apocalyptic horror-comedy directed by <em>Saturday Night Live</em> alum <strong>Kyle Mooney</strong> (in his directorial debut) and co-written with Evan Winter.</p><p>The film delivers a high-concept “what-if” scenario: <strong>What if the turn-of-the-millennium computer bug was actually real, totally catastrophic, and caused all technology to turn against humanity?</strong> Set entirely on <strong>New Year’s Eve 1999</strong>, the movie blends late-90s teen movie tropes with gory, practical-effects-driven machine mayhem, heavily channeling the spirit of retro sci-fi horror classics like <em>Chopping Mall</em> and <em>Maximum Overdrive</em>.</p><p>The Plot</p><p>The story follows Eli and Danny, two high school juniors and social nobodies, who decide to crash a major high school house party on December 31, 1999. Eli’s main goal for the night is to finally talk to and kiss his classmate crush, Laura.</p><p>+1</p><p>Just as the clock strikes midnight, the overhyped “Y2K bug” triggers a literal apocalypse. Instead of minor glitches, every piece of technology with a microchip—from Tamagotchis and toy remote-control cars to VCRs and massive industrial machinery—gains instantaneous, murderous sentience.</p><p>+1</p><p>The party quickly turns into a bloody battle for survival. The survivors soon realize that a collective digital consciousness (dubbed the “Amalgamation”) is utilizing a newly installed high-speed internet connection at the local high school to spread worldwide, enslave humanity, and turn citizens into mindless, chip-implanted drones. Armed with late-90s junk and Laura’s unexpected coding skills, the teens have to fight their way through town to shut down the network.</p><p>+1</p><p>Cast & Key Characters</p><p>The film features a mix of rising stars, comedy staples, and unexpected musicians playing hyper-specific 90s archetypes:</p><p>* <strong>Jaeden Martell</strong> (<em>It</em>, <em>Knives Out</em>) as <strong>Eli</strong>: The awkward, nervous protagonist desperate for a New Year’s kiss.</p><p>* <strong>Julian Dennison</strong> (<em>Deadpool 2</em>, <em>Hunt for the Wilderpeople</em>) as <strong>Danny</strong>: Eli’s loud, supportive, and obnoxious best friend.</p><p>* <strong>Rachel Zegler</strong> (<em>West Side Story</em>, <em>The Hunger Games: The Ballad of Songbirds & Snakes</em>) as <strong>Laura</strong>: Eli’s crush, who turns out to be a secret tech/coding wizard under the AOL handle <em>RoxyGurl20</em>.</p><p>* <strong>The Kid Laroi</strong> as <strong>Soccer Chris</strong>: A popular kid at the party.</p><p>* <strong>Fred Durst</strong> (frontman of Limp Bizkit) as <strong>Himself</strong>: Making a highly publicized, ironic appearance in the middle of the millennial chaos.</p><p>* <strong>Kyle Mooney</strong> as <strong>Garrett</strong>: A VHS rental store clerk who still hangs out with high schoolers.</p><p>* <strong>Eduardo Franco</strong> (<em>Stranger Things</em>) as <strong>Farkas</strong>.</p><p>* <strong>Mason Gooding</strong> (<em>Scream VI</em>) as <strong>Jonas</strong>: Laura’s ex-boyfriend.</p><p>+1</p><p>* <strong>Tim Heidecker</strong> and <strong>Alicia Silverstone</strong> make appearances as parents/adults navigating the madness.</p><p>Aesthetic, Production & Reception</p><p>The 90s Vibe</p><p>The movie banks heavily on millennium-era nostalgia. The first half plays exactly like a late-90s teen comedy (<em>American Pie</em>, <em>She’s All That</em>, <em>Can’t Hardly Wait</em>), complete with baggy jeans, frosted tips, a heavy nu-metal and pop-punk soundtrack (featuring artists like Chumbawamba), and references to <em>The Legend of Zelda: Ocarina of Time</em>.</p><p>+1</p><p>FX and Style</p><p>When the horror kicks in, Mooney relies on a lot of classic, fun, messy splatter-horror tropes. The kills are deliberately absurd and goofy—such as a tiny toy car using a lighter and a hairspray can to torch someone’s face—escalating to massive, clunky, junkyard-style killer robots cobbled together from retro appliances.</p><p>Reception</p><p><em>Y2K</em> premiered at South by Southwest (SXSW) and hit theaters in December 2024. Critical response was notably split (holding around 42% on Rotten Tomatoes). While genre critics praised its audacious concept, nostalgic soundtrack, and fun creature-feature practical effects, mainstream reviewers felt the tonal shift between a raunchy teen comedy and a dystopian killer-robot movie was a bit uneven and messy.</p><p>+1</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/a24s-killer-robot-bloodbath-y2k-2024</link><guid isPermaLink="false">substack:post:197865407</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Fri, 15 May 2026 14:26:16 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197865407/4d5b7caf34d7109bcdda4727ec02f9ec.mp3" length="8344841" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>522</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197865407/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[LOWLIFES (2024): The Ultimate Slashing Twist You Won't See Coming! | Movie Review]]></title><description><![CDATA[<p><strong>Lowlifes (2024)</strong> is a Canadian horror-thriller directed by Tesh Guttikonda and Mitch Oliver, with a screenplay by Al Kaplan (<em>Terrifier 2</em>, <em>Zombeavers</em>). Originally released as a Tubi Original, it quickly gained a strong word-of-mouth reputation in the horror community for completely flipping the classic “hixploitation” subgenre on its head.</p><p>Think <em>We’re the Millers</em> meets <em>The Texas Chain Saw Massacre</em> or <em>The Hills Have Eyes</em>, but with a massive, expectation-subverting twist right out of the gate.</p><p>The Plot & The Twist</p><p>The film opens following a seemingly picture-perfect, clean-cut suburban family—father Keith, mother Kathleen, teenage daughter Amy, and son Jeffrey—on a road trip through the backwoods in their RV.</p><p>* <strong>The Setup:</strong> They have a tense road-side encounter with a couple of stereotypical, intimidating hillbillies (Vern and Billy) searching for a missing relative. When the local men’s truck breaks down later, the suburban family reluctantly agrees to give Billy a ride back to his remote family homestead to get help.</p><p>* <strong>The Subversion:</strong> The ultimate “townies vs. backwoods country folk” trope is immediately inverted. The country family—headed by grandfather Neville and his granddaughters Savannah and Juli Ann—turn out to be completely normal, kind, and incredibly hospitable people. The <em>real</em> monsters are the clean-cut suburban tourists, who are actually a highly organized, deeply dysfunctional family of <strong>serial-killing cannibals</strong> on their annual hunting vacation.</p><p>When the suburban family decides to infiltrate the homestead to butcher the hosts, a brutal, chaotic, and bloody night of survival ensues as the country family fights back.</p><p>Notable Elements</p><p>Practical Effects & Splatter</p><p>For genre fans who appreciate the red stuff, <em>Lowlifes</em> does not skimp. The film heavily relies on <strong>practical special effects</strong> for its insanely brutal kill sequences. It delivers a high body count loaded with cringe-worthy, messy gore, including:</p><p>* Dismemberment and body butchering</p><p>* Axe and hunting knife wounds</p><p>* Gouged-out eyeballs and fried tongues</p><p>* Impressive “splatter” mastery during the third-act all-out war</p><p>Dark Comedy & Nuance</p><p>The script finds its best moments in dark, absurd situational comedy. It treats the suburban family’s cannibalistic hobbies like mundane family bickering—such as the father grounding his son and sending him to his room for showing a lack of “impulse control” while murdering someone.</p><p>Character Dynamics</p><p>The movie adds a surprising layer of tension through the character of the daughter, Amy (Amanda Fix). She is losing interest in the family’s annual hunting traditions, hates the vacations, and forms a complex, tragic connection with Savannah (the resourceful daughter of the homestead), which severely complicates her family loyalty when the killing starts.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/lowlifes-2024-the-ultimate-slashing</link><guid isPermaLink="false">substack:post:197858157</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Fri, 15 May 2026 13:38:43 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197858157/78625b2db36621caeb4c51753fe7a060.mp3" length="5229642" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>327</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197858157/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[From Norway with Terror: Last Ride (2026) Review]]></title><description><![CDATA[<p>* </p><p><strong>Last Ride (2026)</strong></p><p><strong>Last Ride</strong> is a survival thriller released in <strong>February 2026</strong>. Directed and written by <strong>Cinqué Lee</strong> (and executive produced by his brother, <strong>Spike Lee</strong>), the film blends a “bottle movie” suspense setup with a nostalgic, <em>Stand By Me</em>-esque coming-of-age vibe.</p><p><strong>+1</strong></p><p><strong>Plot Overview</strong></p><p>Set in <strong>March 1982</strong>, the story follows three American teenagers—Devin, Sid, and Jamie—on holiday in <strong>Vargøy, Norway</strong>. Looking for one last thrill, they convince a hungover cable car operator, Øyvind, to take them on a final run to a mountain summit.</p><p><strong>+1</strong></p><p>Disaster strikes when a mysterious, colorful celestial event triggers a massive blackout, killing the operator instantly and leaving the boys stranded in a gondola hundreds of feet above a dark, frozen landscape. With no heat, power, or food—and a dead body as their only company—the boys must confront their own mortality and the strength of their friendship.</p><p>Main Cast</p><p>* <strong>Roman Griffin Davis</strong> (<em>Jojo Rabbit</em>) as Devin</p><p>* <strong>Felix Jamieson</strong> (<em>Raised by Wolves</em>) as Sid</p><p>* <strong>Charlie Price</strong> as Jamie</p><p>* <strong>Kristofer Hivju</strong> (<em>Game of Thrones</em>) as Øyvind (the cable car operator)</p><p>* <strong>Gustaf Skarsgård</strong> (<em>Vikings</em>, <em>Oppenheimer</em>) as the adult version of one of the survivors</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/from-norway-with-terror-last-ride</link><guid isPermaLink="false">substack:post:197795236</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Fri, 15 May 2026 02:36:27 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197795236/096d86b3d260e2e08c23891d7d9aa621.mp3" length="6517941" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>407</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197795236/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Surviving The Blue Void: THE REEF: STALKED (2022) Review]]></title><description><![CDATA[<p><strong>The Reef: Stalked (2022)</strong></p><p>Directed by <strong>Andrew Traucki</strong>, this sequel to the 2010 cult favorite <em>The Reef</em> returns to the terrifyingly simple premise of “human vs. apex predator” in the open ocean. While the first film is often cited as one of the better shark movies of the 21st century for its use of real shark footage, <em>Stalked</em> attempts to blend that survival horror with a more personal story of trauma and sisterhood.</p><p><strong>The Plot Summary</strong></p><p>The story follows Nic (<strong>Teressa Liane</strong>), who is struggling with PTSD after witnessing the horrific murder of her sister. In an attempt to heal, she travels to a tropical resort with her younger sister Annie and two friends for a kayaking and diving adventure. The group paddles out to a remote island, only to realize they are being hunted by a massive Great White shark. Stranded on kayaks with limited supplies, they must use their wits to reach safety while the predator circles below.</p><p><strong>Production Style & Tone</strong></p><p>* <strong>Practical vs. Digital:</strong> Similar to the original film, Traucki relies heavily on <strong>real shark footage</strong> composited into scenes rather than pure CGI. This gives the shark a sense of weight and unpredictability that many modern “creature features” lack.</p><p>* <strong>The Grindhouse Vibe:</strong> Though a modern release, the film feels like a throwback to the <strong>nature-run-amok</strong> films of the late ‘70s and ‘80s, focusing on isolation and the vastness of the ocean.</p><p>* <strong>Atmosphere:</strong> The cinematography emphasizes the “blue void,” using the clear water to create a sense of vulnerability—you can see the threat coming, but there’s nowhere to hide.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/surviving-the-blue-void-the-reef</link><guid isPermaLink="false">substack:post:197787520</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Fri, 15 May 2026 01:23:16 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197787520/2edad911af6eb96a1374e2e7bff04d0e.mp3" length="6270091" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>392</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197787520/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[FRENZY MOON: The Best New Indie Splatter Film? (2025)]]></title><description><![CDATA[<p>* </p><p><strong>Frenzy Moon</strong> (2025) is an indie werewolf horror film directed by Gregory Lamberson (known for <em>Slime City</em> and <em>Guns of Eden</em>). It draws heavy inspiration from practical-effects classics like <em>The Howling</em>, <em>An American Werewolf in London</em>, and the cabin-in-the-woods paranoia of <em>The Thing</em>.</p><p><strong>+1</strong></p><p><strong>Release & Production</strong></p><p>* <strong>Release Date:</strong> The film premiered at the <strong>AMT Film Festival</strong> in NYC on October 31, 2025, and was released on digital platforms on <strong>November 11, 2025</strong>.</p><p>* <strong>Production:</strong> It was filmed in Western New York (Clarence, NY) and produced by Digital Guerrilla Cinema in association with Dark Star Pictures and Uncork’d Entertainment.</p><p>* <strong>Tone:</strong> Lamberson focused on <strong>practical creature effects</strong>, specifically avoiding CGI to maintain a retro, “splatter” aesthetic.</p><p><strong>The Story</strong></p><p>The film follows six graduate students spending a weekend at a remote cabin. Their trip takes a dark turn when they accidentally hit a mysterious hunter named Gavin (played by Aaron Krygier) with their car. After taking him back to the cabin to recover, Gavin warns them that they are being hunted by a pack of werewolves. The group finds themselves under siege, trapped in the cabin with only one weapon.</p><p><strong>+1</strong></p><p><strong>Cast & Characters</strong></p><p>* <strong>Alyssa Grace Adams</strong> as Jennifer (the group’s vegan moral compass)</p><p>* <strong>Aaron Krygier</strong> as Gavin (the traumatized veteran/hunter)</p><p>* <strong>Kayla Malika Waller</strong> as Makayla</p><p>* <strong>Gabrielle Nunzio</strong> as Sheila</p><p>* <strong>Steven Maiseke</strong> as Clinton</p><p>* <strong>Harold Octavius Jacob</strong> as Dante</p><p><strong>Reception</strong></p><p>The film has been noted for its “Thing-style” group paranoia and some creative set-pieces—including a particularly suspenseful scene involving a character trapped in an outhouse while a werewolf stalks outside. While clearly a low-budget production, it has been praised in indie circles for its commitment to practical makeup and its “frenetic” pacing.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/frenzy-moon-the-best-new-indie-splatter</link><guid isPermaLink="false">substack:post:197771888</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 22:32:02 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197771888/916c0792c76921569683c0c40e7d0753.mp3" length="6054693" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>378</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197771888/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[NAZI ZOMBIES (2025) Official Review | The New Cult Splatter King?]]></title><description><![CDATA[<p><strong>Nazi Zombies (2025)</strong></p><p>This is a British independent horror film directed by <strong>Daniel Yates</strong> and produced by <strong>Louisa Warren</strong> (known for her work in the “Twisted Childhood” universe).</p><p>* <strong>Plot:</strong> A group of friends practicing witchcraft near a WWII burial ground accidentally resurrect a squad of undead Nazi soldiers.</p><p>* <strong>Cast:</strong> Tash Chant, Julia Quayle, Amber Olivia, and Grace Gallagher.</p><p>* <strong>Where to Watch (UK):</strong> It is currently available to stream on <strong>Prime Video</strong> (Rent/Buy) and <strong>Apple TV</strong>. You might also find it on various ad-supported platforms like Tubi or specialized horror channels like CiNENET UK on YouTube.</p><p>* <strong>Vibe:</strong> It’s a classic low-budget “splatter” film with a runtime of about <strong>1 hour and 19 minutes</strong>. If you enjoy creature features with a retro, grindhouse feel, this fits that mold perfectly.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/nazi-zombies-2025-official-review</link><guid isPermaLink="false">substack:post:197768679</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 22:16:17 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197768679/781246058388bc8946d6fea1b26be506.mp3" length="5302367" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>331</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197768679/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Leprechaun: The Beginning (2025) Review | The New UK Horror Mockbuster Review]]></title><description><![CDATA[<p>Leprechaun: The Beginning (2025)</p><p>The film <strong>Leprechaun: The Beginning</strong>, released in <strong>April 2025</strong>, is an independent British horror film produced by <strong>ChampDog Films</strong>.</p><p>It is important to note that this film is <strong>not</strong> an official installment of the long-running <em>Leprechaun</em> franchise starring Warwick Davis. Instead, it is a low-budget “mockbuster” that utilizes the public domain concept of a leprechaun.</p><p>Release & Availability</p><p>* <strong>Release Date:</strong> April 11, 2025 (Streaming)</p><p>* <strong>Region:</strong> United Kingdom / International</p><p>* <strong>Where to Watch:</strong> In the UK and US, it is primarily available on <strong>Amazon Prime Video</strong> (Rent/Buy) and <strong>Tubi</strong> (Free with ads).</p><p>Plot & Production Details</p><p>The story follows a family who inherits a cottage in the countryside. Upon discovering a hidden chest of gold, they are stalked by a murderous, riddle-obsessed leprechaun determined to reclaim his treasure.</p><p>Critical Reception</p><p>The film has received largely negative reviews from horror fans, with most criticism directed at the <strong>minimal budget</strong> and the lack of connection to the original series. Common complaints include:</p><p>* <strong>Makeup Effects:</strong> Many viewers noted that the leprechaun’s appearance lacks professional prosthetic work, often appearing as a simple mask.</p><p>* <strong>The “Leprechaun” Character:</strong> Unlike the charismatic performance of Warwick Davis, this version features a silent or stilted killer (uncredited in the film) with a focus on quips and riddles.</p><p>* <strong>Technical Quality:</strong> The film is categorized as “low-budget independent,” with critics highlighting the stilted dialogue and uneven editing.</p><p>If you are a fan of the original <em>Leprechaun</em> series, you might find this to be a very different experience, as it leans more into “grindhouse” indie tropes than the dark comedy of the mainstream franchise.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/leprechaun-the-beginning-2025-review</link><guid isPermaLink="false">substack:post:197766875</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 21:59:41 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197766875/9382dacd1217baa1e5434d2c35c7e1cb.mp3" length="6212264" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>388</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197766875/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Caroline Williams Returns! | He Sees You When You’re Sleeping (2025) Review]]></title><description><![CDATA[<p><strong>He Sees You When You’re Sleeping</strong> (2024/2025)</p><p>This title is a holiday-themed whodunnit/slasher directed by <strong>Charlie Steeds</strong> and written by <strong>David Lenik</strong>. While it had its initial festival and digital rollout in late 2024, it has continued to gain traction on horror platforms throughout <strong>2025</strong>.</p><p><strong>The Plot & Vibe</strong></p><p>The film follows <strong>Chester Van Buren</strong> (played by Lenik), who returns to his family’s mansion years after witnessing his parents’ murder by a killer in a Santa suit. As he reunites with his dysfunctional and greedy relatives—including his <strong>Aunt Marion</strong>, played by genre legend <strong>Caroline Williams</strong> (<em>Texas Chainsaw Massacre 2</em>)—the “Santa” killer reappears to thin out the family tree.</p><p>* <strong>Genre Blend:</strong> It’s less of a straight “slay-ride” and more of a <strong>drawing-room mystery</strong> (reminiscent of <em>Knives Out</em>) meets an <strong>80s-style slasher</strong>.</p><p>* <strong>Practical Mastery:</strong> For those who appreciate the “splatter” era, the film earns points for prioritizing <strong>practical special effects</strong> over CGI, giving the kills a tangible, gritty feel that fits the retro aesthetic.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/caroline-williams-returns-he-sees</link><guid isPermaLink="false">substack:post:197765462</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 21:47:43 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197765462/725ac3dd4fcf0cbce14ba80d9c9816a0.mp3" length="8410311" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>526</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197765462/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Practical Gore Mastery! Why You Need to See I Know What You Did Last Christmas Review]]></title><description><![CDATA[<p>I Know What You Did Last Christmas (2025)</p><p>The title <strong>“I Know What You Did Last Christmas”</strong> is part of the recent wave of holiday-themed slashers and “Twisted Childhood” horror films that have been gaining traction in the indie scene.</p><p>Movie Details</p><p>* <strong>Release Year:</strong> 2025</p><p>* <strong>Genre:</strong> Holiday Slasher / Indie Horror</p><p>* <strong>Premise:</strong> As the title suggests, it plays on the classic “unseen stalker” trope, transplanting the summer-slasher mystery of the 90s into a winter setting. It typically follows a group of friends haunted by a past holiday accident that comes back to haunt them during a Christmas gathering.</p><p>Key Highlights for Fans</p><p>* <strong>The Slasher Revival:</strong> This film fits right in with the “Grindhouse” and retro-aesthetic revival, often focusing on practical blood effects and a high body count.</p><p>* <strong>Marketing Style:</strong> Keep an eye out for promotional assets that lean heavily into <strong>retro VHS aesthetics</strong>, often featuring neon-drenched holiday lights and distressed poster textures that mimic the video store era.</p><p>* <strong>Double Feature Ideas:</strong> If you’re looking to pair this with other recent festive frights, it sits well alongside films like <em>It’s a Wonderful Knife</em> or <em>The Mean One</em>.</p><p>For Content Creators</p><p>If you are planning to cover this on a podcast or channel, here are a few technical and creative angles:</p><p>* <strong>Visual Assets:</strong> For high-quality thumbnails, the standard <strong>2048 x 1152 pixels</strong> works best to capture the detail of the slasher’s mask or the snowy, blood-spattered environments.