<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"><channel><title><![CDATA[The Eric Jackson Podcast]]></title><description><![CDATA[Structural analysis at the intersection of finance, culture, and power.

Hosted by Eric Jackson — Founder of EMJ Capital, a long/short hedge fund focused on tech, media, and credit, and EventHorizonIQ, the research platform behind the published track record.

Each episode decodes what's actually happening in a specific market, song, earnings call, or corporate negotiation — and what it predicts. Episodes range from regime calls in crypto and equity markets, to long-form verse-by-verse breakdowns of culturally-defining records, to investigations into private credit, AI hype cycles, and corporate succession dynamics.

Past calls include the Bombardier turnaround at $30, Carvana at $15 before the 32x run, the May 26 BTC stress regime ahead of a 21% drawdown, the Iceman album as Drake's Universal Music exit filing, three private credit gating events forecast in the Pebbles series. Wall Street Journal, Bloomberg, and Business Insider have covered the calls.

This is not financial advice. This is structural analysis. Do your own work. <br/><br/><a href="https://eventhorizoniq.substack.com?utm_medium=podcast">eventhorizoniq.substack.com</a>]]></description><link>https://eventhorizoniq.substack.com/podcast</link><generator>Substack</generator><lastBuildDate>Sat, 18 Jul 2026 08:58:06 GMT</lastBuildDate><atom:link href="https://api.substack.com/feed/podcast/8270458.rss" rel="self" type="application/rss+xml"/><author><![CDATA[Eric Jackson]]></author><copyright><![CDATA[Eric Jackson]]></copyright><language><![CDATA[en]]></language><webMaster><![CDATA[eventhorizoniq@substack.com]]></webMaster><itunes:new-feed-url>https://api.substack.com/feed/podcast/8270458.rss</itunes:new-feed-url><itunes:author>Eric Jackson</itunes:author><itunes:subtitle>My personal Substack</itunes:subtitle><itunes:type>episodic</itunes:type><itunes:owner><itunes:name>Eric Jackson</itunes:name><itunes:email>eventhorizoniq@substack.com</itunes:email></itunes:owner><itunes:explicit>Yes</itunes:explicit><itunes:category text="Business"><itunes:category text="Investing"/></itunes:category><itunes:category text="Society &amp; Culture"><itunes:category text="Documentary"/></itunes:category><itunes:image href="https://substackcdn.com/feed/podcast/8270458/47115f089c1b701f61c2dd169bd2417a.jpg"/><item><title><![CDATA[Why Drake Will Outlast Every Rap Empire]]></title><description><![CDATA[<p>Walking through Venice, I realized the same forces that brought down one of history’s greatest empires explain why some artists vanish while others stay relevant for decades — and why Jay-Z, Kanye, and Drake each chose a different path.</p><p>This isn’t really about Drake. It’s about why empires quietly decline, why some founders stay relevant while others fade, and the lesson every entrepreneur and investor should understand. History doesn’t repeat. It rhymes.</p><p>In this episode:</p><p>- (00:58) The hidden lesson from Venice</p><p>- (02:14) Why great empires quietly decline</p><p>- (03:48) The mistake Jay-Z, Kanye & others made</p><p>- (05:26) Drake’s real competitive advantage</p><p>- (07:12) Why people can’t stop following Drake</p><p>- (08:56) The business lesson everyone misses</p><p>- (10:34) The investing lesson that changed my thinking</p><p>New Walk & Talk every day. Own the future. Don’t rent it.</p> <br/><br/>Get full access to EventHorizonIQ at <a href="https://eventhorizoniq.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_4">eventhorizoniq.substack.com/subscribe</a>]]></description><link>https://eventhorizoniq.substack.com/p/why-drake-will-outlast-every-rap</link><guid isPermaLink="false">substack:post:205287929</guid><dc:creator><![CDATA[Eric Jackson]]></dc:creator><pubDate>Sun, 05 Jul 2026 16:09:38 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/205287929/306e061b28ededbe5fd1ea6684ae5a66.mp3" length="11728114" type="audio/mpeg"/><itunes:author>Eric Jackson</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>733</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8270458/post/205287929/47115f089c1b701f61c2dd169bd2417a.jpg"/></item><item><title><![CDATA[Iceman, Pt. 3 — Kendrick Called Drake Michael Jackson. Drake Made It a Crown.]]