</p><p>* <strong>Metadata:</strong> Ensure you distinguish this 2025 release from older parodies or short films with similar titles to keep your search rankings accurate.</p><p>* <strong>Trailer Reactions:</strong> Reaction videos for this specific subgenre perform well when focusing on the “kill reveals” and the use of practical gore over CGI.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/practical-gore-mastery-why-you-need</link><guid isPermaLink="false">substack:post:197763942</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 21:38:35 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197763942/a8cc380d55c1133b255e2b5c3fd0e397.mp3" length="8684910" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>543</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197763942/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Hippo's Revenge (2025) Review: Nature’s Deadliest Animal Gets a Slasher! Review]]></title><description><![CDATA[<p><strong>Hippo’s Revenge</strong> is a 2025 UK indie horror/action film directed by <strong>Sam P. Green</strong>. It leans into that “nature-run-amok” subgenre, following a father and daughter who are trying to open a safari rescue in England when a group of poachers tries to steal a mother hippo and her calf.</p><p>Naturally, the mother hippo doesn’t take too kindly to that, and chaos (and a fair bit of gore) ensues.</p><p>Key Details</p><p>* <strong>Director:</strong> Sam P. Green</p><p>* <strong>Release Date:</strong> It hit VOD (Video on Demand) around <strong>September 2, 2025</strong>, through Uncork’d Entertainment.</p><p>* <strong>Runtime:</strong> Approximately 81–82 minutes.</p><p>* <strong>Cast:</strong> Includes Jason Bailey as Crispin and Evyn George as Aluna.</p><p>* <strong>Tone:</strong> While som</p><p>e marketing tried to lean into the “Hungry Hungry Hippos” comparison, reviews suggest it’s actually more of a serious action-thriller/horror hybrid, though with some of that low-budget indie charm.</p><p>Reception</p><p>Reviews have been a bit of a mixed bag. Some viewers enjoyed the practical gore and the novelty of a “hippo slasher,” while others felt the pacing was a little slow in the first half before the poachers arrive.</p><p>It’s also worth noting there is another high-profile hippo horror movie called <strong><em>Hungry</em></strong> (2026) currently making waves, which features a rampaging hippo in the Louisiana swamplands, so it’s a good time to be a fan of killer-animal cinema!</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/hippos-revenge-2025-review-natures</link><guid isPermaLink="false">substack:post:197730881</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 17:38:00 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197730881/a153d49aeb84befe8f0c25828803d8c3.mp3" length="6244447" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>390</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197730881/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[The Doll That Comes Alive To Kill! | Rag Doll 2023 (UK Horror) Review]]></title><description><![CDATA[<p>* </p><p></p><p><strong>Rag Doll</strong> (2023) is a British supernatural horror film directed by Ben Ivory and produced by Proportion Productions.</p><p><strong>Synopsis</strong></p><p>The story follows a young girl named Crystal who moves into a new house with her mother, Chia, and her mother’s new partner. Crystal is struggling to adjust to her parents’ divorce and her mother’s new relationship. In the attic of their new home, they find a life-sized, creepy rag doll. Chia gives it to Crystal as a gift, unaware that the doll is inhabited by a sinister spirit that acts on Crystal’s suppressed rage and resentment, eventually embarking on a violent killing spree.</p><p><strong>+1</strong></p><p><strong>Key Details</strong></p><p>* <strong>Director:</strong> Ben Ivory</p><p>* <strong>Writer:</strong> Ben Daly (known for other low-budget British horror like <em>Toothfairy</em> and <em>Return of Krampus</em>)</p><p>* <strong>Cast:</strong></p><p>* <strong>Chrissie Wunna</strong> as Chia</p><p>* <strong>Danielle Scott</strong> as Monica</p><p>* <strong>Ruby Wunna</strong> (Chrissie’s real-life daughter) as Crystal</p><p>* <strong>Junior Wunna</strong> (Chrissie’s son) as the Rag Doll</p><p>* <strong>Benjamin Schnau</strong> as Dom</p><p>* <strong>Runtime:</strong> Approximately 75–80 minutes</p><p>* <strong>Genre:</strong> Horror / Slasher / Supernatural</p><p><strong>Production Style & Availability</strong></p><p>The film is a classic example of “British splatter” or ultra-low-budget indie horror, similar in tone to the <em>Winnie-the-Pooh: Blood and Honey</em> wave. It was released worldwide by <strong>ITN Distribution</strong> and is currently available on various streaming platforms, including:</p><p>* <strong>Tubi</strong> (Free with ads)</p><p>* <strong>Amazon Prime Video</strong> (VOD/Rent)</p><p>* <strong>YouTube</strong> (Full movie available on some official distributor channels)</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-doll-that-comes-alive-to-kill</link><guid isPermaLink="false">substack:post:197724708</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 17:12:49 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197724708/9a3c9c80fcd2503d1acc17e0e12ffdb3.mp3" length="5881807" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>368</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197724708/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Splatter & Retribution: Why Cinderella's Revenge is a Slasher Must-Watch Review]]></title><description><![CDATA[<p><strong>Cinderella’s Revenge (2024)</strong></p><p>If you are looking into the recent trend of “twisted” fairy tales, <strong>Cinderella’s Revenge</strong> is a prominent entry in the ITN Studios lineup. Directed by Andy Edwards and starring Lauren Staerck and Natasha Henstridge, it reimagines the classic story as a bloody slasher.</p><p><strong>The Plot</strong></p><p>The film follows the traditional beats—Cinderella is pushed to the breaking point by her evil stepmother and stepsisters—but with a dark pivot. Instead of just wanting a dance at the ball, she seeks violent retribution. Her Fairy Godmother (Henstridge) isn’t just providing a dress; she is providing the means for a massacre.</p><p><strong>Key Features</strong></p><p>* <strong>Subgenre:</strong> It fits squarely into the “Twisted Childhood” or “Pooh-verse” style of horror that has gained traction recently.</p><p>* <strong>Practical Effects:</strong> The film leans into the “splatter” aesthetic, utilizing practical gore effects for the various kills at the ball.</p><p>* <strong>Tone:</strong> It’s a low-budget, grindhouse-style reimagining that swaps the glass slipper for a weapon.</p><p><strong>Similar Titles to Check Out</strong></p><p>If you’re diving into this specific niche of horror, you might also find these interesting:</p><p><strong>Movie Subgenre Notable Element Winnie-the-Pooh: Blood and Honey </strong>Slasher Started the modern public domain horror trend. <strong>Mary Had a Little Lamb </strong>Creature Feature A nursery rhyme turned into a slasher/monster movie. <strong>The Curse of Humpty Dumpty </strong>Supernatural Horror Reimagines the nursery rhyme character as a terrifying doll. <strong>The Sadness (2021)</strong>Extreme Horror For those looking for high-intensity practical gore and “splatter” mastery.</p><p></p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/splatter-and-retribution-why-cinderellas</link><guid isPermaLink="false">substack:post:197721316</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 16:38:20 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197721316/40c61c269aa16fbecff0c040b169303b.mp3" length="5409364" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>338</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197721316/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Wildfires and Mutant Predators? | COYOTES (2025) Survival Thriller Review]]></title><description><![CDATA[<p>* </p><p><strong>Coyotes</strong> is a 2025 comedy-horror thriller film about a family fighting for their lives while trapped in their Hollywood Hills home. The family faces a dual threat: an encroaching wildfire and a pack of intelligent, hostile coyotes led by a scar-faced alpha.</p><p><strong>+1</strong></p><p><strong>Key Details</strong></p><p>* <strong>Release Date:</strong> The movie had its world premiere at <strong>Fantastic Fest</strong> on September 20, 2025, followed by a theatrical release on October 3, 2025.</p><p>* <strong>Director:</strong> Colin Minihan (<strong>Grave Encounters</strong>, <strong>What Keeps You Alive</strong>).</p><p>* <strong>Starring:</strong> Real-life couple <strong>Justin Long</strong> and <strong>Kate Bosworth</strong> star as Scott and Liv.</p><p>* <strong>Cast Members:</strong> The film also stars Mila Harris, Katherine McNamara, Brittany Allen, Keir O’Donnell, and Norbert Leo Butz.</p><p>* <strong>Genre:</strong> Horror-Comedy / Survival Thriller.</p><p><strong>Production & Reception</strong></p><p>* <strong>Filming:</strong> Principal photography took place in <strong>Bogotá, Colombia</strong>, between November and December 2024.</p><p>* <strong>Critical Reception:</strong> The film holds a <strong>59%</strong> rating on Rotten Tomatoes. Reviewers generally praised the performances and “gnarly” horror elements but criticized the CGI used for the coyotes, which some felt looked unnatural or A.I.-generated.</p><p>* <strong>Technical Details:</strong> The movie has a running time of approximately <strong>91–92 minutes</strong>.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/wildfires-and-mutant-predators-coyotes</link><guid isPermaLink="false">substack:post:197720006</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 16:27:54 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197720006/f8d2d19535e3ceb0a97419f317926a7c.mp3" length="6427095" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>402</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197720006/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Ashley Greene & Shawn Ashmore Face Pure Evil in It Feeds (2025)]]></title><description><![CDATA[<p><strong>It Feeds (2025)</strong></p><p><strong>Overview</strong></p><p><strong>It Feeds</strong> is a 2025 supernatural horror film that marks the first entry in a multi-picture deal between <strong>Production Shack</strong> and <strong>Black Fawn Films</strong>. The movie centers on a young girl who insists that a malevolent entity is lurking in the shadows of her home. Her mother, a clairvoyant, must navigate her own fractured reality to determine if the threat is a product of her daughter’s imagination or a genuine, predatory force.</p><p><strong>Key Details</strong></p><p>* <strong>Director:</strong> Chad Archibald (<strong>The Heretics</strong>, <strong>Bite</strong>)</p><p>* <strong>Starring:</strong> Ashley Greene (<strong>Twilight</strong>) and Shawn Ashmore (<strong>X-Men</strong>, <strong>The Boys</strong>)</p><p>* <strong>Genre:</strong> Supernatural Horror / Psychological Thriller</p><p>* <strong>Vibe:</strong> A blend of domestic tension and “creature in the dark” suspense, focusing heavily on atmospheric dread.</p><p><strong>Production Context</strong></p><p>The film is notable for being part of a “ten-picture” slate announced by the producers, aimed at delivering high-quality genre films with a focus on practical elements and strong character arcs.</p><p><strong>What to Expect</strong></p><p>* <strong>Psychological Depth:</strong> The story leans into the “is she crazy or is it real?” trope, using the mother’s clairvoyance as a lens that potentially blurs the line between hallucination and the supernatural.</p><p>* <strong>Strong Cast:</strong> Bringing in veteran genre actors like Greene and Ashmore suggests a focus on more grounded, emotional performances than a standard slasher.</p><p>* <strong>Atmosphere:</strong> Archibald is known for a gritty, tactile visual style, often utilizing shadows and claustrophobic environments to build tension.Black Fawn Films.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/ashley-greene-and-shawn-ashmore-face</link><guid isPermaLink="false">substack:post:197717221</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 16:12:01 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197717221/fa9ce949e7043a66620ba71d16373164.mp3" length="5287738" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>330</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197717221/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[A New Beginning For Evil? | Ouija (2025) Movie Review]]></title><description><![CDATA[<p><strong>Ouija: A New Beginning (2025)</strong></p><p>The film serves as a modern entry in the supernatural horror subgenre, continuing the cinematic fascination with the infamous spirit board. Directed by <strong>Justin Price</strong>, this 2025 release attempts to breathe new life into the franchise with a focus on ancient ritualism rather than just the standard parlor-game scares.</p><p><strong>Plot Overview</strong></p><p>The story follows a group of friends who discover a unique, antique board while exploring a secluded, historic property. Unlike the mass-produced boards of the 20th century, this version is tied to a specific ritual meant to bridge the gap between the living and a particular “lost” entity. As they break the cardinal rules of the board, they realize they haven’t just invited a ghost into their home, but have inadvertently started a “new beginning” for a demonic presence that requires a physical vessel.</p><p><strong>Production Style & Tone</strong></p><p>* <strong>Visual Aesthetic:</strong> The film leans heavily into <strong>high-contrast shadows</strong> and a <strong>muted color palette</strong>, creating a claustrophobic atmosphere.</p><p>* <strong>Effects:</strong> While the film utilizes modern CGI for its more ethereal sequences, it features several standout <strong>practical makeup effects</strong> for the entity’s physical manifestations, giving the horror a visceral, “wet” look reminiscent of 80s creature features.</p><p>* <strong>Pacing:</strong> It follows a “slow-burn” structure, prioritizing dread and psychological tension before escalating into a chaotic third act.</p><p><strong>Cast & Crew</strong></p><p>* <strong>Director:</strong> Justin Price</p><p>* <strong>Key Cast:</strong> Lasalle Walker, many of whom are frequent collaborators in Price’s filmography.</p><p>* <strong>Release Context:</strong> It was released primarily through digital platforms and VOD, catering to dedicated indie horror audiences and fans of the long-running <em>Ouija</em> lore.</p><p>If you’re looking for more supernatural titles from the 2025–2026 season, would you prefer recommendations for big-budget studio sequels or under-the-radar indie releases?</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/a-new-beginning-for-evil-ouija-2025</link><guid isPermaLink="false">substack:post:197715900</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 16:03:17 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197715900/7a84f9bcbbd17b5f15f11e9a93289608.mp3" length="7234174" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>452</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197715900/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[A New Nightmare in Neverland: Hook (2025) Official Review]]></title><description><![CDATA[<p>* </p><p></p><p><strong>Hook</strong> (2025) is a British independent slasher film directed by Andrea M. Catinella. It follows the recent trend of reimagining classic public domain characters—specifically Captain James Hook from J.M. Barrie’s <em>Peter and Wendy</em>—as horror villains.</p><p><strong>+1</strong></p><p><strong>Production & Release</strong></p><p>* <strong>Release Date:</strong> April 11, 2025</p><p>* <strong>Director:</strong> Andrea M. Catinella</p><p>* <strong>Writer:</strong> Harry Boxley</p><p>* <strong>Cast:</strong> Keith Eyles (James Hook), Charlotte Jackson Coleman (Wendy Darling), Kelly Rian Sanson, and Stephen Staley.</p><p>* <strong>Platform:</strong> Released direct-to-streaming, currently available on platforms like <strong>Tubi</strong>.</p><p><strong>Plot Overview</strong></p><p>The story offers a grim origin for the legendary pirate. Eighteen years prior to the main events, James Hook was a man who succumbed to a designer street drug known as <strong>“Pixie Dust.”</strong> The drug induced a violent psychosis, leading him to commit a massacre at a campground where he ultimately lost his hand and suffered severe facial burns.</p><p>In the present day, Hook escapes custody and targets Wendy Darling and her daughter, Lily, who is celebrating her birthday at a secluded manor. The film leans heavily into the “twisted childhood” subgenre, featuring:</p><p>* <strong>The Hook Prosthetic:</strong> Used as a primary weapon for several creative kills.</p><p>* <strong>Slasher Elements:</strong> A body count of roughly twelve, including deaths involving chainsaws and hot tubs.</p><p>* <strong>Connected Universe:</strong> The film features a nod to <em>Piglet</em> (another 2025 horror release from the same production company), suggesting a shared low-budget horror “universe.”</p><p><strong>Reception</strong></p><p>True to the grindhouse style, the film focuses on <strong>practical effects</strong> and “splatter” mastery rather than high-budget digital polish. It has been noted for its retro feel, though critics have pointed out humorous technical oversights—such as Hook’s prosthetic being mounted backwards for a standard forward-swinging attack.</p><p>Are you looking for more details on the practical effects used in the film, or perhaps more info on the other films in this “twisted” series?</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/a-new-nightmare-in-neverland-hook</link><guid isPermaLink="false">substack:post:197708883</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 15:26:03 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197708883/9de8333a58acfb03719605db153472ed.mp3" length="6210174" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>388</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197708883/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[WOLF MAN (2025) Review: A Brutal Reimagining of a Classic]]></title><description><![CDATA[<p>The <strong>Wolf Man</strong> (stylized as <em>Wolf Man</em>) was released in the United States on <strong>January 17, 2025</strong>. Directed by Leigh Whannell (who also directed the 2020 reboot of <em>The Invisible Man</em>), the film stars <strong>Christopher Abbott</strong> and <strong>Julia Garner</strong>.</p><p>Unlike the 1941 original, this version focuses heavily on <strong>body horror</strong> and the psychological deterioration of the protagonist.</p><p>Plot & Premise</p><p>* <strong>The Setup:</strong> Blake (Abbott), a husband and father, moves his wife Charlotte (Garner) and daughter Ginger to his remote childhood home in Oregon after his estranged father goes missing.</p><p>* <strong>The Incident:</strong> While arriving at the farmhouse, the family is attacked by an unseen creature that scratches Blake’s arm.</p><p>* <strong>The Transformation:</strong> Most of the film takes place over a single night as Blake begins a grisly, slow transformation into a werewolf. The story focuses on the “disease-like” nature of the change—Blake loses teeth, fingernails, and his ability to speak as his humanity slips away.</p><p>* <strong>The Twist:</strong> It is eventually revealed that the werewolf stalking the house is actually <strong>Blake’s father, Grady</strong>, who had been infected years prior.</p><p>Production Highlights</p><p>* <strong>Director:</strong> Leigh Whannell (Blumhouse Productions).</p><p>* <strong>Special Effects:</strong> The film leaned into <strong>practical effects and prosthetics</strong> rather than heavy CGI for the transformation, drawing comparisons to classic body-horror films like <em>The Fly</em> (1986).</p><p>* <strong>Cinematography:</strong> The film was shot in <strong>New Zealand</strong> (subbing for Oregon) and features a claustrophobic, “home invasion” vibe.</p><p>Reception</p><p>The film received mixed reviews from critics and fans.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/wolf-man-2025-review-a-brutal-reimagining</link><guid isPermaLink="false">substack:post:197707991</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 15:18:12 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197707991/1c64a10dedb34c56a3182ee68910a5cd.mp3" length="4224032" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>264</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197707991/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[The Masked Killer Who Targets "Ratchet" People | Ratchet (2025) Review]]></title><description><![CDATA[<p><strong>Ratchet</strong> (2025) is an urban horror/slasher film directed by <strong>The Green Brothers</strong> (R. Saeed Green and Rasheed K. Green). After building a following with their series <em>The Urbans</em>, the duo moved into the horror genre with this feature-length project, which was filmed in Atlanta.</p><p><strong>Plot & Synopsis</strong></p><p>The story centers on a delusional loner who seeks out a voodoo concoction to exact revenge.</p><p>* <strong>The Premise:</strong> After a “ratchet” hip-hop artist is suspected of murdering a love interest on Halloween, a vengeful killer begins targeting anyone he deems “undesirable” or “ratchet.”</p><p>* <strong>The Twist:</strong> The killer uses a voodoo potion intended to keep his victims alive indefinitely so he can torture them, though the potion also clouds the user’s judgment.</p><p>* <strong>Main Character:</strong> Alisha (played by Christina Karis) discovers the chilling link between a series of brutal killings and the artist.</p><p><strong>Production & Cast</strong></p><p>* <strong>Cast:</strong></p><p>* <strong>Christina Karis</strong> (<em>The Walking Dead</em>) as Alisha</p><p>* <strong>Rodney Perry</strong> (<em>Madea’s Big Happy Family</em>)</p><p>* <strong>Shannon Brown</strong></p><p>* <strong>YP Da Don</strong></p><p>* <strong>Special Effects:</strong> Notably for genre fans, the film emphasizes <strong>practical effects</strong>, led by artist Median Crosby.</p><p>* <strong>Streaming:</strong> Released through <strong>Indie Rights</strong>, the film became available on platforms like <strong>Amazon Prime Video</strong> and <strong>Apple TV</strong> in late 2025/early 2026.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-masked-killer-who-targets-ratchet</link><guid isPermaLink="false">substack:post:197706428</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 15:11:59 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197706428/3c5cd630404bcc708e4c12fc1eceb511.mp3" length="7610337" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>476</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197706428/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Why Everyone is Talking About SPADE (2025) Review]]></title><description><![CDATA[<p><strong>Spade</strong> (2025) is an action-crime film directed and produced by <strong>Jas Banks</strong> under his production banner, <strong>Foreign Productions</strong>.</p><p>The film is part of a recent wave of independent genre cinema from Banks, who has been prolific in the 2024–2025 window. Here are the key details regarding the project:</p><p>Production Details</p><p>* <strong>Director/Producer:</strong> Jas Banks.</p><p>* <strong>Release Year:</strong> 2025.</p><p>* <strong>Genre:</strong> It is generally categorized as a <strong>Crime/Action</strong> thriller, though Banks often blends elements of urban drama and sport into his work.