></title><description><![CDATA[<p>In March 2024, Kendrick Lamar tried to end Drake's career with one line: "Prince outlived Mike Jack." Translation — you're the doomed Michael Jackson, I'm the canonized Prince. It was the most sophisticated insult of the entire battle, and it was supposed to be a death sentence.</p><p>  </p><p>Two years later, Drake passed Michael Jackson's solo chart record, put MJ's actual glove on his album cover, and — through his own uncle, Larry Graham, Prince's spiritual mentor — laid claim to Prince too. The insult didn't get flipped. It expired.</p><p>  </p><p>Part 3 of the Iceman series is the forensic version, every claim sourced: the MJ biopic that landed one month before Iceman and turned the comparison from liability to coronation, the bloodline and the Bridle Path, the audience-durability test, and the receipt almost nobody gets right — who actually owns Drake's masters. Because the real war was never against Kendrick. It's against the building they both record inside.</p><p>  </p><p>A rap battle is a fireworks show. Owning your work is the power grid. Only one of those lasts 30 years.</p><p>  </p><p>12:49. Read the written version with all sources at <a target="_blank" href="http://eventhorizoniq.com">eventhorizoniq.com</a>.</p> <br/><br/>Get full access to EventHorizonIQ at <a href="https://eventhorizoniq.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_4">eventhorizoniq.substack.com/subscribe</a>]]></description><link>https://eventhorizoniq.substack.com/p/iceman-pt-3-kendrick-called-drake</link><guid isPermaLink="false">substack:post:202422848</guid><dc:creator><![CDATA[Eric Jackson]]></dc:creator><pubDate>Wed, 17 Jun 2026 12:27:29 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/202422848/e60e7c0bcfd3cd132b25a4809e4a356e.mp3" length="9230710" type="audio/mpeg"/><itunes:author>Eric Jackson</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>769</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8270458/post/202422848/47115f089c1b701f61c2dd169bd2417a.jpg"/></item><item><title><![CDATA[He Wasn't Dissing. He Was Auditing — What Drake's Diss Tracks Were Really About]]></title><description><![CDATA[<p>The biggest rap beef in a generation — Drake vs. Kendrick, spring 2024 — was also, read closely, a forensic audit of the music industry. I decode "Push Ups" and "Family Matters" as business documents: who owns the masters, who's a principal and who's labor, and the wordplay that hides a record-label org chart inside a single threat. Then the turn — mid-audit, Drake names his own $400 million Universal deal and lands himself on the same map he drew for everyone else. Plus how the exact same ownership architecture runs through country music's biggest star. Every business claim is Drake's assertion; several are unverified by design — that's the point.</p> <br/><br/>Get full access to EventHorizonIQ at <a href="https://eventhorizoniq.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_4">eventhorizoniq.substack.com/subscribe</a>]]></description><link>https://eventhorizoniq.substack.com/p/he-wasnt-dissing-he-was-auditing-327</link><guid isPermaLink="false">substack:post:202181476</guid><dc:creator><![CDATA[Eric Jackson]]></dc:creator><pubDate>Mon, 15 Jun 2026 19:40:27 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/202181476/8725bc93736639d58ea2ef094f7ab0ff.mp3" length="16418109" type="audio/mpeg"/><itunes:author>Eric Jackson</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>1026</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8270458/post/202181476/47115f089c1b701f61c2dd169bd2417a.jpg"/></item><item><title><![CDATA[Morgan Wallen Didn't Write His Own Confession]]></title><description><![CDATA[<p>The most personal song Morgan Wallen ever recorded — Don't Think Jesus — he didn't write 1 word of it. 3 Nashville songwriters did, it dropped on Good Friday 14 months after the worst night of his career, and it hit No. 1 anyway.