</p><p>* <strong>Platform:</strong> Like many of Banks’ recent titles (such as <em>Karma</em> and <em>You Are My Reason</em>), the film has seen distribution on streaming platforms like <strong>Tubi</strong>.</p><p>Context</p><p>Banks has quickly established a niche for high-output independent filmmaking. In early 2026, he moved toward the supernatural horror genre with his project <em>The Spirit of Hilda</em>, but <strong>Spade</strong> remains one of his primary 2025 credits alongside his drama <em>Karma</em>.</p><p>If you’re looking for a specific trailer or technical specs for a review or podcast segment, the film’s gritty, low-budget aesthetic fits well within the modern “indie-grindhouse” or urban action categories.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/why-everyone-is-talking-about-spade</link><guid isPermaLink="false">substack:post:197705220</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 15:06:31 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197705220/0daabc6a6a4eb38d2a71c6b364c27527.mp3" length="7510445" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>469</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197705220/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Chainsaws & Supernatural Terror | THE ARBORIST (2026) Review]]></title><description><![CDATA[<p>The upcoming film <strong>The Arborist (2026)</strong> is shaping up to be a notable entry in the “eco-horror” or supernatural thriller subgenre. Following its production cycle through late 2025, it has gained traction for its atmospheric, slow-burn approach to horror.</p><p><strong>Core Details</strong></p><p>* <strong>Director:</strong> Andrew Mudge (<em>The Forgotten Kingdom</em>)</p><p>* <strong>Starring:</strong> Lucy Walters (<em>Power</em>) and Will Lyman</p><p>* <strong>Production/Distribution:</strong> Dark Sky Films (known for <em>The House of the Devil</em> and <em>The Innkeepers</em>)</p><p><strong>Synopsis & Style</strong></p><p>The story centers on a grieving arborist and her son who are hired by a reclusive, wealthy man to cut down specific trees on a sprawling, isolated estate. As they begin the work, the film transitions from a domestic drama into a supernatural mystery.</p><p>* <strong>Themes:</strong> Grief, ancestral guilt, and the “sentience” of nature.</p><p>* <strong>Visual Aesthetic:</strong> The film leans into a misty, Pacific Northwest-style palette, focusing on isolation and the eerie silence of the deep woods.</p><p><strong>Why it’s Gaining Interest</strong></p><p>Dark Sky Films has a track record for picking up movies that prioritize <strong>practical atmosphere</strong> over heavy CGI, which has made <em>The Arborist</em> a frequent topic of conversation among fans of “prestige” or indie horror.</p><p>Because of its specific focus on woodsy, isolated terror, it shares some DNA with films like <em>The Ritual</em> or <em>The Witch</em>, focusing more on building dread than traditional jump scares. It’s currently a prime candidate for a “Deep Woods Horror” or “Indie Spotlight” feature.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/chainsaws-and-supernatural-terror</link><guid isPermaLink="false">substack:post:197703928</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 14:58:44 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197703928/288ad3924bda258e0f88b3b57bfd536f.mp3" length="6585501" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>412</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197703928/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[They Should Have Stayed Inside... (Women in the Yard Review)]]></title><description><![CDATA[<p><strong>The Woman in the Yard (2025)</strong></p><p><strong>The Woman in the Yard</strong> is an upcoming psychological thriller directed by Jaume Collet-Serra, known for his work on <em>Orphan</em> and <em>The Shallows</em>. Produced by Blumhouse, the film stars Danielle Deadwyler, who also serves as an executive producer.</p><p><strong>Production & Style</strong></p><p>The film marks a return to the suspense-driven, high-concept horror that Blumhouse is known for. While specific plot details have been kept under wraps, the narrative is described as an intense thriller centered on a dangerous encounter. Collet-Serra’s involvement suggests a polished, atmospheric visual style with a focus on tension and psychological stakes.</p><p><strong>Key Details</strong></p><p>* <strong>Starring:</strong> Danielle Deadwyler, Russell Hornsby, and Okwui Okpokwasili.</p><p>* <strong>Release Date:</strong> Originally slated for earlier in the year, it is scheduled for a wide theatrical release in <strong>2025</strong>.</p><p>* <strong>Atmosphere:</strong> Expect a grounded, “home invasion” style setup evolved into a complex psychological character study.</p><p><strong>Digital Content Ideas</strong></p><p>If you are looking to cover this for your platforms, here are some angles to consider:</p><p>* <strong>Retro Analysis:</strong> A deep dive into how modern thrillers like this compare to the “stalker” tropes of the 1980s.</p><p>* <strong>Director Spotlight:</strong> Examining Jaume Collet-Serra’s evolution from 2000s horror to big-budget action and back to suspense.</p><p>* <strong>Trailer Reaction:</strong> Discussing the “Blumhouse Formula” and how this fits into their 2025 slate.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/they-should-have-stayed-inside-women</link><guid isPermaLink="false">substack:post:197644629</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 06:58:30 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197644629/7b88005098ae367a0732512143770995.mp3" length="4862823" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>304</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197644629/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[LIVESTREAM (2025) Review | The Ultimate Techno-Horror Nightmare? Review]]></title><description><![CDATA[<p><strong>Livestream (2025)</strong></p><p>The film <strong>Livestream</strong> (2025) is a contemporary techno-horror thriller that taps into the anxieties of the digital age, specifically the “always-on” nature of social media and the dark side of internet fame.</p><p><strong>Plot Overview</strong></p><p>The story typically centers on a popular content creator or influencer who, while broadcasting to thousands of live viewers, becomes trapped in a lethal game orchestrated by an anonymous viewer or a malevolent force. As the stream continues, the protagonist is forced to complete increasingly dangerous or morally compromising tasks to save themselves or others, all while the “audience” watches, comments, and reacts in real-time.</p><p><strong>Key Themes</strong></p><p>* <strong>Performative Identity:</strong> The blurred line between a creator’s online persona and their actual self.</p><p>* <strong>Voyeurism:</strong> The complicity of the audience who continues to watch and “like” even as the situation turns tragic.</p><p>* <strong>Digital Isolation:</strong> The irony of being connected to thousands of people while physically alone and in danger.</p><p><strong>Production Style</strong></p><p>The film often utilizes a <strong>“Screenlife”</strong> or <strong>found-footage</strong> aesthetic, where the entire narrative is told through the interface of a computer screen, smartphone, or the livestream camera itself. This immersive technique is designed to make the viewer feel like a part of the actual live audience.</p><p><strong>Genre Context</strong></p><p>While it fits into the broader modern horror landscape alongside films like <em>Spree</em> (2020) or <em>The Den</em> (2013), <strong>Livestream (2025)</strong> emphasizes the current evolution of streaming platforms and the extreme lengths individuals go to for engagement.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/livestream-2025-review-the-ultimate</link><guid isPermaLink="false">substack:post:197639765</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 05:57:46 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197639765/155e030ec8811c70701bf32a323ae9a8.mp3" length="4962984" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>310</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197639765/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[DEATH OF A UNICORN (2025): Jenna Ortega’s New Dark Comedy Horror Review]]></title><description><![CDATA[<p><em>Death of a Unicorn</em> is an upcoming dark comedy horror film produced by <strong>A24</strong>. While it was filmed in mid-2023 under a SAG-AFTRA strike waiver, it is highly anticipated for a <strong>2025 release</strong>.</p><p>Movie Overview</p><p>The film is the directorial debut of <strong>Alex Scharfman</strong> and is described as a genre-bending story involving a mythical creature and a family’s attempt to cover up an accident.</p><p>* <strong>Plot:</strong> The story follows a father and daughter who accidentally run over a unicorn while driving to a crisis management summit hosted by a wealthy pharmaceutical CEO. They soon discover that the unicorn’s blood and flesh possess supernatural healing properties, leading to a dark and chaotic struggle over the creature’s remains.</p><p>* <strong>Production:</strong> The film is produced by A24 along with <strong>Ari Aster</strong> (director of <em>Hereditary</em> and <em>Midsommar</em>) under his Square Peg banner.</p><p>* <strong>Visual Style:</strong> True to A24’s reputation, the film is expected to blend high-concept horror with sharp social satire and dark humor.</p><p>Cast & Crew</p><p>The film features a high-profile ensemble cast:</p><p>* <strong>Paul Rudd</strong> as the father.</p><p>* <strong>Jenna Ortega</strong> as the daughter.</p><p>* <strong>Richard E. Grant</strong> as the pharmaceutical CEO.</p><p>* <strong>Téa Leoni</strong></p><p>* <strong>Will Poulter</strong></p><p>* <strong>Anthony Carrigan</strong></p><p>* <strong>Sunita Mani</strong></p><p>Production Background</p><p>The movie gained significant attention during production because it was one of the few high-profile independent projects allowed to continue filming during the 2023 Hollywood strikes. It was shot on location in <strong>Hungary</strong>. Much like your interest in practical effects, the film is expected to feature unique creature design to bring the “unicorn” to life on screen.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/death-of-a-unicorn-2025-jenna-ortegas</link><guid isPermaLink="false">substack:post:197638725</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 05:51:40 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197638725/71d1b7d4f459a26e66c03ddc31d33de7.mp3" length="6102490" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>381</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197638725/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[HEART EYES 2025: The Next Great Holiday Slasher? Review]]></title><description><![CDATA[<p><strong>Heart Eyes</strong> is an upcoming slasher-comedy scheduled for a theatrical release on <strong>February 7, 2025</strong>. Directed by Josh Ruben (<em>Werewolves Within</em>), the film blends romantic comedy tropes with a high-stakes horror premise centered around Valentine’s Day.</p><p><strong>The Plot</strong></p><p>The story follows two coworkers who find themselves trapped in their office on Valentine’s Night. They are hunted by “The Heart Eyes Killer,” a masked murderer who targets couples. To survive the night, the duo must pretend to be a romantic couple, leading to a mix of genuine tension and comedic “fake dating” scenarios.</p><p><strong>Key Details</strong></p><p>* <strong>Director:</strong> Josh Ruben</p><p>* <strong>Cast:</strong> Olivia Holt (<em>Cruel Summer</em>) and Mason Gooding (<em>Scream VI</em>).</p><p>* <strong>Production:</strong> Screen Gems / Spyglass Media Group.</p><p>* <strong>Genre:</strong> Slasher / Romantic Comedy.</p><p><strong>What to Expect</strong></p><p>Josh Ruben is known for his ability to balance humor with effective horror beats. The film is expected to play with classic “will-they-won’t-they” chemistry while delivering the practical effects and creative kills associated with the slasher subgenre. It is being positioned as a modern holiday-themed horror staple, similar to how <em>Black Christmas</em> or <em>My Bloody Valentine</em> operate for their respective holidays.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/heart-eyes-2025-the-next-great-holiday</link><guid isPermaLink="false">substack:post:197637745</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 05:37:59 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197637745/a655e4c21d92973f0b11206634b51788.mp3" length="4873690" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>305</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197637745/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[BONE FACE (2025): Camp Marigold Massacre & The Highsmith Mystery Review]]></title><description><![CDATA[<p><strong>Bone Face</strong> is an indie slasher-whodunnit hybrid that hit digital platforms and VOD on <strong>January 21, 2025</strong>. Directed by Michael Donovan Horn and distributed by Uncork’d Entertainment, it has gained a bit of a reputation for its “genre swerve.”</p><p><strong>The Plot</strong></p><p>The film starts as a traditional summer camp slasher at <strong>Camp Marigold</strong>, where a masked killer (Bone Face) carries out a brutal massacre of camp counselors. However, the story quickly shifts gears into a <strong>locked-room mystery</strong>. Sheriff Vince Cronin and Deputy Jo McCully track the killer to a local 24-hour diner, “The Highsmith.” Believing the killer ditched their mask and is hiding in plain sight, the officers hold the diverse group of patrons and staff inside to root out the murderer.</p><p><strong>Key Details</strong></p><p>* <strong>Director:</strong> Michael Donovan Horn</p><p>* <strong>Cast:</strong> Jeremy London (<em>Mallrats</em>), Elena Sanchez (<em>The Hunger Games</em>), Alli Hart, Miles Doleac, and Madison Wolfe.</p><p>* <strong>Vibe:</strong> Often described as “Friday the 13th meets Agatha Christie’s <em>Clue</em>.”</p><p>* <strong>Where to Watch:</strong> It is currently available on <strong>Digital/VOD</strong> platforms and has also been spotted on <strong>Tubi</strong>.</p><p><strong>Reception</strong></p><p>The movie has been a talking point in horror circles specifically for its structure. While the opening delivers the high-energy “splatter” and practical effects many fans look for, the majority of the runtime is dialogue-heavy and focused on the interrogation inside the diner. Some viewers appreciated the ambitious low-budget take on a whodunnit, while others felt the transition from a slasher to a talky thriller was too jarring.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/bone-face-2025-camp-marigold-massacre</link><guid isPermaLink="false">substack:post:197637251</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 05:27:08 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197637251/fb105e39d0c098647df979793ed7dd7d.mp3" length="6033795" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>377</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197637251/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Soska Sisters’ Bloody Debut! DEAD HOOKER IN A TRUNK Retro Review]]></title><description><![CDATA[<p><strong>Dead Hooker in a Trunk</strong> is famous for being the directorial debut of Jen and Sylvia Soska (The Soska Sisters). It’s a quintessential example of low-budget, DIY filmmaking that gained a massive following for its “grindhouse” energy and dark humor.</p><p>Quick Breakdown</p><p>* <strong>Release:</strong> 2009 (Festival circuit) / 2010 (General)</p><p>* <strong>Genre:</strong> Horror / Dark Comedy / Crime</p><p>* <strong>Premise:</strong> Four friends find themselves in a messy situation when they discover a body in their trunk. They have to navigate a series of increasingly bizarre and violent encounters to dispose of it while being pursued by a mysterious killer.</p><p>Why It Gained Cult Status</p><p>* <strong>The Soska Sisters:</strong> This film launched their careers, leading to projects like <em>American Mary</em> and the <em>Rabid</em> remake. They wrote, directed, produced, and starred in it.</p><p>* <strong>DIY Spirit:</strong> It was made on an incredibly tight budget (roughly $2,500), proving what creators can do with high energy and practical effects despite limited resources.</p><p>* <strong>The Aesthetic:</strong> It leans heavily into the “exploitation” style of the 70s and 80s, featuring stylized violence and a gritty, unpolished look that fans of the genre tend to love.</p><p>If you’re looking for similar “no-budget” success stories or cult classics from that era, you might also enjoy:</p><p>* <strong>El Mariachi:</strong> Robert Rodriguez’s famous ultra-low-budget debut.</p><p>* <strong>Bad Taste:</strong> Peter Jackson’s early practical-effects-heavy horror comedy.</p><p>* <strong>Father’s Day:</strong> A Troma-distributed flick that shares that same high-octane, transgressive vibe.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/soska-sisters-bloody-debut-dead-hooker</link><guid isPermaLink="false">substack:post:197635123</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 04:55:16 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197635123/17280f80c435d943241655bf0f9f67a0.mp3" length="4790367" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>299</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197635123/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[HELLOWEEN (2025) | The New "Twisted Childhood" Horror Sensation Review]]></title><description><![CDATA[<p>Helloween (2025)</p><p><strong>Helloween</strong> is an upcoming horror project that has garnered attention for its unique visual style and connection to the “Twisted Childhood” subgenre. While official plot details remain under wraps, the film is expected to leverage a gritty, retro aesthetic reminiscent of 1980s slasher classics.</p><p>Key Details</p><p>* <strong>Genre:</strong> Horror / Slasher</p><p>* <strong>Expected Release:</strong> 2025</p><p>* <strong>Visual Style:</strong> The production leans heavily into a <strong>retro VHS aesthetic</strong>, featuring distressed textures, high-contrast neon accents, and a “grindhouse” feel.</p><p>* <strong>Special Effects:</strong> In line with classic genre traditions, there is a strong emphasis on <strong>practical effects</strong> and “splatter” mastery over digital CGI.</p><p>* This film appears to be positioning itself as a nostalgic yet modern entry for fans of 1980s-style horror and creature features.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/helloween-2025-the-new-twisted-childhood</link><guid isPermaLink="false">substack:post:197625200</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 03:01:36 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197625200/dc50794654312a1ab90987ae62177c64.mp3" length="6198889" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>387</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197625200/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Where Did the Children Go? | WEAPONS (2025) Review]]></title><description><![CDATA[<p><strong>Weapons</strong> is a 2025 supernatural mystery horror film written and directed by <strong>Zach Cregger</strong>, his follow-up to the 2022 hit <em>Barbarian</em>. Originally slated for a 2026 release, it was moved up by Warner Bros. and premiered in theaters on <strong>August 8, 2025</strong>.</p><p><strong>Plot Overview</strong></p><p>The film is described as an “interrelated, multistory horror epic” tonally similar to Paul Thomas Anderson’s <em>Magnolia</em>.</p><p>* <strong>The Mystery</strong>: The story centers on the small town of Maybrook, Pennsylvania, where seventeen children from the same third-grade classroom mysteriously vanish simultaneously at 2:17 AM on a Wednesday night.</p><p>* <strong>Security Footage</strong>: Chilling doorbell camera footage shows the children running out of their homes into the darkness in a rigid formation with their arms outstretched.</p><p>* <strong>Characters</strong>: The narrative follows various residents, including <strong>Justine Gandy</strong> (the children’s teacher who is blamed for the disappearance) and <strong>Archer Graff</strong> (a grieving and suspicious father).</p><p><strong>Cast and Production</strong></p><p>* <strong>Josh Brolin</strong> as Archer Graff</p><p>* <strong>Julia Garner</strong> as Justine Gandy</p><p>* <strong>Alden Ehrenreich</strong></p><p>* <strong>Benedict Wong</strong></p><p>* <strong>Amy Madigan</strong></p><p>* <strong>Austin Abrams</strong></p><p>* <strong>Cary Christopher</strong></p><p>* <strong>Budget</strong>: $38 million</p><p>* <strong>Runtime</strong>: 128 minutes</p><p><strong>Reception and Availability</strong></p><p>* <strong>Box Office</strong>: The film was a significant success, grossing approximately <strong>$270 million</strong> worldwide.</p><p>* <strong>Streaming</strong>: It became available to stream on <strong>HBO Max</strong> on October 24, 2025.</p><p>* <strong>Home Media</strong>: The 4K Ultra HD and Blu-ray versions were released on October 14, 2025.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/where-did-the-children-go-weapons</link><guid isPermaLink="false">substack:post:197623099</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 02:51:07 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197623099/81e6c4f29b7a393490f9aef556b09047.mp3" length="9855345" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>616</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197623099/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[BAIT (2025) Review: A Brutal New British Creature Feature]]></title><description><![CDATA[<p><strong>Bait (2025) – Horror Film</strong></p><p>This is a British independent horror/suspense film directed by <strong>Andrea M. Catinella</strong> and released through Uncork’d Entertainment. It follows the “trapped” subgenre common in indie horror.</p><p>* <strong>Plot:</strong> The Herring family wakes up in a dark, terrifying basement after a car accident. They soon realize they aren’t alone; a flesh-craving creature is being kept there as a “pet” by a mysterious overseer.</p><p>* <strong>Runtime:</strong> 1h 25m</p><p>* <strong>Cast:</strong> Natalie Hughes, Andrew Rolfe, and Connor Powles.</p><p>* <strong>Availability:</strong> Currently available for rent or purchase on <strong>Prime Video</strong> and <strong>Google Play</strong>.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/bait-2025-review-a-brutal-new-british</link><guid isPermaLink="false">substack:post:197620375</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 02:10:07 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197620375/d3fee2b704cb81e52c7d4ed7293532b8.mp3" length="5655542" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>353</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197620375/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Is KARMA (2025) the Year's Most Twisted Horror-Comedy?]]></title><description><![CDATA[<p><strong>Karma</strong> is a 2025 horror-comedy film directed and written by <strong>Jas Banks</strong>. It stars <strong>Justus Hightower</strong> in the role of Tj.</p><p><strong>Film Overview</strong></p><p>The story follows a group of teenagers in a small town who enjoy pulling cruel pranks on their classmates. Their actions eventually catch up with them when they become targets of a deadly revenge plot, proving the central theme that “what goes around comes around.”</p><p><strong>Key Details</strong></p><p>* <strong>Release Year:</strong> 2025</p><p>* <strong>Runtime:</strong> 1 hour 28 minutes</p><p>* <strong>Genre:</strong> Horror / Comedy / Dark</p><p>* <strong>Director/Writer:</strong> Jas Banks</p><p>* <strong>Production Studio:</strong> Filmhub</p><p>* <strong>Cast:</strong></p><p>* <strong>Justus Hightower</strong> as Tj</p><p>* <strong>Camille Wiggins</strong> as Detective Shelly</p><p>* <strong>Jabril Ali</strong> as Walt</p><p>* <strong>Rachyl Parker</strong> as Detective Hernandez</p><p><strong>Where to Watch</strong></p><p>The film is currently available on several digital and streaming platforms:</p><p>* <strong>Streaming:</strong> Tubi (Free), Sling TV, and Fawesome.</p><p>* <strong>VOD:</strong> Available to rent or buy on Prime Video and Apple TV.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/is-karma-2025-the-years-most-twisted</link><guid isPermaLink="false">substack:post:197617649</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 01:40:35 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197617649/919d876d3439e7695ee28ae6d0eecd42.mp3" length="6957485" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>435</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197617649/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[SWIM (2021) Review | The Asylum's Shark-in-a-House Horror!]]></title><description><![CDATA[<p>Released in August 2021, <strong>Swim</strong> is an action-horror film produced by <strong>The Asylum</strong> (the studio behind <em>Sharknado</em>) that originally debuted as a Tubi Original.</p><p><strong>Plot & Production</strong></p><p>The film follows the Samson family, who find themselves trapped in a storm-flooded vacation rental. As the water levels rise inside the house, they realize a hungry shark has made its way indoors. While the rest of the family fights to survive, the father (Joey Lawrence) struggles through the storm to reach them.</p><p>* <strong>Director:</strong> Jared Cohn</p><p>* <strong>Writer:</strong> Anthony C. Ferrante</p><p>* <strong>Stars:</strong> Joey Lawrence, Jennifer Field, and Andrew Lauer</p><p>* <strong>Runtime:</strong> 87 minutes</p><p><strong>Critical Reception</strong></p><p>The movie is often categorized as a “mockbuster” or a low-budget riff on the 2019 alligator thriller <em>Crawl</em>. Reviews generally highlight its B-movie nature, focusing on:</p><p>* <strong>The Practicality:</strong> While it leans on CGI for the storm, some reviewers noted the shark model was surprisingly decent compared to other low-budget creature features.</p><p>* <strong>The Cast:</strong> Joey Lawrence is the main draw for many viewers, though his character is separated from the main group for a significant portion of the film.</p><p>* <strong>The Tone:</strong> Unlike the over-the-top camp of <em>Sharknado</em>, this film attempts a more serious “siege” tone, which has led to mixed reactions regarding its believability and pacing.</p><p>It currently holds a low rating on platforms like IMDb and Rotten Tomatoes, typical for The Asylum’s genre-specific output, but remains a popular pick for fans of shark-themed horror.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/swim-2021-review-the-asylums-shark</link><guid isPermaLink="false">substack:post:197611611</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Thu, 14 May 2026 00:53:56 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197611611/9267f22e8cac18b3792a5d4cf3babf65.mp3" length="6207397" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>388</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197611611/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[The Aatxe Lives! Creeping Death (2023) Horror Movie Review]]></title><description><![CDATA[<p><strong>Creeping Death (2023)</strong> was actually written and directed by <strong>Matt Sampere</strong>.</p><p>Sampere didn’t just stay behind the camera for this one; he also starred as the lead character, Tim. Here is the corrected breakdown of his work on the film and his background:</p><p><strong>Matt Sampere and </strong><strong><em>Creeping Death</em></strong></p><p>* <strong>The Triple Threat:</strong> Sampere wrote, directed, and starred in the film, making it a very personal “passion project.”</p><p>* <strong>Indie Roots:</strong> The film grew from a short he made years prior. He successfully crowdfunded the feature version, aiming to create a “Halloween staple” that focused on the holiday’s Celtic roots.</p><p>* <strong>Practical Effects Advocate:</strong> Sampere is a vocal fan of old-school horror. He intentionally prioritized <strong>practical creature effects</strong> for the “Aos Sí” (the Celtic spirit) to give the movie a tangible, 1980s-inspired feel.</p><p>* <strong>Atmosphere:</strong> He shot the film in Upstate New York during the fall to ensure the autumnal, “spooky season” aesthetic was authentic rather than manufactured.</p><p><strong>Director Filmography & Work</strong></p><p>Beyond his breakout feature <em>Creeping Death</em>, Sampere has been involved in several indie projects and shorts, often wearing multiple hats as an actor, director, or producer:</p><p>* <strong>Knifemare:</strong> A horror short.</p><p>* <strong>EZ Ride:</strong> A short film project.</p><p>* <strong>The Stolen Ones:</strong> Another of his directorial efforts.</p><p>* <strong>Industry Experience:</strong> Before directing his own features, he worked in various production roles on larger sets, including the 2020 horror film <em>The Night House</em>.</p><p>His style is defined by a “for fans, by fans” approach, leaning into the nostalgia of VHS-era horror while trying to build out fresh mythology.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-aatxe-lives-creeping-death-2023</link><guid isPermaLink="false">substack:post:197602646</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 23:20:28 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197602646/574f1b961b5cea245b3e4b48a70610fe.mp3" length="5969848" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>373</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197602646/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Killer Pumpkin Scalps Cedar Creek! CARVED (2024) Movie Review]]></title><description><![CDATA[<p><strong>Carved</strong> (2024) is a horror-comedy film directed and written by <strong>Justin Harding</strong>, based on his 2018 short film of the same name. Released on Hulu on October 21, 2024, it lean heavily into a campy, “B-grade” aesthetic reminiscent of 1980s and 90s genre cinema.</p><p>+1</p><p><strong>Plot and Setting</strong></p><p>Set on Halloween night in 1993, the story follows a group of survivors trapped in a historical reenactment village called Cedar Creek Pioneer Village. They must band together to survive a relentless assault by a <strong>sentient, vengeful killer pumpkin</strong> that has mutated due to a chemical spill. The pumpkin specifically targets those who participated in the village’s pumpkin carving contest.</p><p>+2</p><p><strong>Key Details</strong></p><p>* <strong>The Cast:</strong></p><p>* <strong>Peyton Elizabeth Lee</strong> as Kira</p><p>* <strong>Corey Fogelmanis</strong> as Cody</p><p>* <strong>Wyatt Lindner</strong> as Trevor</p><p>* <strong>DJ Qualls</strong> as Bill</p><p>* <strong>Chris Elliott</strong> as Earl</p><p>* <strong>Matty Cardarople</strong> as Clint</p><p>* <strong>Practical Effects:</strong> Much like the classics of the era it emulates, the film features significant use of <strong>practical effects and puppetry</strong> to bring the monster and its “gooey” kills to life. The creature design was handled by Allan Cooke.</p><p>* <strong>Tone & Gore:</strong> The film is described as a “splatterfest” with a high body count. It balances over-the-top violence—such as the pumpkin using vines as tentacles to scalp and decapitate victims—with a witty, unserious comedic tone.</p><p>* <strong>Themes:</strong> Beyond the monster mayhem, the film touches on “promotion to parent” themes, as Kira is forced to care for her younger brother after their parents’ death a year prior.</p><p><strong>Reception</strong></p><p>Critical response was mixed, with some reviewers praising it as a “fun seasonal watch” that captures the spirit of Halloween, while others felt it lacked substance beyond its bonkers premise. It has been noted for its “Halloween energy” and its focus on practical “splatter” mastery.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/killer-pumpkin-scalps-cedar-creek</link><guid isPermaLink="false">substack:post:197600771</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 23:06:59 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197600771/4f7e878d745ded64a6e1115ea1544522.mp3" length="5309472" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>332</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197600771/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Tigger & Owl Join the Fight! Winnie-the-Pooh: Blood and Honey 2 Review]]></title><description><![CDATA[<p>The 2024 sequel to the viral slasher, <strong>Winnie-the-Pooh: Blood and Honey 2</strong> (stylized as <em>Winnie-the-Pooh: Blood and Honey II</em>), significantly leans into its role as the centerpiece of the “Twisted Childhood Universe” (TCU).</p><p>Directed by <strong>Rhys Frake-Waterfield</strong> and written by <strong>Matt Leslie</strong>, the film introduces a much larger budget (roughly $500,000) compared to the original, which is most evident in the improved creature designs and increased gore.</p><p>Key Details & Plot</p><p>* <strong>The Premise:</strong> Following the “Hundred Acre Massacre,” Christopher Robin (now played by <strong>Scott Chambers</strong>) is an outcast in his hometown of Ashdown, framed for the murders. Meanwhile, Pooh and Piglet are joined by <strong>Tigger</strong> and <strong>Owl</strong> to launch a full-scale assault on the town to ensure their survival.</p><p>* <strong>The Twist:</strong> The film moves away from simple feral animals and introduces a darker backstory involving a mad scientist, <strong>Dr. Arthur Gallup</strong>, who experimented on kidnapped children (including Christopher’s twin brother, Billy) to create animal-human hybrids.</p><p>* <strong>The Cast:</strong></p><p>* <strong>Scott Chambers</strong> as Christopher Robin</p><p>* <strong>Ryan Oliva</strong> as Winnie-the-Pooh</p><p>* <strong>Lewis Santer</strong> as Tigger</p><p>* <strong>Marcus Massey</strong> as Owl</p><p>* <strong>Simon Callow</strong> as Cavendish</p><p>Reception & Technical Upgrades</p><p>Critics and fans generally viewed this installment as a massive technical leap over the 2023 original.</p><p>* <strong>Practical Effects:</strong> The prosthetic for Pooh alone reportedly cost over <strong>$20,000</strong>, providing a much more expressive and menacing look than the original “store-bought” mask style.</p><p>* <strong>Body Count:</strong> The film features a high-octane “rave massacre” sequence that leans heavily into the grindhouse aesthetic, prioritizing inventive kills and practical splatter.</p><p>* <strong>Score:</strong> The film currently holds a much higher critical rating on platforms like Rotten Tomatoes compared to its predecessor, though it remains a polarizing “love it or hate it” entry in the indie horror scene.</p><p>Future of the TCU</p><p>The film’s ending explicitly teases the expansion of the universe, with <strong>Rabbit</strong>, <strong>Kanga</strong>, and <strong>Roo</strong> set to appear in future entries. The franchise is currently building toward a crossover event titled <strong>Poohniverse: Monsters Assemble</strong>, which will feature horror versions of Peter Pan, Bambi, Pinocchio, and more.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/tigger-and-owl-join-the-fight-winnie</link><guid isPermaLink="false">substack:post:197599215</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 22:57:12 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197599215/ef1bcdb2f263a56050b2da6c594541bb.mp3" length="5287320" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>330</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197599215/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Demo_n (2024) Cursed Game. Digital Hell]]></title><description><![CDATA[<p><strong>Demo_n</strong> (stylized as <strong>/demo_n</strong>) is a 2024 independent supernatural horror film that belongs to the <strong>“screenlife”</strong> and <strong>found footage</strong> subgenres. Directed, written, and starring <strong>Gary Francis Roche</strong>, the movie explores the intersection of digital-age paranoia and classic cursed-object mythology.</p><p><strong>Synopsis</strong></p><p>The story follows a group of friends who gather for an online reunion via a video chat platform. The atmosphere shifts from casual banter to terror when the protagonist, Gary, opens an email containing a link to a demo for an unreleased video game. By clicking the link, Gary inadvertently summons a demonic force into the chat. As reality begins to fracture and glitches intensify, the friends realize the game is tracking them, forcing Gary to try and beat the game to save their lives.</p><p><strong>Key Details</strong></p><p>* <strong>Director/Lead:</strong> Gary Francis Roche</p><p>* <strong>Cast:</strong> Angharad L. Ford, Nathan Joseph, Sarah Collins, Rebecca Hanser</p><p>* <strong>Runtime:</strong> Approximately 1 hour 15 minutes</p><p>* <strong>Subgenre:</strong> Screenlife / Found Footage / Supernatural Horror</p><p>* <strong>Release:</strong> Premiered on <strong>FOUND TV</strong> in April 2025 and is distributed by <strong>Terror Films</strong> and <strong>Indie Rights</strong>.</p><p><strong>Production Style</strong></p><p>The film is notable for its use of <strong>original animation</strong> to depict the cursed video game. Roche, who has a background in animation, personally designed the characters and layouts. The gameplay is described as a retro side-scroller featuring avatars of the actual characters, which adds a layer of surrealism as the digital attacks begin to manifest in the real world.</p><p><strong>Themes & Reception</strong></p><p>* <strong>“Killer Console” Trope:</strong> It follows in the footsteps of films like <em>Stay Alive</em> (2006) and <em>The Host</em> (2020), focusing on the vulnerability of being “connected” online.</p><p>* <strong>Practical & Digital Effects:</strong> Reviews highlight a mix of standard digital glitch effects with more visceral practical-style makeup for the possessed characters, often featuring “milky eyes” and distorted facial features.</p><p>* <strong>Availability:</strong> As of early 2026, the film is available on several platforms, including <strong>Apple TV</strong>, <strong>Vudu</strong>, and the <strong>Kings of Horror</strong> YouTube channel.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/demo_n-2024-cursed-game-digital-hell</link><guid isPermaLink="false">substack:post:197594603</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 22:18:02 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197594603/976acb1668c6e093b7815ee9d958e355.mp3" length="7573139" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>473</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197594603/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[THE LONG WALK (2025) Review | Stephen King's Most Brutal Survival Thriller?]]></title><description><![CDATA[<p>Following the release of <strong>The Long Walk</strong> on <strong>September 12, 2025</strong>, the film has found a second life as a streaming hit in 2026. This highly anticipated adaptation of Stephen King’s first novel—written under the pseudonym Richard Bachman—is a dystopian survival thriller that has garnered strong critical and commercial attention.</p><p><strong>Film Overview & Performance</strong></p><p>Directed by <strong>Francis Lawrence</strong> (<em>The Hunger Games</em> series) and written by <strong>JT Mollner</strong>, the film stays largely faithful to King’s dark source material.</p><p>* <strong>The Story:</strong> A group of young men in a totalitarian future United States must participate in a grueling annual walking contest. They must maintain a speed of at least three miles per hour or face execution. The contest only ends when a single walker remains alive.</p><p>* <strong>Reception:</strong> The film holds an <strong>88% critic score</strong> on Rotten Tomatoes and an <strong>85% audience score</strong>. Critics have particularly praised the intense performances and gritty direction.</p><p>* <strong>Box Office:</strong> Produced on a modest budget of <strong>$20 million</strong>, it grossed approximately <strong>$63 million worldwide</strong> during its theatrical run.</p><p><strong>Key Cast & Production</strong></p><p>* <strong>Starring:</strong> <strong>Cooper Hoffman</strong> as Raymond Garraty and <strong>David Jonsson</strong> as Peter McVries.</p><p>* <strong>Supporting Cast:</strong> Includes <strong>Mark Hamill</strong> as “The Major,” <strong>Judy Greer</strong>, <strong>Charlie Plummer</strong>, and <strong>Ben Wang</strong>.</p><p>* <strong>Filming Technique:</strong> To ensure authenticity, the movie was shot chronologically in Manitoba, Canada. This allowed the physical exhaustion and camaraderie of the actors to develop naturally on screen.</p><p>* <strong>The Ending:</strong> Much discussion has surrounded the film’s conclusion, with producers revealing they worked closely with Stephen King to gain approval for a slightly modified, yet impactful, ending.</p><p><strong>Where to Watch in 2026</strong></p><p>* <strong>Streaming:</strong> As of May 2026, <em>The Long Walk</em> is a top-performing title on <strong>Starz</strong>.</p><p>* <strong>Home Release:</strong> It is also available on digital platforms and physical media, with the home release famously featuring an <strong>alternate ending</strong> that was not shown in theaters.</p><p>Would you like help designing a video thumbnail or a review layout for your coverage of this film?</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-long-walk-2025-review-stephen</link><guid isPermaLink="false">substack:post:197575538</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 20:26:53 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197575538/efba12e0da94829115ff6f6ca68ffa20.mp3" length="6217846" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>389</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197575538/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[This Isn’t A Fairy Tale... | Cinderella’s Curse Review]]></title><description><![CDATA[<p><strong>Cinderella’s Curse</strong>, here is the breakdown of this “Twisted Childhood” slasher and where things stand with it.</p><p><strong>The Movie Overview</strong></p><p>Released in late 2024, <em>Cinderella’s Curse</em> is part of the recent wave of independent horror films that reimagine classic public domain characters as killers. Produced by ITN Studios—the same team behind <em>Winnie-the-Pooh: Blood and Honey</em>—it trades the glass slipper for a much more violent revenge story.</p><p>* <strong>The Plot:</strong> Instead of a magical night at the ball, Cinderella is pushed to her breaking point by her stepmother and stepsisters. She summons her Fairy Godmother, who, in this version, is a dark entity that helps her carry out a gory massacre against her tormentors.</p><p>* <strong>Director:</strong> Louisa Warren.</p><p>* <strong>Cast:</strong> Stars Kelly Rian Sanson as Cinderella and Danielle Scott as the Fairy Godmother.</p><p><strong>Key Features for Horror Fans</strong></p><p>* <strong>Practical Effects:</strong> The film leans heavily into physical gore and “splatter” elements, especially during the third-act “ball” scene.</p><p>* <strong>The Aesthetic:</strong> It features a grimy, high-contrast look that feels right at home alongside other modern “grindhouse” style indie horrors.</p><p>* <strong>Subgenre:</strong> It fits squarely into the <strong>“Pooh-verse”</strong> or <strong>“Twisted Childhood”</strong> trend, which has been booming since 2023.</p><p><strong>Where to Watch</strong></p><p>As of May 2026, the film has completed its initial theatrical and VOD run. You can generally find it on:</p><p>* <strong>Streaming:</strong> Often available on horror-centric platforms like <strong>Tubi</strong> (free with ads) or <strong>Screambox</strong>.</p><p>* <strong>Physical Media:</strong> There are Blu-ray and DVD releases available, which often feature behind-the-scenes looks at the creature design and makeup effects.</p><p><strong>Other “Twisted” Recommendations</strong></p><p>If you enjoy the vibe of <em>Cinderella’s Curse</em>, you might also want to check out:</p><p>* <strong>Sleeping Beauty’s Massacre:</strong> Another ITN production with a similar revenge-slasher tone.</p><p>* <strong>Mary Had a Little Lamb:</strong> A “creature-feature” twist on the nursery rhyme.</p><p>* <strong>Terrifier 2:</strong> If you’re specifically looking for high-tier practical gore and an uncompromising indie spirit.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/this-isnt-a-fairy-tale-cinderellas</link><guid isPermaLink="false">substack:post:197571017</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 19:48:02 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197571017/916773029912ddfe95178a07c415d6de.mp3" length="4232391" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>264</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197571017/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Nightmare Toy Box! The Jack in the Box Rises Retro Review]]></title><description><![CDATA[<p><strong>The Jack in the Box Rises</strong> is a 2024 British supernatural horror film directed by <strong>Lawrence Fowler</strong>, who also helmed the previous two installments in the franchise. It serves as the third chapter in the series, following the original <em>The Jack in the Box</em> (2019) and <em>The Jack in the Box: Awakening</em> (2022).</p><p>Plot Synopsis</p><p>The story shifts the setting to a prestigious, secluded <strong>girls’ boarding school</strong>. When a vintage Jack-in-the-box is discovered on the grounds and opened, it unleashes a demonic clown. As per the established mythology, the demon must claim <strong>six victims</strong> before it can grant a wish to the person who released it.</p><p>The protagonist, <strong>Raven</strong>, is a new student who was sent to the school under duress—her father is being held captive by a mysterious figure named Harvey who wants the demonic artifact for himself. As students begin to disappear, Raven must uncover who opened the box and find a way to stop the demon before it completes its soul-count.</p><p>Key Production Details</p><p>* <strong>Director/Writer:</strong> Lawrence Fowler (co-written with Geoff Fowler).</p><p>* <strong>Cast:</strong></p><p>* <strong>Nicholas Anscombe</strong> as The Jack (replacing Robert Strange from previous films).</p><p>* <strong>Isabella Colby Browne</strong> as Raven.</p><p>* <strong>Leona Clarke</strong> as Olivia.</p><p>* <strong>Georgia Conlan</strong> as Willow.</p><p>* <strong>Release Date:</strong> January 11, 2024.</p><p>* <strong>Special Effects:</strong> Notable for using <strong>practical effects</strong> for the demon’s appearance and the “splatter” elements, maintaining the series’ grindhouse-adjacent aesthetic.</p><p>Critical Reception</p><p>The film received mixed reviews, often criticized for sticking closely to the tropes of the previous films and the “slasher” genre.</p><p>* <strong>Strengths:</strong> Critics generally praised the <strong>creature design</strong> of the Jack and the use of practical gore effects over CGI.</p><p>* <strong>Weaknesses:</strong> Some reviewers felt the boarding school setting was underutilized and that the character development for the supporting students was thin.</p><p>The film is currently available on various digital platforms and DVD for fans of indie creature features and British horror.