</p><p>  </p><p>I decode Drake for a living. This is the same story — the machine behind the music — wearing a cowboy hat. We follow the money from a cancelled country star to the biggest rapper alive and find them both routing to the same corporation, neither one owning his own records.</p><p>  Inside: February 2021 as a forced liquidation, the Nashville writers' room that builds the confessions, the 2026 Journal of Marketing Research study that names Wallen as one of its 4 cases, and why the cleanest credits page in his catalog might be the most honest thing on the record.</p><p>  Watch the full breakdown: youtu.be/Rpl9eNgnxsM</p><p>Read it: eventhorizoniq.substack.com/p/morgan-wallen-didnt-write-his-own</p><p>  </p><p>Day 298. Same method, every day.</p> <br/><br/>Get full access to EventHorizonIQ at <a href="https://eventhorizoniq.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_4">eventhorizoniq.substack.com/subscribe</a>]]></description><link>https://eventhorizoniq.substack.com/p/morgan-wallen-didnt-write-his-own-635</link><guid isPermaLink="false">substack:post:201868634</guid><dc:creator><![CDATA[Eric Jackson]]></dc:creator><pubDate>Sat, 13 Jun 2026 13:17:15 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/201868634/fc03316c7db079466c0cc68dbeea2f60.mp3" length="18541234" type="audio/mpeg"/><itunes:author>Eric Jackson</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>1159</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8270458/post/201868634/47115f089c1b701f61c2dd169bd2417a.jpg"/></item><item><title><![CDATA[The Super Bowl Rented Kendrick an Audience. Drake Owns His.]]></title><description><![CDATA[<p>I bet I could prove Drake out-writes Kendrick — built a machine, counted every double and triple meaning across 58 songs, and lost: Kendrick's denser in 3 of 4 eras. So I measured a different thing. In a controlled window where both released nothing for 7 months, Drake's audience grew on catalog alone while Kendrick's shrank — after the biggest year any rapper's ever had. Wrong about the metric, right about the man.</p><p>  Video: <a target="_blank" href="https://youtu.be/L1Qxlw0TmV0">https://youtu.be/L1Qxlw0TmV0</a></p><p>  Full written study: <a target="_blank" href="https://open.substack.com/pub/eventhorizon">https://open.substack.com/pub/eventhorizon</a>iq/p/the-super-bowl-rented-kendrick-an</p><p>  Track record, graded in public: eventhorizoniq.com/scoreboard</p> <br/><br/>Get full access to EventHorizonIQ at <a href="https://eventhorizoniq.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_4">eventhorizoniq.substack.com/subscribe</a>]]></description><link>https://eventhorizoniq.substack.com/p/the-super-bowl-rented-kendrick-an-b41</link><guid isPermaLink="false">substack:post:201743164</guid><dc:creator><![CDATA[Eric Jackson]]></dc:creator><pubDate>Fri, 12 Jun 2026 13:11:13 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/201743164/baca92063ab6e9b36d56b52c812af383.mp3" length="14002197" type="audio/mpeg"/><itunes:author>Eric Jackson</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>875</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8270458/post/201743164/8e2f5f0158913e9a9ab29c32f7484adf.jpg"/></item><item><title><![CDATA[The Archive and the Altar — Drake Has Never Promised to Marry Anyone. I Checked All 244 Songs.]]></title><description><![CDATA[<p>Thirteen years ago, Drake put a question from his own mother on a track: "Who wants to be seventy and alone?" He never answered her — anywhere. I scanned all 244 songs he's ever released: 34 marriage references, zero promises, an excuse timeline that evolves era by era while the answer never changes, the women's voices that kept delivering the diagnosis for fifteen years, and the one time he used the word "engaged" about himself — which doesn't mean what you think.