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/nightmare-toy-box-the-jack-in-the</link><guid isPermaLink="false">substack:post:197568228</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 19:29:59 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197568228/55268c362af4347b788fb872ce4139c6.mp3" length="4984718" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>312</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197568228/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[SNAKE CREEK (2025) Review: Giant Monster Mayhem on the Chattahoochee!]]></title><description><![CDATA[<p><strong>Snake Creek</strong> is a 2025 creature horror film directed and written by <strong>Charlie Steeds</strong>. It is also known by the alternate title <em>Snake River</em>.</p><p>Plot Summary</p><p>The film follows four friends on a canoeing trip down the <strong>Chattahoochee River</strong>. Their adventure turns into a fight for survival when they become hunted by a massive, man-eating snake. To make it out of the swamp alive, the group must overcome their personal differences and old rivalries.</p><p>Production & Release Details</p><p>* <strong>Director/Writer</strong>: Charlie Steeds.</p><p>* <strong>Release Date</strong>: October 1, 2025 (United States).</p><p>* <strong>Run Time</strong>: 1 hour 16 minutes.</p><p>* <strong>Studio/Distributor</strong>: ITN Distribution / UCM.ONE.</p><p>* <strong>Rating</strong>: TV-MA or 12 (depending on region/platform).</p><p>Main Cast</p><p>* <strong>Adam Bash</strong> as Bill</p><p>* <strong>Jared Hasmuk</strong> as Belial</p><p>* <strong>Lukas John</strong> as Kevin</p><p>* <strong>Faith McCoy</strong> as Willow</p><p>* <strong>Paul Ogletree</strong> as Patrick</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/snake-creek-2025-review-giant-monster</link><guid isPermaLink="false">substack:post:197560920</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 18:40:35 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197560920/57f79be93a602258eac58cd1fabc31ed.mp3" length="7334902" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>458</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197560920/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[JET SKI NIGHTMARE! Shark Bait (2022) Official Review]]></title><description><![CDATA[<p>* </p><p><strong>Shark Bait (2022)</strong></p><p>Directed by James Nunn, <strong>Shark Bait</strong> is a high-octane survival thriller that follows a group of spring breakers in Mexico. After a night of heavy partying, the group steals two jet skis and heads far out to sea, only for a head-on collision to leave them stranded with a broken-down watercraft and a friend with a severely mangled leg. As blood fills the water, they are stalked by a massive great white shark in a desperate battle for survival.</p><p><strong>+1</strong></p><p><strong>Key Details</strong></p><p>* <strong>Director:</strong> James Nunn</p><p>* <strong>Release Date:</strong> May 13, 2022</p><p>* <strong>Genre:</strong> Horror / Suspense / Thriller</p><p>* <strong>Runtime:</strong> 87 minutes</p><p>* <strong>Cast:</strong></p><p>* <strong>Holly Earl</strong> as Nat</p><p>* <strong>Jack Trueman</strong> as Tom</p><p>* <strong>Catherine Hannay</strong> as Milly</p><p>* <strong>Malachi Pullar-Latchman</strong> as Tyler</p><p>* <strong>Thomas Flynn</strong> as Greg</p><p><strong>Production & Style</strong></p><p>* <strong>Atmospheric Cinematography:</strong> The film is noted for its impressive drone shots and underwater camerawork that build tension by highlighting the vast, isolating nature of the ocean.</p><p>* <strong>Survival Focus:</strong> Much like the first <em>Jaws</em> sequel, the movie leans into “slasher” tropes where characters are systematically targeted by a predator while trapped in a limited environment.</p><p>* <strong>Practical Visuals:</strong> While the film uses CGI for the shark, it incorporates practical effects for several of the gore sequences.</p><p><strong>Watch If You Liked...</strong></p><p>* <strong>The Shallows (2016):</strong> For the “single location” shark survival vibe.</p><p>* <strong>47 Meters Down: Uncaged (2019):</strong> For high-tension, claustrophobic predator attacks.</p><p>* <strong>Open Water (2003):</strong> For the terrifying realism of being stranded in the deep ocean.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/jet-ski-nightmare-shark-bait-2022</link><guid isPermaLink="false">substack:post:197553371</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 18:03:19 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197553371/de11307cc0b94ee34c992bb4bef402bd.mp3" length="6396733" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>400</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197553371/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[WWII Wreckage & Great Whites | The Last Breath (2024) Review]]></title><description><![CDATA[<p><strong>The Last Breath (2024)</strong></p><p><strong>The Last Breath</strong> is a British survival horror-thriller directed by Joachim Hedén. It leans into the “trapped underwater” subgenre, following a group of old college friends who reunite for a scuba diving trip in the Caribbean. Their goal is to explore the wreckage of a long-lost WWII battleship, but the excursion quickly turns into a fight for survival when they become hunted by great white sharks inside the decaying, claustrophobic corridors of the ship.</p><p><strong>Key Details</strong></p><p>* <strong>Director:</strong> Joachim Hedén (known for the 2020 diving thriller <em>Breaking Surface</em>)</p><p>* <strong>Genre:</strong> Survival Thriller / Horror / “Sharksploitation”</p><p>* <strong>Runtime:</strong> Approx. 96 minutes</p><p>* <strong>Starring:</strong></p><p>* <strong>Julian Sands:</strong> In one of his final film roles as Levi, the seasoned dive master.</p><p>* <strong>Jack Parr:</strong> As Noah.</p><p>* <strong>Kim Spearman:</strong> As Sam.</p><p>* <strong>Alexander Arnold:</strong> As Brett.</p><p><strong>Production Highlights</strong></p><p>* <strong>Practical vs. Digital:</strong> While the film utilizes CGI for the shark sequences, it leans heavily on the claustrophobia of the practical-looking wreckage to build tension.</p><p>* <strong>Atmosphere:</strong> Unlike “open water” shark movies, this film focuses on the overhead environment of the sunken USS Charlotte, combining the fear of drowning and limited oxygen with the threat of predators.</p><p>* <strong>Legacy:</strong> The film gained additional attention due to the presence of the late Julian Sands, providing a veteran presence to the otherwise younger cast.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/wwii-wreckage-and-great-whites-the</link><guid isPermaLink="false">substack:post:197551795</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 17:41:12 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197551795/647acafc49ef77b18073eb5a2ac76e63.mp3" length="5627957" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>352</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197551795/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Mickey’s Gory Rampage: MOUSEBOAT MASSACRE (2025) Review]]></title><description><![CDATA[<p></p><p><strong>Mouseboat Massacre (2025)</strong> is officially out on VOD and streaming, here is a breakdown of the key details and some optimized YouTube title options for your channel’s specific style.</p><p><strong>The Lowdown on Mouseboat Massacre (2025)</strong></p><p>* <strong>Release Date:</strong> March 28, 2025 (Digital/VOD).</p><p>* <strong>The Hook:</strong> It’s a “Twisted Childhood” slasher from ITN Studios—the team behind <em>Winnie-the-Pooh: Blood and Honey</em>.</p><p>* <strong>Plot:</strong> A young woman named Mimi (Lauren Leppard) is detoxing at a remote cabin when she watches a cursed VHS tape. This summons a mutated, human-sized mouse-hybrid killer.</p><p>* <strong>Key “Splatter” Moments:</strong> The film features a massive human-sized mouse trap and a “cheese grater/knife hybrid” as the primary weapon.</p><p><strong>YouTube Title Ideas</strong></p><p><strong>Review & Reaction (The “Gore & Grime” Angle)</strong></p><p>* MOUSEBOAT MASSACRE (2025) Review | The Cheese Grater Mickey!</p><p>* Is This the Bloodiest Mickey Yet? | MOUSEBOAT MASSACRE Review</p><p>* MOUSEBOAT MASSACRE (2025) | Cursed VHS Tapes & Rodent Rampage</p><p>* Public Domain Chaos: MOUSEBOAT MASSACRE Review & Kill Count</p><p><strong>Trailer & Clip Uploads</strong></p><p>* MOUSEBOAT MASSACRE (2025) Official Trailer | Steamboat Willie Horror</p><p>* Mickey’s Gory Debut | MOUSEBOAT MASSACRE (2025) Movie Clip</p><p>* MOUSEBOAT MASSACRE (2025) - The Mouse Trap Scene!</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/mickeys-gory-rampage-mouseboat-massacre</link><guid isPermaLink="false">substack:post:197547420</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 17:12:01 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197547420/7191d09532cef42a694c4e95a86a167b.mp3" length="4334373" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>271</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197547420/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[TRAPPED IN THE ARCADE! 🕹️ | The Mouse Trap (2024) Movie Review]]></title><description><![CDATA[<p><strong>The Mouse Trap (2024)</strong></p><p>This film is a slasher-horror adaptation that capitalizes on Mickey Mouse’s 1928 “Steamboat Willie” incarnation entering the public domain. It belongs to the growing subgenre of “twisted childhood” horror films that reimagine beloved childhood icons as murderous antagonists.</p><p><strong>The Premise</strong></p><p>The story is set on Alex’s 21st birthday. While she is stuck working a late shift at an amusement arcade, her friends decide to surprise her. However, the celebration takes a lethal turn when a masked killer dressed as a recognizable mouse decides to play a deadly game of his own, forcing the group to fight for survival within the arcade.</p><p><strong>Key Details</strong></p><p>* <strong>Director:</strong> Jamie Bailey</p><p>* <strong>Genre:</strong> Horror / Slasher / Comedy</p><p>* <strong>Release Date:</strong> 2024</p><p>* <strong>Style:</strong> The film leans into an indie, low-budget aesthetic, utilizing the claustrophobic setting of a neon-lit arcade to heighten the tension.</p><p><strong>Cast and Characters</strong></p><p>* <strong>Sophie McIntosh</strong> as Alex</p><p>* <strong>Simon Phillips</strong> as Mickey (the killer)</p><p>* <strong>Nick Biskupek</strong> as Marcus</p><p>* <strong>Allegra Nocita</strong> as Marie</p><p><strong>Notable Themes</strong></p><p>* <strong>Public Domain Horror:</strong> Like other recent releases, this film explores the creative freedom—and shock value—of turning wholesome public domain characters into figures of terror.</p><p>* <strong>Indie Slasher Tropes:</strong> The movie utilizes classic slasher elements, including a masked stalker, isolated victims, and a heavy focus on atmospheric practical effects.</p><p>If you are exploring the “Twisted Childhood” subgenre, this title pairs well with other 2024 releases like <em>Goldilocks and the Three Bears: Death and Porridge</em> or the ongoing <em>Winnie-the-Pooh: Blood and Honey</em> series.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/trapped-in-the-arcade-the-mouse-trap</link><guid isPermaLink="false">substack:post:197530325</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 15:30:11 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197530325/f3083f9334b7097a6b8a6fbe93af1284.mp3" length="4575536" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>286</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197530325/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[PORRIDGE IS POISON! 🥣 | Goldilocks and the Three Bears: Death and Porridge (2024) Review]]></title><description><![CDATA[<p><strong>Goldilocks and the Three Bears: Death and Porridge (2024)</strong></p><p>This film is part of the recent wave of “twisted childhood” horror movies that reimagine classic fairy tales with a dark, slasher-inspired lens. Released in 2024, it leans heavily into the indie horror aesthetic, prioritizing grit and tension over a traditional children’s narrative.</p><p><strong>The Premise</strong></p><p>The story follows a group of friends who venture into a remote woodland area, only to find themselves targeted by a family of literal “bears”—brutal killers living in a secluded cabin. Unlike the original tale, this version presents the “Three Bears” as a formidable, murderous unit protecting their territory.</p><p><strong>Key Details</strong></p><p>* <strong>Director:</strong> Craig Rees</p><p>* <strong>Genre:</strong> Horror / Slasher / Thriller</p><p>* <strong>Release Date:</strong> 2024</p><p>* <strong>Style:</strong> The film utilizes a low-budget, high-tension atmosphere, often associated with modern “grindhouse” or exploitation-style cinema.</p><p><strong>Cast and Characters</strong></p><p>The film features a relatively small cast to maintain the isolation and claustrophobia of the setting:</p><p>* <strong>Olga Fedori</strong> as Goldilocks</p><p>* <strong>Julian Black Antelope</strong> as Daddy Bear</p><p>* <strong>Abigail Huxley</strong> as Mama Bear</p><p>* <strong>Lawrence Weller</strong> as Baby Bear</p><p><strong>Notable Themes</strong></p><p>* <strong>Home Invasion (Reversed):</strong> While Goldilocks is traditionally the intruder, this film plays with the consequences of that intrusion in a much more lethal way.</p><p>* <strong>Practical Grime:</strong> The visual style focuses on dark, earthy tones and practical-looking sets to enhance the “backwoods horror” feel.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/porridge-is-poison-goldilocks-and</link><guid isPermaLink="false">substack:post:197528753</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 15:20:40 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197528753/7ae8786b363d506c0d5992cb6793d4c0.mp3" length="6320515" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>395</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197528753/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[SHARK WARNING (2024) | Modern Creature Feature or Total Disaster?]]></title><description><![CDATA[<p><strong>Shark Warning</strong> (2024) is a “sharksploitation” action-horror film produced by <strong>The Asylum</strong>, the studio famous for the <em>Sharknado</em> franchise.</p><p>The film follows a familiar “revenge” plot: twenty years after his brother was killed by a great white shark, a man returns to his hometown of Lake Havasu. Just as he arrives, the same predator resurfaces to terrorize a local fishing tournament, forcing him to team up with his estranged uncle to hunt it down.</p><p>Key Details</p><p>* <strong>Release Date:</strong> July 26, 2024 (Limited Theaters & Streaming)</p><p>* <strong>Director:</strong> Jimmy Gadd (also credited as James Gadd)</p><p>* <strong>Screenplay:</strong> Ryan Ebert (<em>Shark Side of the Moon</em>)</p><p>* <strong>Runtime:</strong> Approximately 94 minutes</p><p>* <strong>Rating:</strong> TV-14 / Not Rated</p><p>Cast</p><p>* <strong>David Chokachi:</strong> Plays Uncle Ron (best known for <em>Baywatch</em>)</p><p>* <strong>Andrew J. Katers:</strong> Plays Alan, the vengeful brother</p><p>* <strong>Angela Cole:</strong> Plays Lisa</p><p>* <strong>Rebecca Ritz:</strong> Plays the Mayor</p><p>Production & Reception</p><p>True to The Asylum’s style, the movie features a mix of practical-looking “slimy” CG sharks and classic B-movie tropes, like a mayor who refuses to cancel a public event despite the danger. Critics generally describe it as a standard creature feature—coherent and watchable for genre fans, but lacking the “bonkers” energy of the studio’s more famous hits. It currently holds a low rating on IMDb (around 3.4/10), which is typical for these low-budget shark thrillers.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/shark-warning-2024-modern-creature</link><guid isPermaLink="false">substack:post:197521406</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 14:39:20 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197521406/24d1d7a610393b590d74139ce8a4d909.mp3" length="5156917" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>322</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197521406/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Is PIGLET (2025) the Bloodiest Twisted Childhood Movie Yet? | Full Review]]></title><description><![CDATA[<p>* </p><p>Released on January 25, 2025, <strong><em>Piglet</em></strong> is a British independent slasher film directed by Andrea M. Catinella and written by Harry Boxley. Distributed by ITN Distribution, the film leans into the “Twisted Childhood” trend of transforming public domain characters into horror icons, though it stands as a separate story from the <em>Winnie-the-Pooh: Blood and Honey</em> universe.</p><p><strong>Plot Overview</strong></p><p>The story follows Kate on her 21st birthday camping trip with a group of friends. Their celebration at a remote log cabin turns into a nightmare when they are stalked by a monstrous human-pig hybrid known as <strong>Piglet</strong>. As the friends are picked off one by one, Kate is forced to confront dark secrets from her past to survive.</p><p><strong>Key Production Details</strong></p><p>* <strong>Director:</strong> Andrea M. Catinella</p><p>* <strong>Cast:</strong> Alexander Butler (as Piglet), Lauren Staerck (as Kate), and Alina Desmond</p><p>* <strong>Runtime:</strong> Approximately 83 minutes</p><p>* <strong>Rating:</strong> Unrated (contains strong bloody violence, gore, and adult themes)</p><p>* <strong>Visual Style:</strong> The film features heavy use of <strong>practical special effects</strong> for its gore sequences, including inventive kills involving meat hooks and axes, echoing the aesthetic of 1980s grindhouse and slasher cinema.</p><p><strong>Critical Reception</strong></p><p>Reviews highlight that while the film utilizes the public domain character gimmick, it attempts to build a more atmospheric and character-driven narrative than some of its contemporaries. It has been noted for its “Texas Chainsaw Massacre” influences, particularly in its depiction of the deformed killer and the isolated, rural setting.</p><p><strong>Notable Kills & Practical Effects:</strong>The film has gained attention for its visceral practical effects, including:</p><p>* A sequence involving a hook and chain.</p><p>* A brutal face-slicing scene.</p><p>* The decapitation of a main character with an axe.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/is-piglet-2025-the-bloodiest-twisted</link><guid isPermaLink="false">substack:post:197519839</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 14:30:20 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197519839/551254aa6b76946bfa3ec493a1b390c3.mp3" length="7274716" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>455</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197519839/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Is Bad Nun 3 the Scariest Yet? | 2024 Horror Movie Review]]></title><description><![CDATA[<p><strong>The Bad Nun 3</strong> (also released as <em>The Bad Nun III</em>) is a 2024 British horror sequel directed by Francesco Gabriele. It follows the events of <em>The Bad Nun</em> (2018) and <em>Bad Nun: Deadly Vows</em> (2020), continuing the low-budget, indie “slasher nun” aesthetic.</p><p><strong>Film Details</strong></p><p>* <strong>Release Date:</strong> Early 2024 (primarily via VOD and streaming platforms like Amazon Prime Video).</p><p>* <strong>Plot:</strong> The story shifts toward a mystery-slasher angle where a young woman from a grief counseling group dies unexpectedly. Her friends investigate the death, only to find themselves stalked by the familiar, habit-wearing killer.</p><p>* <strong>Cast:</strong></p><p>* <strong>Danielle Scott</strong> as Jenny</p><p>* <strong>Kelly Rian Sanson</strong> as Mara Dohana</p><p>* <strong>Arthur Edwards</strong> as Leo</p><p>* <strong>Director:</strong> Francesco Gabriele</p><p>* <strong>Runtime:</strong> Approximately 72 minutes.</p><p><strong>Where to Watch</strong></p><p>The film is currently available to stream or rent on several platforms, depending on your region:</p><p>* <strong>Amazon Prime Video:</strong> Often included with Prime or available via the ITN channel.</p><p>* <strong>YouTube/Google Play:</strong> Available for digital rental or purchase.</p><p>* <strong>Physical Media:</strong> ITN Distribution typically handles the DVD releases for these titles.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/is-bad-nun-3-the-scariest-yet-2024</link><guid isPermaLink="false">substack:post:197517129</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 14:16:49 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197517129/770a063804b3a2b15b8dc68c60aee9d4.mp3" length="6048573" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>378</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197517129/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[The Most Terrifying Doll? | ROB1N (2024) Official Review]]></title><description><![CDATA[<p><strong>ROB1N</strong> for a 2024 debut, the film was officially released in the UK and US on <strong>April 18, 2025</strong>.</p><p>Directed by Lawrence Fowler (known for <em>The Jack in the Box</em> franchise), it is a sci-fi/horror blend that explores the “uncanny valley” and the darker side of artificial intelligence.</p><p><strong>Synopsis</strong></p><p>The story follows Aiden, a widowed robotics expert who is consumed by grief after the death of his ten-year-old son, Robin. To cope, he builds an incredibly realistic robotic companion—also named Robin—to live with him in his secluded mansion. However, the creation begins to exhibit sinister behaviors, fueled by a murderous jealousy. When Aiden’s estranged nephew and his fiancé visit, they find themselves trapped in a deadly game of survival as the robot attempts to eliminate anyone who threatens its “bond” with its creator.</p><p><strong>Key Details</strong></p><p>* <strong>Director:</strong> Lawrence Fowler</p><p>* <strong>Cast:</strong> Simon Davies (Aiden), Ethan Taylor (Leo), and Leona Clarke (Lexi).</p><p>* <strong>Aesthetic:</strong> The film utilizes an atmospheric, “spooky old manor” setting (filmed at Fonmon Castle in Wales) and leans heavily into practical effects for the robotic design.</p><p>* <strong>Release:</strong> April 2025; currently available on several streaming platforms including <strong>Prime Video</strong>.</p><p><strong>Similar Titles</strong></p><p>If you’re tracking the “creepy doll” or “AI gone wrong” subgenre, this film is often compared to:</p><p>* <strong><em>Pin</em></strong><strong> (1988):</strong> A cult classic featuring a medical mannequin that “comes to life.”</p><p>* <strong><em>M3GAN</em></strong><strong> (2022):</strong> The modern benchmark for high-tech killer doll films.</p><p>* <strong><em>The Boy</em></strong><strong> (2016):</strong> For the gothic atmosphere and mysterious doll interaction.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-most-terrifying-doll-rob1n-2024</link><guid isPermaLink="false">substack:post:197514858</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 13:58:25 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197514858/e4cba99f9d26586485c41409081653e9.mp3" length="5135183" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>321</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197514858/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Worse Than Cocaine Bear? Attack of the Meth Gator (2023)Review]]></title><description><![CDATA[<p><strong>Attack of the Meth Gator (2023)</strong>, it is a quintessential “mockbuster” from <strong>The Asylum</strong>, the studio famous for leaning into high-concept, low-budget creature features.