</p><p>  Video version: <a target="_blank" href="https://youtu.be/TxNfJQ4CjPI">https://youtu.be/TxNfJQ4CjPI</a></p><p>  Written version with every bar and number: <a target="_blank" href="https://open.substa">https://open.substa</a>ck.com/pub/eventhorizoniq/p/the-archive-and-the-altar</p><p>  Track record, graded in public: eventhorizoniq.com/scoreboard</p> <br/><br/>Get full access to EventHorizonIQ at <a href="https://eventhorizoniq.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_4">eventhorizoniq.substack.com/subscribe</a>]]></description><link>https://eventhorizoniq.substack.com/p/the-archive-and-the-altar-drake-has</link><guid isPermaLink="false">substack:post:201607822</guid><dc:creator><![CDATA[Eric Jackson]]></dc:creator><pubDate>Thu, 11 Jun 2026 14:50:40 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/201607822/707f52f41e3a0e1c5057066a4306ed2f.mp3" length="9322414" type="audio/mpeg"/><itunes:author>Eric Jackson</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>777</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8270458/post/201607822/27eb15d70567d5348fd274ea8b0b1b69.jpg"/></item><item><title><![CDATA[I Counted 32,000 Drake Words. The Evolution Everyone Missed.]]></title><description><![CDATA[<p>I ran every word on three Drake albums — Take Care (2011), Nothing Was the Same (2013), Iceman (2026) — through a counting script. His "business album" mentions money the least of his career, the peak-of-power album asks the most questions, and one word quietly changed sides over thirteen years: in 2013 he called his label "the family"; by 2026 it was "they."</p><p>  Video version: <a target="_blank" href="https://youtu.be/o-QfxquOyzg">https://youtu.be/o-QfxquOyzg</a></p><p>  Written version with every bar and number:</p><p>  <a target="_blank" href="https://open.substack.com/pub/eventhorizoniq/p/drakes-biggest-">https://open.substack.com/pub/eventhorizoniq/p/drakes-biggest</a>-album-mentions-money</p><p>Track record, graded in public: eventhorizoniq.com/scoreboard</p> <br/><br/>Get full access to EventHorizonIQ at <a href="https://eventhorizoniq.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_4">eventhorizoniq.substack.com/subscribe</a>]]></description><link>https://eventhorizoniq.substack.com/p/i-counted-32000-drake-words-the-evolution</link><guid isPermaLink="false">substack:post:201607452</guid><dc:creator><![CDATA[Eric Jackson]]></dc:creator><pubDate>Thu, 11 Jun 2026 14:47:37 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/201607452/2b3f91c5618fd460838c79676bf2a414.mp3" length="19000571" type="audio/mpeg"/><itunes:author>Eric Jackson</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>1188</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8270458/post/201607452/ce967b8686e0cd300cafffdbf21eb438.jpg"/></item><item><title><![CDATA[Drake's Dust Decoded: How He Names the Family Behind Universal Music — Iceman Series, Layer 6]]></title><description><![CDATA[<p>On Track 2 of Iceman — a song called Dust — Drake names the</p><p>family that owns Universal Music. This episode walks through</p><p>the structural decode of how he does it, why placing the</p><p>institutional-naming move at the front of the album is</p><p>structurally significant for the broader Iceman exit thesis,</p><p>and what the chart context, bundle-callout opening line,</p><p>Chartmetric decay-curve comparison, Melbourne/Super Bowl LIX</p><p>geographic receipt, Albany post-corridor architecture, and</p><p>Bolloré-Vivendi-UMG parent-corporation layer reveal about</p><p>Drake's structural positioning.</p><p>The sixth layer of the Iceman exit thesis stack.