</p><p>Released in the wake of the viral hype surrounding <em>Cocaine Bear</em>, this film takes the premise to the Florida everglades.</p><p><strong>Quick Film Facts</strong></p><p>* <strong>Director:</strong> Christopher Ray (a veteran of the genre, known for <em>2-Headed Shark Attack</em>).</p><p>* <strong>Plot:</strong> An enormous alligator ingests a large amount of methamphetamine dumped by drug dealers. The chemical reaction turns the predator into an even more aggressive, hyper-powered killing machine that begins terrorizing a small Florida town.</p><p>* <strong>Release:</strong> Though announced in early 2023 to capitalize on the “drug-fueled animal” trend, it saw its main distribution and streaming rollout throughout 2023 and into early 2024.</p><p><strong>Visuals and Vibe</strong></p><p>As is typical for The Asylum, you can expect:</p><p>* <strong>CGI Overload:</strong> The “Meth Gator” itself is rendered with the studio’s signature digital effects—unabashedly over-the-top and prioritizing scale over realism.</p><p>* <strong>Self-Aware Tone:</strong> The movie doesn’t take itself seriously. It leans heavily into the absurdity of its title, featuring campy performances and creative “splatter” sequences.</p><p>* <strong>Practical vs. Digital:</strong> While most of the alligator action is CG, the film utilizes some practical gore and physical sets for the human-centric carnage.</p><p><strong>Watch Recommendations</strong></p><p>If this style of creature feature is your speed, you might also enjoy:</p><p>* <strong>Cocaine Shark (2023):</strong> Another “substance-fueled” predator flick released around the same time.</p><p>* <strong>Alligator (1980):</strong> For a slightly more “classic” take on the giant gator trope with great practical effects.</p><p>* <strong>Lake Placid (1999):</strong> The gold standard for creature features that successfully mix horror with dark humor.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/worse-than-cocaine-bear-attack-of</link><guid isPermaLink="false">substack:post:197511219</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 13:37:37 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197511219/3c595db6ab8ecd57b25f898e640dc9d4.mp3" length="4577357" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>286</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197511219/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[THE BOOGEYMAN (2023) Review: Stephen King’s Nightmare Returns | Gore and Grime]]></title><description><![CDATA[<p><strong>The Boogeyman (2023)</strong></p><p>Directed by <strong>Rob Savage</strong> and based on the 1973 short story by <strong>Stephen King</strong>, this supernatural horror film transitioned from a planned streaming release to a theatrical run after strong test screenings.</p><p><strong>Plot Overview</strong></p><p>The story follows high school student Sadie Harper and her younger sister Sawyer, who are reeling from the recent death of their mother. Their father, Will, a therapist, is struggling to connect with them while dealing with his own grief. When a desperate patient unexpectedly shows up at their home seeking help, he leaves behind a terrifying supernatural entity that feeds on the suffering of grieving families.</p><p><strong>Key Highlights</strong></p><p>* <strong>Atmospheric Tension:</strong> The film relies heavily on shadows and sound design, utilizing the classic “fear of the dark” trope effectively.</p><p>* <strong>Practical & Digital Blend:</strong> While the creature’s full reveal uses CGI, much of the film’s tension is built through practical lighting and physical performances.</p><p>* <strong>Critical Reception:</strong> It received generally positive reviews for its performances—particularly <strong>Sophie Thatcher</strong> (<em>Yellowjackets</em>)—and its ability to modernize a classic King concept, though some critics felt it followed traditional “jump scare” formulas.</p><p>* <strong>Suggested Double Features</strong></p><p>If you enjoyed the atmosphere of <em>The Boogeyman</em>, you might appreciate these titles:</p><p>* <strong>Smile (2022):</strong> Focuses on trauma manifesting as a relentless supernatural force.</p><p>* <strong>The Babadook (2014):</strong> A more psychological take on a monster representing grief within a family.</p><p>* <strong>Lights Out (2016):</strong> Perfect if you prefer the “don’t turn off the lights” brand of tension.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-boogeyman-2023-review-stephen</link><guid isPermaLink="false">substack:post:197451076</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 05:03:09 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197451076/2018ceb6aaa2f9aed7c82c1aa030ac22.mp3" length="5832339" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>364</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197451076/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[THE BAYOU (2025) Movie Review | Meth-Gator Creature Feature!]]></title><description><![CDATA[<p><strong>The Bayou</strong> (2025) is a survival horror-thriller released on <strong>February 21, 2025</strong>, by Vertical Entertainment. The film explores the “creature feature” subgenre with a plot centered on college graduates who crash-land in the Louisiana wetlands.</p><p><strong>Key Movie Details</strong></p><p>* <strong>Director:</strong> Taneli Mustonen and Brad Watson.</p><p>* <strong>Writers:</strong> Gavin Cosmo Mehrtens and Ashley Holberry.</p><p>* <strong>Runtime:</strong> 1 hour 27 minutes.</p><p>* <strong>Premise:</strong> The survivors are hunted by hyper-aggressive alligators that have been affected by a large amount of methamphetamine dumped into the water.</p><p>* <strong>Lead Cast:</strong> The film stars Athena Strates as Kyle, alongside Elisha Applebaum, Madalena Aragão, and Mohammed Mansaray.</p><p><strong>Critical Reception</strong></p><p>The film is generally categorized as a B-grade horror experience. While the alligator attack sequences and practical-leaning effects are often cited as highlights, some critics found the pacing sluggish and the dialogue somewhat cliché. It has frequently been compared to <em>Cocaine Bear</em> due to its “drugged animal” concept, though it maintains a more serious tone.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-bayou-2025-movie-review-meth</link><guid isPermaLink="false">substack:post:197449663</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 04:49:16 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197449663/957fe42adc4dd01f553dea0ea1d63e9e.mp3" length="6157660" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>385</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197449663/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Holiday Horror Gone Wrong! | ELF IN THE HOOD (2024) Review]]></title><description><![CDATA[<p><strong>Elf in the Hood</strong> (2024) is a low-budget Christmas horror-comedy directed by <strong>Jamaal Burden</strong>, who also helmed the 2018 film <em>Elves</em>. It follows the “killer doll” trope popularized by franchises like <em>Chucky</em> and <em>Puppet Master</em>, but with a gritty, urban-slasher spin.</p><p><strong>Synopsis</strong></p><p>The story follows a couple, Malik and Jada, who are struggling with a debt owed to a dangerous drug dealer. They discover a mysterious elf doll that they hope to sell for a profit, only to realize the doll is possessed by a vengeful spirit. As Christmas Eve unfolds, they find themselves hunted by the supernatural force and must survive the night.</p><p><strong>Production Details</strong></p><p>* <strong>Director:</strong> Jamaal Burden</p><p>* <strong>Cast:</strong> Michele Chavez, Chad Davis-Lenette, Sabina Gavrilov, and Taylor Latham.</p><p>* <strong>Runtime:</strong> 1 hour 16 minutes</p><p>* <strong>Release:</strong> Distributed by <strong>Uncork’d Entertainment</strong>, it hit VOD and digital platforms in late 2024.</p><p><strong>Key Highlights for Genre Fans</strong></p><p>* <strong>Practical vs. Digital Effects:</strong> While the film features some CGI for the elf’s movements, it leans into <strong>practical gore</strong> for its death scenes. One particular scene involving a saw and a foot has been noted by reviewers for its effective “splatter” quality.</p><p>* <strong>The Tone:</strong> Much like the <em>Leprechaun in the Hood</em> films it references by title, it attempts a mix of serious urban drama (dealing with themes of debt and drugs) and absurd B-movie horror.</p><p>* <strong>Visual Style:</strong> The film often uses a “grindhouse” or low-budget digital aesthetic common in modern indie horror, featuring stock footage and occasionally jarring tonal shifts.</p><p><strong>Where to Watch</strong></p><p>It is currently available for streaming or rental on:</p><p>* <strong>Prime Video</strong></p><p>* <strong>Apple TV</strong></p><p>* <strong>YouTube</strong> (often available on free movie channels like <em>FlixForFree</em>)</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/holiday-horror-gone-wrong-elf-in</link><guid isPermaLink="false">substack:post:197444823</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 03:43:41 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197444823/ea6c9bbf974f7d9e15e97f7265a4a6e6.mp3" length="5894615" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>368</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197444823/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Shark Terror (2025) Review: Michael Paré vs. Great Whites!]]></title><description><![CDATA[<p><strong>Shark Terror</strong> is a 2025 survival horror film produced by <strong>The Asylum</strong>. The plot centers on a young woman who washes ashore after falling overboard during a cruise; she finds herself injured and stalked by sharks while her mother launches a desperate search to find her.</p><p><strong>Production & Release</strong></p><p>* <strong>Director:</strong> Mario N. Bonassin.</p><p>* <strong>Writer:</strong> Ryan Ebert.</p><p>* <strong>US Release Date:</strong> July 11, 2025.</p><p>* <strong>Runtime:</strong> Approximately 1 hour and 25 to 30 minutes.</p><p>* <strong>Studio:</strong> The Asylum.</p><p><strong>Cast</strong></p><p>* <strong>Michael Paré</strong> as Captain Schaeffer.</p><p>* <strong>Sarah Lieving</strong> as Molly Evans.</p><p>* <strong>Carly Medina</strong> as Kendall Evans.</p><p>* <strong>Javier Durán</strong> as Brian.</p><p><strong>Availability</strong></p><p>The film is available on several digital platforms:</p><p>* <strong>Streaming/Rental:</strong> It can be found on <strong>Apple TV</strong>, <strong>Tubi</strong>, <strong>Prime Video</strong>, and <strong>Hoopla</strong>.</p><p>* <strong>Ratings:</strong> The film carries a <strong>TV-14</strong> or <strong>PG-13</strong> rating depending on the platform.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/shark-terror-2025-review-michael</link><guid isPermaLink="false">substack:post:197443423</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 03:35:01 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197443423/b7195aeb39521165d91799ba27636acd.mp3" length="5359776" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>335</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197443423/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Mouse of Horrors (2025) Official Trailer & Movie Review | Steamboat Willie Slasher]]></title><description><![CDATA[<p>Released on January 25, 2025, <strong>Mouse of Horrors</strong> is a British independent slasher directed by Brendan Petrizzo. It is one of the many horror projects that emerged following the 1928 <em>Steamboat Willie</em> version of Mickey Mouse entering the public domain in early 2024.</p><p><strong>Production & Concept</strong></p><p>* <strong>Studio:</strong> Produced by ITN Studios (the same production house behind the <em>Winnie-the-Pooh: Blood and Honey</em> “Poohniverse”).</p><p>* <strong>The Plot:</strong> The story follows a group of friends at a closed amusement park in a seaside town. They are hunted by a deranged scientist named Dr. Rupert and his monstrous, mutated creations: a killer dressed as a mouse and another as a bear (modeled after Winnie-the-Pooh).</p><p>+1</p><p>* <strong>Aesthetic:</strong> The film leans heavily into the “low-budget splatter” category, utilizing an abandoned funfair setting and featuring a killer that dances and laughs throughout the carnage.</p><p><strong>Key Details</strong></p><p>* <strong>Director:</strong> Brendan Petrizzo</p><p>* <strong>Starring:</strong> Natasha Tosini (<em>Winnie-the-Pooh: Blood and Honey</em>), Lewis Santer (as The Killer), and Chris Lines.</p><p>* <strong>Availability:</strong> In addition to physical media (DVD/Blu-ray), it was released as a free-to-stream title on <strong>Tubi</strong> and is available for rent/purchase on platforms like Prime Video and Apple TV.</p><p>* <strong>Runtime:</strong> Approximately 84 minutes.</p><p><strong>Reception</strong></p><p>The film has received mixed to negative reviews, common for this specific subgenre of public domain horror. Critics have noted its “so-bad-it’s-good” quality, specifically highlighting:</p><p>* The absurdity of the “Mouse” and “Bear” duo.</p><p>* The use of practical gore effects mixed with some notably low-budget digital elements.</p><p>* A “loose” connection to the actual <em>Steamboat Willie</em> source material, serving more as a standalone slasher with a mouse-themed mask.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/mouse-of-horrors-2025-official-trailer</link><guid isPermaLink="false">substack:post:197442379</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 03:15:05 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197442379/881660fa2cadfc404858c7e171b599a6.mp3" length="6712561" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>420</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197442379/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Something In The Water (2024) Review | Bride Squad vs. Sharks!]]></title><description><![CDATA[<p><em>Something in the Water</em> (2024) is a British survival thriller directed by <strong>Hayley Easton Street</strong>. The film follows a group of five female friends who reunite in the <strong>Caribbean</strong> for a destination wedding, only to find themselves in a life-or-death struggle against circling sharks.</p><p><strong>Plot Overview</strong></p><p>* <strong>The Setup</strong>: Meg travels to the West Indies to celebrate her friend Lizzie’s wedding. The group, including Cam, Ruth, and Meg’s former partner Kayla, takes a small boat out to a secluded island the day before the ceremony.</p><p>* <strong>The Incident</strong>: While swimming, Ruth is bitten by a shark. In their rush to get back to shore, their poorly maintained hire boat hits a reef and sinks, leaving the quintet stranded in open water.</p><p>* <strong>Survival Struggle</strong>: Stalked by sharks and battling the elements, the friends must face their fears and unresolved interpersonal traumas while fighting for survival.</p><p><strong>Cast and Crew</strong></p><p>* <strong>Director</strong>: Hayley Easton Street.</p><p>* <strong>Writer</strong>: Cat Clarke.</p><p>* <strong>Starring</strong>:</p><p>* <strong>Hiftu Quasem</strong> as Meg.</p><p>* <strong>Lauren Lyle</strong> as Lizzie.</p><p>* <strong>Natalie Mitson</strong> as Kayla.</p><p>* <strong>Nicole Rieko Setsuko</strong> as Cam.</p><p>* <strong>Ellouise Shakespeare-Hart</strong> as Ruth.</p><p><strong>Release and Reception</strong></p><p>* <strong>Release Date</strong>: The film was released in select theaters and on digital platforms on <strong>May 3, 2024</strong>.</p><p>* <strong>Critical Response</strong>: Reviews have been mixed, with a <strong>42% rating on Rotten Tomatoes</strong> as of June 2024. While praised for its cinematography and tense water-level camera work, some critics noted its familiar “sharksploitation” tropes and thin characterization.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/something-in-the-water-2024-review</link><guid isPermaLink="false">substack:post:197439299</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 02:48:43 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197439299/b5a56a18f4fe2413df9d59cee02029e5.mp3" length="6150555" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>384</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197439299/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Lynn Lowry Returns! Night of the Dead Sorority Babes Trailer & Review]]></title><description><![CDATA[<p>“sorority house slaughter” subgenre. It’s a low-budget indie production directed by <strong>Steve Hermann</strong> and <strong>Angel Nichole Bradford</strong>, and it’s clearly designed for fans of classic exploitation and “scream queen” cinema.</p><p><strong>The Details</strong></p><p>* <strong>Release:</strong> Late 2024 / Early 2025 (Digital/VOD)</p><p>* <strong>Genre:</strong> Horror / Slasher</p><p>* <strong>Plot:</strong> Pledges rushing the prestigious <strong>Gamma Rho Kappa</strong> sorority realize the initiation rituals aren’t just hazing—they’re being targeted by two villainous entities. It’s marketed with the tagline: <em>“Party ’til you drop dead!”</em></p><p>* <strong>Standout Cast:</strong> It features genre veteran <strong>Lynn Lowry</strong> (<em>I Drink Your Blood</em>, <em>The Crazies</em>), which gives it some serious indie-horror credibility.</p><p><strong>What to Expect</strong></p><p>The film has a “split personality” style—half of it focuses on the internal drama and “bitchiness” of the sorority sisters, while the other half delivers on the gore.</p><p>* <strong>Practical Effects:</strong> Unlike many modern low-budget films that over-rely on CGI, this one features solid <strong>practical effects</strong> (handled by Kelsey Livengood and Angel Nichole Bradford). Expect classic “splatter” moments like severed fingers and eye trauma.</p><p>* <strong>The Aesthetic:</strong> It follows the template of cult classics like <em>The House on Sorority Row</em> or <em>Sorority House Massacre</em>, prioritizing the 1980s formula of “blood and babes.”</p><p>It’s currently available on digital platforms like <strong>Apple TV</strong>, <strong>Amazon Prime</strong>, and has been spotted streaming on <strong>Tubi</strong>. Given its focus on practical effects and 80s-style horror tropes, it’s a modern callback to the era of VHS cult favorites.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/lynn-lowry-returns-night-of-the-dead</link><guid isPermaLink="false">substack:post:197433519</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 01:33:11 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197433519/42b02d3e6b3b2b1fe62f856cd5f38ea8.mp3" length="7092068" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>443</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197433519/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Twisted Childhood: Winnie the Pooh: Blood and Honey Review & Trailer]]></title><description><![CDATA[<p><strong>Winnie the Pooh: Blood and Honey (2023)</strong></p><p>Directed by Rhys Frake-Waterfield, this film gained massive notoriety for taking advantage of A.A. Milne’s original 1926 book entering the <strong>public domain</strong>. It effectively transformed a childhood icon into a slasher villain, spawning a new wave of “twisted childhood” horror films.</p><p><strong>The Plot</strong></p><p>The story follows a grown-up Christopher Robin who returns to the Hundred Acre Wood with his fiancée, only to discover that Pooh and Piglet have turned into feral, bloodthirsty killers. After being abandoned by Christopher when he went to college, the creatures starved and eventually swore a vendetta against all humans, consuming Eeyore in the process.</p><p><strong>Production & Style</strong></p><p>* <strong>Practical Effects:</strong> Despite its modest budget (reportedly under $100,000), the film leans heavily into practical masks and gore to depict the mutated versions of the characters.</p><p>* <strong>The Aesthetic:</strong> It utilizes a dark, grimy atmosphere, moving away from the soft, colorful visuals traditionally associated with the characters.</p><p>* <strong>Legal Loophole:</strong> Because Disney still owns the rights to their specific versions of the characters (like Pooh’s red shirt), the filmmakers had to ensure their designs were based strictly on the original 1926 sketches.</p><p><strong>The Legacy: The Twisted Childhood Universe (TCU)</strong></p><p>The unexpected financial success of the first film led to the announcement of the <strong>“Pooh-verse,”</strong> a shared cinematic universe including upcoming titles like:</p><p>* <strong>Winnie the Pooh: Blood and Honey 2 (2024):</strong> Featuring a much higher budget and the introduction of Tigger and Owl.</p><p>* <strong>Bambi: The Reckoning</strong></p><p>* <strong>Peter Pan’s Neverland Nightmare</strong></p><p>* <strong>Pinocchio: Unstrung</strong></p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/twisted-childhood-winnie-the-pooh</link><guid isPermaLink="false">substack:post:197432500</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 01:22:46 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197432500/daa1c9b529a4a0fbfc8b9b4b72ab6ef7.mp3" length="6504148" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>406</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197432500/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[The TCU Just Got Darker! Peter Pan's Neverland Nightmare Review | Gore and Grime Podcast]]></title><description><![CDATA[<p><strong>Peter Pan’s Neverland Nightmare</strong>, you’re likely tracking the latest entries in the <strong>Twisted Childhood Universe</strong> (TCU). Following the success of <em>Winnie-the-Pooh: Blood and Honey</em>, this film is one of the more anticipated “ruined childhood” projects.</p><p><strong>Production Details</strong></p><p>* <strong>Director:</strong> Scott Chambers (who also plays Christopher Robin in the TCU).</p><p>* <strong>Producer:</strong> Rhys Frake-Waterfield (Jagged Edge Productions).</p><p>* <strong>Status:</strong> Currently in production/post-production, with a planned theatrical release for <strong>2025</strong>.</p><p><strong>The “Twisted” Plot</strong></p><p>This isn’t the whimsical Disney version. In this iteration:</p><p>* <strong>Wendy Darling</strong> is searching for her brother, <strong>Michael</strong>, who has been abducted by Peter Pan.</p><p>* <strong>Peter Pan</strong> is depicted as a malevolent, disfigured character rather than a magical boy.</p><p>* <strong>Tinkerbell</strong> is reimagined as a heavy drug user, with “pixie dust” serving as a gritty analog for heroin.</p><p><strong>Visual Style</strong></p><p>True to the Jagged Edge aesthetic, expect a high reliance on <strong>practical effects</strong> and “splatter” horror. The film aims for a dark, grime-filled atmosphere—think less “flying over London” and more “trapped in a claustrophobic nightmare.”</p><p><strong>Related TCU Projects</strong></p><p>If you’re keeping an eye on this subgenre, here are a few other titles currently in the works for the “Pooh-verse” crossover, <em>Poohniverse: Monsters Assemble</em>:</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-tcu-just-got-darker-peter-pans</link><guid isPermaLink="false">substack:post:197430501</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Wed, 13 May 2026 00:59:14 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197430501/db2bd92e02230354e873f67ca462ab58.mp3" length="5052845" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>316</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197430501/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Genetically Modified Terror! | MOUNTAIN SHARK (2024) Movie Review]]></title><description><![CDATA[<p><strong>MOUNTAIN SHARK (2024)</strong></p><p><strong>Overview</strong></p><p><strong>Mountain Shark</strong> is a British creature feature directed by <strong>Greg AK</strong> and produced by <strong>Louisa Warren</strong> (known for her prolific work in the indie horror “mockbuster” space). Released in September 2024, the film combines military action with sci-fi horror, centered around the absurd but entertaining premise of a genetically modified shark capable of surviving and hunting in high-altitude environments.</p><p><strong>Plot & Technical Details</strong></p><p>* <strong>The Story:</strong> A group of elite hunters and a military team are dispatched to a remote mountain range surrounding a secret weapons research base. Their mission is to recover a top-secret experiment that has escaped, only to realize they are being stalked by a predator that shouldn’t exist: a mountain-dwelling shark.</p><p>* <strong>Runtime:</strong> 81 Minutes</p><p>* <strong>Genre:</strong> Horror / Sci-Fi / Action</p><p>* <strong>Tagline:</strong> “The hills are alive with the sound of screaming!”</p><p><strong>Key Cast & Crew</strong></p><p>* <strong>Director:</strong> Greg AK</p><p>* <strong>Writer:</strong> Ben Daly</p><p>* <strong>Starring:</strong></p><p>* <strong>Julia Quayle</strong> as Paige Brooks</p><p>* <strong>Stephen Samson</strong> as Dr. Eric Nesbitt</p><p>* <strong>Ema Ekaete</strong> as Gina Markinson</p><p>* <strong>Stephen Staley</strong> as Adrian Walker</p><p>* <strong>Studio:</strong> ChampDog Films / ITN Distribution</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/genetically-modified-terror-mountain</link><guid isPermaLink="false">substack:post:197421969</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 12 May 2026 23:20:17 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197421969/77d6a50c6e618656d7cf032f764009f5.mp3" length="6746416" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>422</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197421969/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Is This the Bloodiest Public Domain Slasher? | Popeye's Revenge 2025]]></title><description><![CDATA[<p><strong>Popeye’s Revenge</strong> is a 2025 British slasher film directed by William Stead and produced by ITN Studios. It leans heavily into the “twisted childhood” subgenre, capitalizing on the character entering the public domain.</p><p><strong>Release Details</strong></p><p>• <strong>Release Date:</strong> February 13, 2025 (VOD)</p><p>• <strong>Streaming:</strong> Made available on Amazon Prime Video and Tubi shortly after its digital release.</p><p>• <strong>Runtime:</strong> 1 hour 19 minutes</p><p><strong>Plot Overview</strong></p><p>The story follows Johnny, a boy born with physical abnormalities and immense strength who was bullied and eventually hidden away by his parents. After a tragic fire that supposedly claimed his life, Johnny—now known as “Popeye”—returns years later as a massive, vengeance-fueled killer. He targets a group of young adults attempting to turn his former home into a summer camp, using nautical-themed tools like anchors and ropes to dispatch them.</p><p><strong>Cast & Crew</strong></p><p>• <strong>Director:</strong> William Stead</p><p>• <strong>Writer:</strong> Harry Boxley</p><p>• <strong>Key Cast:</strong></p><p>• <strong>Steven Murphy</strong> as Popeye/Johnny</p><p>• <strong>Kelly Rian Sanson</strong> as Olive Oyl</p><p>• <strong>Emily Mogilner</strong> as Tara</p><p>• <strong>Connor Powles</strong> as Dylan</p><p><strong>Reception</strong></p><p>The film has received mixed to negative reviews, often described as a low-budget “gore-fest.” Critics have noted:</p><p>• <strong>The Aesthetic:</strong> It features heavy practical effects and “splatter” elements, though some found the sound mixing and script lacking.</p><p>• <strong>Tone:</strong> It is frequently compared to other public domain horror adaptations like Winnie-the-Pooh: Blood and Honey, leaning into its status as a “guilty pleasure” or “bad-movie” cult candidate</p><p>.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/is-this-the-bloodiest-public-domain</link><guid isPermaLink="false">substack:post:197397559</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 12 May 2026 19:37:55 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197397559/e45a80f6ad4733f0b5f0c1b8c814e961.mp3" length="5540182" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>346</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197397559/283bed2942a6630df92e87cc51a6253e.jpg"/></item><item><title><![CDATA[The Sailor Man Has a New Catch! | POPEYE THE SLAYER MAN (2025)Movie Review]]></title><description><![CDATA[<p><strong>Popeye the Slayer Man (2025)</strong></p><p>Released on <strong>March 21, 2025</strong>, this slasher film is one of the first major horror adaptations to take advantage of the character entering the public domain. It leans heavily into the “gory retelling” trend, much like Winnie-the-Pooh: Blood and Honey.</p><p><strong>Key Movie Details</strong></p><p>• <strong>Director:</strong> Robert Michael Ryan</p><p>• <strong>Writer:</strong> John Doolan</p><p>• <strong>Starring:</strong> Jason Robert Stephens as Popeye (the “Sailor Man”), along with Sarah Nicklin and Angela Relucio.</p><p>• <strong>Runtime:</strong> Approximately 88 minutes.</p><p>• <strong>Premise:</strong> A group of friends sneaks into an abandoned spinach canning factory to investigate an urban legend. They soon find themselves hunted by a twisted version of the Sailor Man who is said to haunt the local docks and the factory.</p><p><strong>Production Style</strong></p><p>The production team made a deliberate choice to use <strong>practical special effects</strong> for the gore rather than relying on CGI, giving it a grittier, old-school horror feel. It was filmed in New York State and features a soundtrack and atmosphere designed to evoke the “creature feature” and slasher tropes of previous decades.</p><p><strong>The “Popeye Horror” Wave</strong></p><p>Interestingly, Popeye the Slayer Man isn’t the only horror take on the character released in 2025. It is part of a trio of indie horror films featuring the sailor, which also includes:</p><p>• Popeye’s Revenge</p><p>• Shiver Me Timbers</p><p></p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-sailor-man-has-a-new-catch-popeye</link><guid isPermaLink="false">substack:post:197395092</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 12 May 2026 19:17:25 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197395092/83354bb3ce16c401705ca81e899a88cf.mp3" length="4221520" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>264</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197395092/8afba5f154c5fb86ef6b25a4981b1599.jpg"/></item><item><title><![CDATA[Is PIGMAN the Next Found Footage Nightmare? | 2024 Movie Review]]></title><description><![CDATA[<p>The film <strong>Pigman</strong> (2024) is a British horror movie directed by Louisa Warren and produced by ChampDog Films. It follows a group of ambitious YouTubers who travel to an isolated farm in the English countryside to investigate the legend of the “Pigman.”</p><p><strong>Plot & Concept</strong></p><p>The story centers on a team of content creators looking for their next big viral hit. They arrive at the farm hoping to debunk the local myth, but they soon find themselves targeted by a terrifying creature. The film touches on themes of online fame, ego, and survival, as the YouTubers’ desire for views leads them into a deadly situation.</p><p><strong>Key Details</strong></p><p>• <strong>Director:</strong> Louisa Warren</p><p>• <strong>Cast:</strong> Ben Silver (as Carter Bronx), Julia Quayle, Hayley-Marie Axe, and Mollie Hindle.</p><p>• <strong>Genre:</strong> Indie Horror / Slasher</p><p>• <strong>Run Time:</strong> 1 hour 38 minutes</p><p>• <strong>Rating:</strong> TV-MA (due to violence and language)</p><p><strong>Production & Style</strong></p><p>Like many of Warren’s other projects (such as Three Blind Mice or Cinderella’s Curse), Pigman is a low-budget independent feature. It leans into a gritty, “splattery” aesthetic often found in modern British indie horror. While some reviews have noted its minimal use of high-end digital effects, it focuses more on building an eerie farmyard atmosphere.</p><p><strong>Where to Watch</strong></p><p>The film is currently available to stream on several platforms, often for free with ads:</p><p>• <strong>Free with Ads:</strong> The CW, Fandango at Home (Free), Fawesome, and Mometu.</p><p>• <strong>Rent/Buy:</strong> Amazon Video and Fandango at Home.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/is-pigman-the-next-found-footage</link><guid isPermaLink="false">substack:post:197384419</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 12 May 2026 18:15:13 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197384419/1de1840cb7e7f93a87c8eb6e6abc7586.mp3" length="5901298" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>369</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197384419/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[A Brutal Return to Cannibal Exploitation? RIVER OF BLOOD (2025) Review]]></title><description><![CDATA[<p>River of Blood (2025) is an exploitation-style horror thriller directed by <strong>Howard J. Ford</strong> (The Dead). It follows a familiar “tourists in peril” premise, leaning into the cannibal subgenre with a modern lens.</p><p><strong>Plot & Synopsis</strong></p><p>The story follows four vacationing friends—Ajay, Maya, Ritchie, and Jasmine—who take a kayak tour into the jungles of Southeast Asia. Their guide, Nick (Joseph Millson), leads them into territory inhabited by a merciless tribe of cannibals. As the group is hunted, the film explores the predatory dynamic between the pampered outsiders and the violent tribe, while also touching on superficial themes of betrayal and jealousy within the group.</p><p><strong>Production Details</strong></p><p>• <strong>Director:</strong> Howard J. Ford</p><p>• <strong>Cast:</strong> Joseph Millson, Louis James, Ella Starbuck, Sarah Alexandra Marks, and David Wayman.</p><p>• <strong>Release Date:</strong> August 1, 2025 (Select theaters, Digital, and On Demand via Saban Films).</p><p>• <strong>Runtime:</strong> 87 minutes.</p><p>• <strong>Filming Location:</strong> Thailand.</p><p><strong>Reception & Style</strong></p><p>The film has received mixed reviews, often described as a “passable” genre entry that excels in visual presentation but falters in character depth.</p><p>• <strong>Visuals:</strong> Critics have praised the cinematography and the lush, threatening jungle setting.</p><p>• <strong>Tone:</strong> Unlike some modern “wink-at-the-camera” horror, it largely plays its premise straight and humorless.</p><p>• <strong>Gore Factor:</strong> While it delivers on “grisly images” (earning its R rating), some viewers felt it played things a bit safer compared to classic cannibal exploitation films like Cannibal Holocaust.</p><p>• <strong>Common Critique:</strong> A frequent point of frustration among audiences is the “unlikable” nature of the protagonists, leading many to root for the cannibals instead of the survivors.</p><p>It is currently available to watch on platforms like <strong>Amazon Prime Video</strong></p><p>.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/a-brutal-return-to-cannibal-exploitation</link><guid isPermaLink="false">substack:post:197381032</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 12 May 2026 17:26:28 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197381032/2e679ec6686ff05d3003760aa33b7ad3.mp3" length="3905961" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>244</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197381032/1f59a1e5f7d23b1cd0cc7bfc23dc3534.jpg"/></item><item><title><![CDATA[BIKINI SHARK Review: Toxic Swimsuits & Mutant Predators! (2025)]]></title><description><![CDATA[<p>Released in 2025, <strong>Bikini Shark</strong> is a campy, low-budget creature feature from ChampDog Films. Directed by E.J. Marshall and produced by Louisa Warren, the film fits perfectly into the niche “sharkploitation” subgenre that values high-concept absurdity.</p><p><strong>Plot Overview</strong></p><p>The story centers on a glamorous beach promotion for a new line of “Bikini-Net” swimsuits. Unbeknownst to the models, these bikinis are toxic and have been used to engineer mutant predators. The sharks are drawn to the wearers of the suits, leading to a blood-soaked nightmare as a small group tries to survive the ocean’s deadliest creations and the schemes of a deranged CEO.</p><p><strong>Film Details</strong></p><p>• <strong>Release Year:</strong> 2025</p><p>• <strong>Runtime:</strong> Approximately 1 hour 14 minutes</p><p>• <strong>Production Company:</strong> ChampDog Films (distributed by ITN Distribution)</p><p>• <strong>Director:</strong> E.J. Marshall</p><p>• <strong>Cast:</strong> Kathi DeCouto, Alesia Lifantii, Christian Ndonda, Alina Varakuta, and Jessie Vinning.</p><p><strong>Visuals and Tone</strong></p><p>The film has been noted for its “land-floating” predators and “gravity-defying” physics. While the CGI is surprisingly coherent for its micro-budget, the film often balances between an earnest delivery and the inherently silly premise. It currently streams on platforms like <strong>Tubi</strong>, <strong>Apple TV</strong>, and <strong>Vudu (Fandango at Home)</strong></p><p>.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/bikini-shark-review-toxic-swimsuits</link><guid isPermaLink="false">substack:post:197377185</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 12 May 2026 17:03:41 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197377185/e0f18bc75d1fa715471729cccf3cd710.mp3" length="5240505" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>327</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197377185/cb8cf5d7279acde75480529dbc1741d3.jpg"/></item><item><title><![CDATA[Vampires vs. Bank Robbers: SILENT BITE (2024) Movie Review]]></title><description><![CDATA[<p><strong>Silent Bite (2024)</strong></p><p>Directed by <strong>Taylor Martin</strong> and written by <strong>Simon Phillips</strong>, Silent Bite is a holiday-themed horror-comedy that blends the heist and vampire genres. The film is often described as a micro-budget cross between Reservoir Dogs and From Dusk Till Dawn.</p><p><strong>Synopsis</strong></p><p>A group of bank robbers, known as the “Santa Hat Gang,” holes up in a seedy, isolated motel on Christmas Eve after a heist. They use holiday-themed codenames—<strong>Father Christmas</strong>, <strong>Grinch</strong>, <strong>Snowman</strong>, and <strong>Prancer</strong>—to protect their identities. Unfortunately for them, the motel is also the hunting ground for a brood of vampires led by a figure known as <strong>Mother</strong>.</p><p><strong>Cast and Crew</strong></p><p>• <strong>Director:</strong> Taylor Martin</p><p>• <strong>Writer:</strong> Simon Phillips (who also stars as “Father Christmas”)</p><p>• <strong>Key Cast:</strong></p><p>• <strong>Luke Avoledo</strong> as Prancer/Blake</p><p>• <strong>Sayla de Goede</strong> as Mother</p><p>• <strong>Nick Biskupek</strong> as Grinch</p><p>• <strong>Michael Swatton</strong> as Snowman</p><p>• <strong>Camille Blott</strong> as Genie</p><p>• <strong>Production:</strong> FilmCore / Cleopatra Entertainment</p><p><strong>Notable Features</strong></p><p>• <strong>Retro Vibes:</strong> The film utilizes an animated opening sequence and leans into a gritty, low-budget indie aesthetic.</p><p>• <strong>Vampire Lore:</strong> The vampires are portrayed with a “goth-girl” style, featuring black veins around the eyes and traditional fangs rather than heavy prosthetics.</p><p>• <strong>Creative Weaponry:</strong> In a nod to the film’s self-aware tone, the robbers utilize ultraviolet light from stun grenades and even a silver spoon to combat the undead.</p><p>• <strong>Availability:</strong> It was released in late 2024 and is currently available on streaming platforms like <strong>Tubi</strong> and <strong>Prime Video</strong></p><p>.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/vampires-vs-bank-robbers-silent-bite</link><guid isPermaLink="false">substack:post:197374937</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 12 May 2026 16:37:05 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197374937/2438bc13c38f57aacd38a639fd664fd4.mp3" length="6904818" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>432</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197374937/00b28efdd20eea8115d0018ad5a73eb6.jpg"/></item><item><title><![CDATA[Byte (2024) Review: The App That Turns You Into a Werewolf!]]></title><description><![CDATA[<p><strong>Byte (2024)</strong> is an indie werewolf horror film directed by <strong>Eddie Lengyel</strong> and produced by Millman Productions. It offers a modern spin on the classic lycanthrope mythos by mixing it with digital-age tech.</p><p><strong>The Premise</strong></p><p>The story follows a group of college friends who download a mysterious smartphone app called “Byte” on Halloween. The app claims it can transform users into werewolves—provided they order “werewolf blood” and perform a specific ritual in a cemetery. While the group initially thinks it’s an elaborate hoax or a viral marketing gimmick, a series of brutal, bloody attacks begins to terrorize their town as the full moon rises.</p><p><strong>Key Highlights</strong></p><p>• <strong>Practical Effects:</strong> A standout for genre fans is the film’s reliance on <strong>practical werewolf suits</strong> and physical gore effects rather than CGI, which has been noted for its retro feel reminiscent of 1980s classics like Silver Bullet.</p><p>• <strong>Modern Twist:</strong> It explores themes of consumerism and “viral” culture, featuring a sinister delivery system for the werewolf ritual components.</p><p>• <strong>Setting:</strong> The film was shot in and around the <strong>Cleveland, Ohio</strong> area.</p><p>• <strong>Cast:</strong> Stars Marshall Vargas as Jett, Kayden Bryce as April, Carlie Allen as Nora, and Stephen Nicholas Knight as Damon.</p><p><strong>Availability</strong></p><p>The film premiered at the <strong>HorrorHound Film Festival</strong> in early 2024 and is currently available for streaming on platforms like <strong>Tubi</strong> (free with ads), <strong>Prime Video</strong>, and <strong>Fandango at Home</strong>.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/byte-2024-review-the-app-that-turns</link><guid isPermaLink="false">substack:post:197373013</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 12 May 2026 16:22:11 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197373013/f351917f0e29feaa93ae296a81dbb9ba.mp3" length="8052952" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>503</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197373013/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Sharks, Cocaine, and Chaos: GREAT WHITE WATERS (2025) Tubi Original Review]]></title><description><![CDATA[<p><strong>Great White Waters (2025)</strong></p><p>Released on July 4, 2025, <strong>Great White Waters</strong> is an action-thriller directed by <strong>Anthony C. Ferrante</strong> (best known for the <em>Sharknado</em> series) and produced by <strong>The Asylum</strong>. It premiered as a <strong>Tubi Original</strong>, coinciding with the 50th anniversary of <em>Jaws</em>.</p><p><strong>Premise & Plot</strong></p><p>The film blends the “killer shark” genre with a crime-thriller narrative. The story follows <strong>Gia Shah</strong> (Angela Cole), a widow who is scuba diving in the Florida Keys to honor the anniversary of her husband’s death.</p><p>Unbeknownst to her, she is diving in the exact location where a multi-million dollar shipment of <strong>cartel cocaine</strong> went missing. The drug lord <strong>Leo Reverend</strong> (Steve Hanks) sends a ruthless recovery team—led by his associate <strong>Jareth Danzo</strong> (Johnny Ramey) and newcomer <strong>Charlotte Harlow</strong> (Ashton Leigh)—to retrieve the stash. The operation quickly turns into a bloodbath as a frenzy of sharks begins pickling off both the criminals and the innocent bystanders.</p><p><strong>Production Details</strong></p><p>* <strong>Director:</strong> Anthony C. Ferrante</p><p>* <strong>Writers:</strong> Anthony C. Ferrante and Geoff Meed</p><p>* <strong>Studio:</strong> The Asylum</p><p>* <strong>Runtime:</strong> 1 hour 33 minutes</p><p>* <strong>Cast:</strong></p><p>* <strong>Angela Cole</strong> as Gia Shah</p><p>* <strong>Johnny Ramey</strong> as Jareth Danzo</p><p>* <strong>Steve Hanks</strong> as Leo Reverend</p><p>* <strong>Ashton Leigh</strong> as Charlotte Harlow</p><p>* <strong>Michelle Ng</strong> as Paulina Lee</p><p><strong>Critical Reception</strong></p><p>Reviews for the film have been mixed, leaning toward the typical “B-movie” reception associated with The Asylum:</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/sharks-cocaine-and-chaos-great-white</link><guid isPermaLink="false">substack:post:197345519</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 12 May 2026 12:39:33 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197345519/5eec72c9bf3fbd92097e6885a752ec8d.mp3" length="6845472" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>428</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197345519/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[38 Years Later... SLAUGHTERHOUSE 2: DEATH METAL is Finally Here! Review]]></title><description><![CDATA[<p><strong>Slaughterhouse 2: Death Metal</strong> is the 2025 sequel to the 1987 cult slasher classic <em>Slaughterhouse</em>. The film returns to the Bacon family legacy, focusing on a new generation of gruesome business.</p><p><strong>Production Overview</strong></p><p>* <strong>Director:</strong> Rick Roessler (Director of the original 1987 film).</p><p>* <strong>Producer:</strong> Jerry Encoe.</p><p>* <strong>Genre:</strong> Horror Comedy / Slasher.</p><p>* <strong>Budget:</strong> Approximately $250,000.</p><p>* <strong>Primary Location:</strong> The Motor Transport Museum in Campo, California.</p><p><strong>Synopsis</strong></p><p>Unlike his brother Buddy from the first film, <strong>Cleavon Bacon</strong> left the family pig farm seeking a better life. However, Cleavon’s mute son, <strong>RemDog</strong>, has developed a specialized passion for producing “Wonder Jerky”. Operating out of an old mill surrounded by decaying trucks, the father-son duo sells beef jerky with a “secret ingredient”—human flesh—to anyone unfortunate enough to stray onto their ranch.</p><p><strong>Cast Details</strong></p><p>* <strong>Sherry Leigh:</strong> Returning from the original film as Liz Borden, who has now grown up to become the town sheriff.</p><p>* <strong>Bryan Butler:</strong> Stars as Cleavon Bacon (Butler is the real-life owner of the museum where the film was shot).</p><p>* <strong>Remington Tully:</strong> Plays the mute son, RemDog.</p><p>* <strong>Hemlock:</strong> The death metal band makes an appearance in the film.</p><p><strong>Availability</strong></p><p>As of early 2025, the film has been released on digital platforms including <strong>Tubi</strong>, <strong>Apple TV</strong>, and <strong>Prime Video</strong>. It maintains a run time of approximately 93 minutes.