</p><p>Two stamped EHIQ predictions on the public ledger against the</p><p>Iceman exit thesis: UMG exit by end of 2027 at 55%</p><p>probability, and next deal $650M-$1.4B all-rights with</p><p>ownership-bearing structure at 62% probability. Both calls</p><p>graded publicly.</p><p>Prior episodes in the Iceman series:</p><p>— Drake's Janice STFU Decoded (mechanism)</p><p>— Drake's Ran to Atlanta Decoded (post-corridor production</p><p>infrastructure)</p><p>— Drake's National Treasures Decoded (territorial anchor)</p><p>— Drake's Dust Decoded (family-network institution) — this</p><p>episode</p><p>Track record context: previously called Carvana at</p><p>single-digit prices, Opendoor at sub-dollar levels, IREN at</p><p>single digits, CIFR at three dollars, the Bombardier</p><p>turnaround 2020, and the May 26 2026 macro stress</p><p>print at approximately -20% over the following two weeks.</p><p>Bloomberg, Business Insider, and other outlets have covered</p><p>prior calls.</p><p>Episode tags</p><p>Drake, Iceman, Music Industry, Universal Music, UMG, Lucian</p><p>Grainge, Sofia Richie, Elliot Grainge, Music Business,</p><p>Structural Analysis, Investment Analysis, EHIQ, Eric Jackson,</p><p>Hip Hop Industry, Album Decode</p> <br/><br/>Get full access to EventHorizonIQ at <a href="https://eventhorizoniq.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_4">eventhorizoniq.substack.com/subscribe</a>]]></description><link>https://eventhorizoniq.substack.com/p/drakes-dust-decoded-how-he-names</link><guid isPermaLink="false">substack:post:201294851</guid><dc:creator><![CDATA[Eric Jackson]]></dc:creator><pubDate>Tue, 09 Jun 2026 13:19:37 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/201294851/866c6a1b9ccb8aef9bc1ef28c2eeccff.mp3" length="21273748" type="audio/mpeg"/><itunes:author>Eric Jackson</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>1773</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8270458/post/201294851/47115f089c1b701f61c2dd169bd2417a.jpg"/></item><item><title><![CDATA[Drake's National Treasures Decoded: How He Anchors His Universal Music Exit in Toronto]]></title><description><![CDATA[<p>Track 9 of Drake's Iceman album decoded as the territorial-anchor leg of his Universal Music Group exit thesis. The song title came from a real conversation Drake had with NBA on TNT analyst Taylor Rooks — confirmed via Rooks's Instagram Story on her own Supermax-quote post. That changes the structural reading of the song.Fifth piece in the Iceman structural-analysis series. The methodology is the same 10-K-style structural lens I use running EMJ Capital and writing for Event Horizon IQ.</p><p>  Chapters:</p><p>  0:00 Intro — Iceman at #1, four Hot 100 top-10 debuts</p><p>  2:00 The Contract-Ink Bar</p><p>  5:00 Out in the 6ix — Toronto as Institutional Backing</p><p>  8:00 The Taylor Rooks Origin</p><p>  12:00 The DeMar DeRozan Break</p><p>  15:30 The Kawhi Correction</p><p>  19:00 The Persona Shift — Iceman Was a Nice Man, Now Hot and Cold</p><p>  22:00 TPS at My Crib — The May 7 2024 Survival Receipt</p><p>  25:00 Scarborough / UTSC — Territorial Marking</p><p>  28:30 The Fifth Layer + Ran to Atlanta In-Culture Updates</p><p>  32:00 EHIQ Predictions</p><p>  34:00 Day 293 Close</p><p>Two stamped predictions on the EHIQ public ledger:</p><p>  — Drake exits Universal Music Group by end of 2027 — 55%</p><p>  — Drake's next deal lands $650M–$1.4B all-rights with ownership-bearing structure — 62%</p><p>Companion video: <a target="_blank" href="https://www.youtube.com/watch?v=PvhychnMSsE">https://www.youtube.com/watch?v=PvhychnMSsE</a></p><p>Substack written piece: <a target="_blank" href="https://eventhorizoniq.substack.com/p/">https://eventhorizoniq.substack.com/</a>p/out-in-the-6ix-im-a-national-treasure</p><p>Live predictions: <a target="_blank" href="https://eventhorizoniq.com/predictions">https://eventhorizoniq.com/predictions</a></p><p>  Day 293.</p> <br/><br/>Get full access to EventHorizonIQ at <a href="https://eventhorizoniq.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_4">eventhorizoniq.substack.com/subscribe</a>]]></description><link>https://eventhorizoniq.substack.com/p/drakes-national-treasures-decoded</link><guid isPermaLink="false">substack:post:201155664</guid><dc:creator><![CDATA[Eric Jackson]]></dc:creator><pubDate>Mon, 08 Jun 2026 14:37:48 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/201155664/f9e70844c8b751dd618f00e43add9218.mp3" length="24909673" type="audio/mpeg"/><itunes:author>Eric Jackson</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>2076</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8270458/post/201155664/5a9f56eaa6f5ad51a8e8c2d036c2d2ce.jpg"/></item><item><title><![CDATA[Drake's Ran to Atlanta Decoded: How He Bypasses Universal Music (Audio)]]></title><description><![CDATA[<p>I recorded a 32-minute verse-by-verse breakdown of “Ran to Atlanta.” Every bar, what it’s doing structurally, and why this is the cleanest single-track statement Drake has made about how the music industry is restructuring around him.</p> <br/><br/>Get full access to EventHorizonIQ at <a href="https://eventhorizoniq.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_4">eventhorizoniq.substack.com/subscribe</a>]]></description><link>https://eventhorizoniq.substack.com/p/drakes-ran-to-atlanta-decoded-how</link><guid isPermaLink="false">substack:post:201012497</guid><dc:creator><![CDATA[Eric Jackson]]></dc:creator><pubDate>Sun, 07 Jun 2026 14:23:38 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/201012497/c20e1b23829d0171d867e10f7dad961f.mp3" length="23015070" type="audio/mpeg"/><itunes:author>Eric Jackson</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>1918</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8270458/post/201012497/47115f089c1b701f61c2dd169bd2417a.jpg"/></item><item><title><![CDATA[Janice STFU — 38-Minute Verse-by-Verse Breakdown (Audio)]]></title><description><![CDATA[<p>Audio version of the 38-minute Janice STFU breakdown. If you prefer to listen instead of watch — same content, audio-only. — The four-layered title (Sopranos / Kendrick / Joe Budden / a specific woman in Drake’s orbit)</p><p>  — The chorus mechanics and the Emiliana / Amelia Hamlin reading</p><p>  — The streaming-economy thesis stated explicitly in verse one</p><p>  — The structural exit bar in verse two — “there’s a difference between getting out of your deal and being let out of your deal”</p><p>  — The power-inversion bar — “how many more interviews y’all gonna do just to get Ice to chill”Plus the broader exit-thesis stack: the Lucian Grainge 14-year lyric arc, the January 2025 UMG defamation lawsuit, the Ed Sheeran / Warner exit precedent two weeks ago, the catalog-economy moat.</p><p>Drake didn’t depart. The institution is the entity in retreat.</p><p>Day 291.</p><p>Video version:</p><p>Written breakdown: <a target="_blank" href="https://eventhorizoniq.substack.com/p/you-dont-get-out-you-get-let-out">https://eventhorizoniq.substack.com/p/you-dont-get-out-you-get-let-out</a></p> <br/><br/>Get full access to EventHorizonIQ at <a href="https://eventhorizoniq.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_4">eventhorizoniq.substack.com/subscribe</a>]]></description><link>https://eventhorizoniq.substack.com/p/janice-stfu-38-minute-verse-by-verse</link><guid isPermaLink="false">substack:post:200893466</guid><dc:creator><![CDATA[Eric Jackson]]></dc:creator><pubDate>Sat, 06 Jun 2026 14:20:19 GMT</pubDate><enclosure url="https://api.substack.com/feed/podcast/200893466/71f75b1221ab0288860a6ececf205f2f.mp3" length="36557782" type="audio/mpeg"/><itunes:author>Eric Jackson</itunes:author><itunes:explicit>No</itunes:explicit><itunes:duration>2285</itunes:duration><itunes:image href="https://substackcdn.com/feed/podcast/8270458/post/200893466/189dfc5506e0c8bddfd97e3f44f308d0.jpg"/><itunes:season>1</itunes:season><itunes:episode>1</itunes:episode><itunes:episodeType>full</itunes:episodeType></item></channel></rss>