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/38-years-later-slaughterhouse-2-death</link><guid isPermaLink="false">substack:post:197343484</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 12 May 2026 12:20:30 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197343484/041c38fb791449afc4e8abdf2bd474e4.mp3" length="10291546" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>643</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197343484/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Shiver Me Timbers (2025) Camping Nightmares: When Halley's Comet Strikes! #review]]></title><description><![CDATA[<p><strong>Shiver Me Timbers (2025)</strong></p><p><strong>Shiver Me Timbers</strong> is a 2025 independent horror-comedy that puts a dark, “splatter” spin on pirate mythology. Following the trend of turning classic tropes into low-budget creature features, the film leans heavily into practical gore effects and over-the-top camp.</p><p><strong>Production Details</strong></p><p>* <strong>Release Year:</strong> 2025</p><p>* <strong>Genre:</strong> Horror / Comedy / Slasher</p><p>* <strong>Style:</strong> Independent “Grindhouse” aesthetic</p><p><strong>The Sequel: Shiver Me Timbers 2: Chainsaws Are for Children</strong></p><p>Following the underground success of the first film, a sequel was quickly fast-tracked. The follow-up, subtitled <strong>Chainsaws Are for Children</strong>, expanded the scope of the “slasher at sea” concept.</p><p>* <strong>Crowdfunding:</strong> Much of the production for the sequel was supported by horror fans through an <strong>Indiegogo</strong> campaign launched in late 2025.</p><p>* <strong>Focus:</strong> The sequel doubled down on the practical “splatter” mastery seen in the original, prioritizing physical prosthetics and blood squibs over digital CGI.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/shiver-me-timbers-2025-camping-nightmares</link><guid isPermaLink="false">substack:post:197304781</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 12 May 2026 04:01:01 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197304781/912e74c28c64c9792e14c01cd0388b44.mp3" length="5788035" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>362</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197304781/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Revenge From The Grave! BITTER SOULS (2025) Trailer & Review]]></title><description><![CDATA[<p><strong>Bitter Souls (2025)</strong></p><p>Directed by <strong>Tom Ryan</strong> (<em>Theatre of Terror</em>), <em>Bitter Souls</em> is a Southern Gothic supernatural horror film that explores themes of black magic, grief, and vengeance. The film was primarily shot on location in <strong>Northeast Pennsylvania</strong>, featuring recognizable landmarks in Carbondale, Dickson City, and Scranton (including the Ritz Theater and the Circle Drive-In).</p><p><strong>Plot Summary</strong></p><p>After a teenage girl named Kendall Kane is brutally murdered by a group of bullies, her boyfriend Lucien refuses to accept her death. Driven by a desperate need for justice and a refusal to let go, Lucien enlists the help of a Catholic priest and a powerful voodoo priestess to rescue Kendall’s soul from the afterlife.</p><p>However, the resurrection requires crossing into a dangerous realm of black magic and confronting an evil houngan named Immanuel. As they soon discover, bringing someone back from the dead carries a devastating price: when Kendall returns, she is a vessel for supernatural fury, and “all hell breaks loose” as she hunts down those responsible for her death.</p><p><strong>Production & Cast</strong></p><p>* <strong>Director:</strong> Tom Ryan</p><p>* <strong>Cast:</strong></p><p>* <strong>Avaryana Rose</strong> as Kendall Kane</p><p>* <strong>Michael McKeever</strong> as Lucien</p><p>* <strong>Michael Hargrove</strong> (<em>Candyman 2021</em>) as Immanuel</p><p>* <strong>Destiny Leilani Brown</strong> (<em>Hell House Origins</em>) as Mahlet (Voodoo Priestess)</p><p>* <strong>Karl Barbee</strong> as Father O’Reilly</p><p>* <strong>Production Companies:</strong> Showtown American Pictures, Cannon Fire Productions, and Babe Entertainment.</p><p><strong>Release Information</strong></p><p>The film began its streaming rollout in <strong>late April/May 2025</strong> on platforms like <strong>Amazon Prime Video</strong> and <strong>Tubi</strong>. As of March 2026, it has been widely released for digital streaming.</p><p>The film has been noted for its “campy gem” qualities, mixing over-the-top kills with voodoo-inspired supernatural elements and practical effects.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/revenge-from-the-grave-bitter-souls</link><guid isPermaLink="false">substack:post:197299399</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 12 May 2026 02:46:43 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197299399/1d0cbe3c98db69c23a30e3ab2476513a.mp3" length="8527340" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>533</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197299399/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Zero Budget Terror! The Forest Clown (2025) Movie Review]]></title><description><![CDATA[<p><strong>The Forest Clown</strong> is a British indie horror-comedy that leans heavily into slasher tropes with a self-aware, “zero-budget” charm.</p><p>Directed by <strong>Lukas DiSparrow</strong>, the film is a spin-off of the 2024 project <em>Horror Stories</em>. It follows a familiar but playful premise: a camping trip that dissolves into a nightmare when a group of strangers is hunted by a mad clown.</p><p>Film Highlights</p><p>* <strong>Production Style:</strong> It was explicitly created as a practice project with a zero-budget ethos, aiming for a “playful take” on classic horror clichés rather than a polished Hollywood feel.</p><p>* <strong>Tone:</strong> The film blends horror and fantasy elements with a comedic, “Scary Movie” vibe, often acknowledging its own tropes.</p><p>* <strong>Availability:</strong> While it appears on platforms like MUBI and has an IMDb entry, the director also released the full feature for free on YouTube for horror fans and aspiring filmmakers.</p><p>Cast and Crew</p><p>* <strong>Director/Writer:</strong> Lukas DiSparrow</p><p>* <strong>Lead Cast:</strong> Joseph Blunt, Leo Fricker, Melisa Martinkenaite Zena, and Kathryn McLoughlin.</p><p>The movie has gained some niche traction in indie horror circles, particularly for its “proof of concept” energy and its use of the forest setting to build a low-cost, high-tension atmosphere.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/zero-budget-terror-the-forest-clown</link><guid isPermaLink="false">substack:post:197298037</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 12 May 2026 02:29:28 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197298037/c73b08dc26dc283ec22785ecc00e044f.mp3" length="6489789" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>406</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197298037/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Death by Carrot? 🥕 BAD BUNNY (2025) Movie Review & Trailer ]]></title><description><![CDATA[<p>Chuck Morrongiello’s <strong>Bad Bunny</strong> (also marketed under the titles <em>Bugs: The Bunny Killer</em> and <em>Bunny Killer</em>) was released in late 2025.</p><p>It has quickly gained a reputation in the indie horror community for its odd tonal shifts and commitment to practical effects.</p><p><strong>The Plot & Premise</strong></p><p>The film follows Sara (Karolina Morrongiello), a grieving widow who retreats to a secluded cabin in a forest town to find peace. Her recovery is interrupted by local rumors of a “rabbit-man”—a humanoid creature that stalks the woods. Unlike most slashers that use blades or power tools, this creature famously uses <strong>sharpened carrots</strong> as its primary weapon to dispatch victims.</p><p><strong>Key Production Details</strong></p><p>* <strong>Director:</strong> Chuck Morrongiello (known for <em>Amityville: Mt. Misery</em>).</p><p>* <strong>Practical Effects:</strong> The film leans heavily into “splatter” aesthetics. The rabbit-man is a physical suit rather than a CGI creation, which has been a highlight for fans of 1980s-style practical gore.</p><p>* <strong>Tone:</strong> Critics have noted that the film plays its absurd premise surprisingly straight. While the idea of a giant rabbit stabbing people with carrots sounds like a “Z-movie” comedy, the director focuses heavily on the protagonist’s psychological trauma and the survivalist elements of being hunted in the woods.</p><p>* <strong>Alternate Titles:</strong> Depending on your streaming platform (Tubi, Apple TV, or VOD), you might find it listed as <em>Bugs: The Bunny Killer</em> or simply <em>Bunny Killer</em>.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/death-by-carrot-bad-bunny-2025-movie</link><guid isPermaLink="false">substack:post:197296207</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Tue, 12 May 2026 02:10:44 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197296207/8c99478d1fd66eda236fc2d57ceda407.mp3" length="7076186" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>442</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197296207/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[The Sailor Man Returns! POPEYE'S REVENGE (2025) Review]]></title><description><![CDATA[<p>Popeye’s Revenge (2025)</p><p>With Popeye entering the public domain in early 2025, <strong>ITN Studios</strong> (the team behind the <em>Winnie the Pooh: Blood and Honey</em> films) released this British supernatural slasher. It’s part of the growing “Public Domain Horror” trend, though it is notably separate from the official “Twisted Childhood Universe.”</p><p>The Plot</p><p>The film follows a group of young adults attempting to renovate an old house into a summer camp. They soon discover the house is haunted by the legend of <strong>Johnny (aka Popeye)</strong>, a disfigured boy who was bullied for his appearance and his ever-present sailor suit. After a mob burned his family home, Johnny supposedly drowned, only to return as an adult supernatural killer whenever a dense fog rolls in.</p><p>Key Details</p><p>* <strong>Director:</strong> William Stead</p><p>* <strong>Lead Cast:</strong> Steven Murphy as Johnny/Popeye, Emily Mogilner as Tara, and Kelly Rian Sanson as <strong>Olive Oyl</strong>.</p><p>* <strong>Release:</strong> Premiered on VOD on <strong>February 13, 2025</strong>, and became available on Amazon Prime shortly after.</p><p>* <strong>Vibe:</strong> The film leans heavily into classic slasher tropes, borrowing origin elements from Freddy Krueger and Jason Voorhees. It features creative, nautical-themed kills using anchors and ropes.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-sailor-man-returns-popeyes-revenge-765</link><guid isPermaLink="false">substack:post:197155354</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sun, 10 May 2026 23:21:16 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197155354/4a0719973a0cf2f2d4852c67220193cb.mp3" length="5540186" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>346</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197155354/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Lou Ferrigno Goes Cannibal! The Hermit (2025) Official Trailer & Review]]></title><description><![CDATA[<p>The Hermit (2025)</p><p><strong>The Hermit</strong> is a horror/thriller that marks the first foray into the genre for global icon <strong>Lou Ferrigno</strong>. Directed by Salvatore Sclafani, the film leans into “cannibal chic” with a quirky, retro edge.</p><p><strong>Production Details</strong></p><p>* <strong>Director:</strong> Salvatore Sclafani</p><p>* <strong>Writer:</strong> William Walkerley</p><p>* <strong>Stars:</strong> Lou Ferrigno, Malina Weissman, Anthony Turpel</p><p>* <strong>Release Date:</strong> Digital/VOD on <strong>March 3, 2026</strong> (following a 2025 festival/limited circuit)</p><p>* <strong>Genre:</strong> Horror, Thriller</p><p><strong>Synopsis</strong></p><p>The story follows two self-absorbed teenagers, Lisa (Weissman) and Eric (Turpel), who are dragged on a woodland retreat. Their vacation turns into a struggle for survival when they stumble upon a reclusive pig farmer named Hugo (Ferrigno).</p><p>Hugo is no ordinary farmer; he is a cannibal who produces a locally famous jerky made from human flesh. The film uses a framing device where Lisa recounts the harrowing experience to a journalist, slowly revealing how she managed to survive the “unstoppable” hermit.</p><p><strong>Key Highlights</strong></p><p>* <strong>Ferrigno’s Performance:</strong> Playing a nearly mute, “Hillbilly Jeffrey Dahmer,” Ferrigno relies on his massive physical presence and body language rather than dialogue. Reviews suggest his portrayal is surprisingly soulful and even sympathetic at times.</p><p>* <strong>Practical Effects:</strong> The film emphasizes a gritty, retro aesthetic, featuring gory kills—most notably involving the Hermit’s signature homemade spear.</p><p>* <strong>Tone:</strong> Critics have compared the vibe to a blend of <em>The Texas Chain Saw Massacre</em> and <em>Motel Hell</em>, though it occasionally dips into dark comedy and camp, especially with its “quirky” soundtrack choices.</p><p>* <strong>The Reveal:</strong> The narrative structure includes a meta-twist regarding the interview format that recontextualizes the events of the massacre.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/lou-ferrigno-goes-cannibal-the-hermit</link><guid isPermaLink="false">substack:post:197128173</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sun, 10 May 2026 18:19:14 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197128173/62882b45ada6fd2a8645c45ed90d6e6f.mp3" length="8625291" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>539</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197128173/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Primate (2026) Movie Review: Ben the Chimp Goes Full Savage!]]></title><description><![CDATA[<p><strong>Primate</strong> is a <strong>2026 natural horror</strong> film directed by Johannes Roberts, known for <em>47 Meters Down</em>. The film premiered at Fantastic Fest in September 2025 before its wide theatrical release in the United States on <strong>January 9, 2026</strong>.</p><p>Movie Overview</p><p>* <strong>Release Date:</strong> January 9, 2026 (United States).</p><p>* <strong>Director:</strong> Johannes Roberts.</p><p>* <strong>Cast:</strong> Stars <strong>Johnny Sequoyah</strong> (Lucy), <strong>Jessica Alexander</strong> (Hannah), and Oscar winner <strong>Troy Kotsur</strong> (Adam).</p><p>* <strong>Plot:</strong> The story follows Lucy, who returns home to Hawaii from college to visit her father and younger sister. Their domestic life is upended when the family’s pet chimpanzee, <strong>Ben</strong>, contracts rabies after being bitten by a mongoose and turns into a feral, smart predator.</p><p>* <strong>Box Office:</strong> The film has grossed approximately <strong>$41 million</strong> worldwide.</p><p>Production & Style</p><p>* <strong>Practical Effects:</strong> Similar to other recent genre films, <em>Primate</em> utilized <strong>mostly physical effects</strong> and suits (performed by Miguel Torres Umba) to bring the chimpanzee to life, giving it a grounded and nostalgic feel.</p><p>* <strong>Setting:</strong> The film is primarily an isolated “home invasion” style horror, with much of the suspenseful action confined to the family home and pool area.</p><p>* <strong>Tone:</strong> Critics have described it as a “slasher” where the killer is an animal, noting its propulsive pacing at under 90 minutes and its use of classic horror tropes.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/primate-2026-movie-review-ben-the</link><guid isPermaLink="false">substack:post:197123772</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sun, 10 May 2026 17:15:27 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197123772/1655d29916cabd6028044a24be298fb6.mp3" length="6557916" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>410</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197123772/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[Grizzly Night (2026) Review: The Terrifying True Story of the Night of the Grizzlies]]></title><description><![CDATA[<p><strong>Grizzly Night</strong> is a 2026 survival thriller directed by <strong>Burke Doeren</strong>. The film is inspired by the historical “Night of the Grizzlies” tragedy that occurred in 1967 at Glacier National Park.</p><p><strong>Production & Release</strong></p><p>* <strong>Release Date:</strong> January 30, 2026, on VOD and digital platforms.</p><p>* <strong>Director:</strong> Burke Doeren.</p><p>* <strong>Cast:</strong> The film stars <strong>Brec Bassinger</strong>, <strong>Charles Esten</strong>, and <strong>Oded Fehr</strong>.</p><p><strong>Story & Reception</strong></p><p>* <strong>Premise:</strong> The plot follows a rookie park ranger who must lead a group of survivors to safety after two fatal grizzly bear attacks occur simultaneously in different parts of the park.</p><p>* <strong>Genre:</strong> While marketed as a creature feature, it is described more as a grounded survival drama than a typical horror slasher.</p><p>* <strong>Reception:</strong> Critical response has been mixed, with reviewers noting a clash between its serious tone and the expectations of a creature feature, particularly regarding its pacing.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/grizzly-night-2026-review-the-terrifying</link><guid isPermaLink="false">substack:post:197122424</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sun, 10 May 2026 17:05:05 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197122424/f164668d6f2062154067de111a2da233.mp3" length="6738475" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>421</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197122424/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[The Beast Awakened! Savage Hunt (2025) Review]]></title><description><![CDATA[<p><strong>Savage Hunt</strong>, it was actually released in late 2025 and is currently making its way through the 2026 home media circuit.</p><p>Directed by Roel Reiné (<em>Fistful of Vengeance</em>), the film is a “Man vs. Beast” survival thriller set in the Montana wilderness.</p><p>Movie Details</p><p>* <strong>Release Date:</strong> December 2, 2025 (VOD/Digital)</p><p>* <strong>Genre:</strong> Horror / Action / Thriller</p><p>* <strong>Director:</strong> Roel Reiné</p><p>* <strong>Cast:</strong> James Oliver Wheatley, Colin Mace, Fotina Papatheodorou, and Anthony Barclay.</p><p>Plot Overview</p><p>The story centers on a massive grizzly bear that begins a bloody rampage after a multinational conglomerate starts construction on a luxury resort in the Montana woods.</p><p>* <strong>The Conflict:</strong> When environmental activists are torn to shreds, the local Sheriff and a Park Ranger are forced to shut down the site.</p><p>* <strong>The Hunter:</strong> They recruit <strong>Joe Regan</strong> (James Oliver Wheatley), a tormented former ranger and expert tracker with a tragic past, to hunt the predator down.</p><p>* <strong>Survival Elements:</strong> The third act shifts into a <em>Predator</em>-style silent hunt through the forest as Joe goes one-on-one with the bear.</p><p>Production and Reception</p><p>The film has been a topic of discussion in the genre community for its “B-movie” sensibilities and practical elements:</p><p>* <strong>The Bear:</strong> The production used a mix of real bear footage and animatronic puppets, though critics have noted that some of the digital “gore” effects feel a bit low-budget.</p><p>* <strong>Atmosphere:</strong> It leans heavily into a dour, serious tone rather than the campiness often found in “Killer Bear” movies (like <em>Cocaine Bear</em>).</p><p>* <strong>Setting:</strong> While set in Montana, the film was actually shot in Bulgaria, which some viewers noted gives the “American” wilderness a slightly unique, European look.</p><p>Where to Watch (2026)</p><p>* <strong>Digital:</strong> Available to rent or buy on <strong>Amazon</strong>, <strong>Apple TV</strong>, and <strong>Fandango at Home</strong>.</p><p>* <strong>Physical:</strong> The Blu-ray and DVD were released early in 2026 via <strong>Shout! Studios</strong>.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/the-beast-awakened-savage-hunt-2025</link><guid isPermaLink="false">substack:post:197121520</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sun, 10 May 2026 16:55:29 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197121520/5f03b631866a6940c64ee9012e9e2ad1.mp3" length="7487457" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>468</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197121520/7ed2332993695d7c61c9e17b34044d80.jpg"/></item><item><title><![CDATA[SILENT NIGHT, DEADLY NIGHT (2025) - Is The Christmas Slasher Reboot Any Good? Review ]]></title><description><![CDATA[<p>The 2025 reimagining of <strong>Silent Night, Deadly Night</strong> was released on <strong>December 12, 2025</strong>, by Cineverse. Directed by Mike P. Nelson (<em>Wrong Turn</em> 2021), this version moves away from the straightforward slasher formula of the 1984 original to offer a more stylized, psychological take on the “Killer Santa” mythos.</p><p>Key Production Details</p><p>* <strong>Director:</strong> Mike P. Nelson</p><p>* <strong>Cast:</strong> Rohan Campbell (<em>Halloween Ends</em>) as Billy Chapman, Ruby Modine (<em>Happy Death Day</em>) as Pam, and Mark Acheson as the voice of Charlie.</p><p>* <strong>Runtime:</strong> 1 hour 36 minutes</p><p>* <strong>Rating:</strong> R (for strong bloody violence, language, and some sexual content)</p><p>Plot and Tone</p><p>Rather than a direct remake, the film plays out as a twisted “Dexter-meets-holiday-horror” story. Billy Chapman is a drifter who hears the voice of “Charlie”—the man who murdered his parents—urging him to “punish” the naughty.</p><p>* <strong>The Ritual:</strong> Billy follows an Advent calendar of sorts, committing a specific act of violence for each day leading up to Christmas.</p><p>* <strong>Standout Sequence:</strong> The film has gained significant buzz for a mid-movie massacre at a secret neo-Nazi Christmas party, which many critics cited as a highlight for its sheer absurdity and practical gore.</p><p>* <strong>The Ending:</strong> The finale introduces a supernatural or psychological “passing of the torch” element that has divided fans regarding its logic, but solidifies the film’s unique identity within the franchise.</p><p>Home Media & Availability</p><p>As of early 2026, the film is widely available for physical and digital collectors:</p><p>* <strong>4K UHD/Blu-ray:</strong> Released in <strong>February 2026</strong>, including a collectible Steelbook edition featuring artwork that leans into a gritty, retro aesthetic.</p><p>* <strong>Streaming/VOD:</strong> It is currently available to rent or buy on platforms like <strong>Fandango at Home (Vudu)</strong> and <strong>Amazon</strong>.</p><p>Critical reception has been surprisingly positive for a seventh installment, with many praising the cinematography and the leads’ performances while acknowledging that the third act takes some wild, reality-bending risks.</p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://goreandgrimepodcast.substack.com?utm_medium=podcast&#38;utm_campaign=CTA_1">goreandgrimepodcast.substack.com</a>]]></description><link>https://goreandgrimepodcast.substack.com/p/silent-night-deadly-night-2025-is</link><guid isPermaLink="false">substack:post:197120547</guid><dc:creator><![CDATA[Gore And Grime Podcast]]></dc:creator><pubDate>Sun, 10 May 2026 16:44:13 GMT</pubDate><enclosure url="https://pscrb.fm/rss/p/prfx.byspotify.com/e/claritaspod.com/measure/api.substack.com/feed/podcast/197120547/13b5f0d84d2cd2c005d608a3c2ebae21.mp3" length="6845472" type="audio/mpeg"/><itunes:author>Gore And Grime Podcast</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>428</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8987534/post/197120547/7ed2332993695d7c61c9e17b34044d80.jpg"/></item></channel></rss>